D’addario nyxl strings
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- John Brock
- Posts: 307
- Joined: 1 Jul 2011 10:45 am
- Location: Xenia, Ohio
D’addario nyxl strings
Thank you forum
I would like to ask anyone of their first time impressions of these
Ans thanks bOb
I would like to ask anyone of their first time impressions of these
Ans thanks bOb
GFI S10 Nashville 400 Epiphone J200 Kentucky BM650 Mandolin Fender 112 Alvarez 5018 12
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- Flip Brown
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I'm a "terminal intermediate' when it comes to pedal steel, but I love these strings. They never break, stay in tune, and sound great.
MSA Millennium SD-10 #22, Fender Steel King with Eminence EPS-15C speaker, Lehle Mono 90 Volume Pedal, Sarno Black Box, Baby Bloomer, Sarno Earth Drive, EHX Mel 9, EHX Small Stone, Mooer Chorus, Keeley Caverns, Clinesmith bar, Acri picks, Nioma lap steel, Regal resonator, and a whole bunch of other instruments.
- Jack Stoner
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I tried them when I lived in Florida on my D-10 Franklin. I was given two sets. Hate the packaging with the color coded balls. Seemed stiff and didn't last any longer than others.
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- Dave Campbell
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- Jerry Horch
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Strings
I’m in line with Jack…but I may get a set to try out again…
Franklin D10 /Walker Sterio Steel JBL's /DigiTech Quad4/ Korg Toneworks/ Dobro DM 1000 / Santa Cruz Guitar VA
- Steve Lipsey
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In the 95 degree heat we gigged in yesterday with these strings (NYXL Light), opens, levers and pedals sagged from ½ up to to a full step down...stayed pretty solid (with small drifts) once everything was retuned...
Is that typical of any other strings?
Is that typical of any other strings?
www.facebook.com/swingaliband & a few more....
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
Yes. I would not blame the strings at all.Steve Lipsey wrote:
Is that typical of any other strings?
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I tried a NYXL 12 string set -- actually, I bought a C6 set and a couple of singles to make up my E9/B6 needs. They sounded good and performed well.
I buy all my strings from juststrings.com in single-gauge dozen packs and the resultant difference in price per set vs. a set of NYXL's is so extreme that the D'Ads would have had to be way way way better than the juststring strings to get me to shell out the $$. For me, they are not. I'm too cheap to spend 3 or 4 times more for an incremental upgrade.
- Paddy Long
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Ive been using NYXL's (PF's gauges) for a few years now, and have found them the best for longevity and staying in tune well, and great tone ... love em, and have no issues with the coloured ball ends - pretty easy to work with all round.
14'Zumsteel Hybrid D10 9+9
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08'Zumsteel Hybrid D10 9+9
94' Franklin Stereo D10 9+8
Telonics, Peterson, Steelers Choice, Benado, Lexicon, Red Dirt Cases.
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- John Brock
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Nyxl strings
Thanks to all who commented…
I took the cobra coils off and put the nyxl’s on and….
Wow..what a difference…but
They tuned up faster than any string ever on any guitar Ive strung
Stay in tune so far perfect
Tone….Im thinking its me
Took the Bakersfield sound out of it
But..if it it gets too much Ive got One last set of Cobra Coils
God Bless you all
I took the cobra coils off and put the nyxl’s on and….
Wow..what a difference…but
They tuned up faster than any string ever on any guitar Ive strung
Stay in tune so far perfect
Tone….Im thinking its me
Took the Bakersfield sound out of it
But..if it it gets too much Ive got One last set of Cobra Coils
God Bless you all
GFI S10 Nashville 400 Epiphone J200 Kentucky BM650 Mandolin Fender 112 Alvarez 5018 12
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- Steve Lipsey
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- Location: Portland, Oregon, USA
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Just figured out that half-step sag in my newly-installed D'Addario NYXLs...it seems that I also hit the "½ step down" button on my tuner at the same time....and only on using my gig tuner a week later, which happened to be on a 95 degree day, did I see a sag, which actually wasn't real...but went away when I got home again, into the air conditioning...and the maladjusted tuner...
The NYXLs actually only dropped a tiny bit in the extreme heat and now perform flawlessly....
The NYXLs actually only dropped a tiny bit in the extreme heat and now perform flawlessly....
www.facebook.com/swingaliband & a few more....
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
- Roger Crawford
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- Christopher Woitach
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I’ve been using them pretty much since they first came out - the first set I put on felt oddly sticky to the bar, and I wasn’t happy. I posted here, asking if anyone else had had that issue, and received a private message from a representative of D’Addario, offering me a free replacement set to try them again. I said “sure!”, it seemed worth it to try again for free. He also sent me a little tin of a string cleaner, which was nice, although I don’t usually use those kind of products.
I put the replacement set on (I play Bb6 12 string so all my gauges are different than most players, I buy multiple single strings and make my own sets). They were wonderful, lasted a long time (I don’t change strings often anyway, not till the changes need regular adjustment), and they really worked for me. I also posted that here, mentioning how much they were standing by the product (most likely because they were new and didn’t want unhappy customers at the time).
I’ve used nothing else since then, don’t care about the cost. On my archtop I use Thomastik strings, so I’m used to paying a lot for strings.
Just my experience.
I put the replacement set on (I play Bb6 12 string so all my gauges are different than most players, I buy multiple single strings and make my own sets). They were wonderful, lasted a long time (I don’t change strings often anyway, not till the changes need regular adjustment), and they really worked for me. I also posted that here, mentioning how much they were standing by the product (most likely because they were new and didn’t want unhappy customers at the time).
I’ve used nothing else since then, don’t care about the cost. On my archtop I use Thomastik strings, so I’m used to paying a lot for strings.
Just my experience.
Hi John,
I read an older post (can't recall under what title...) that kind of explains NYXL's difference and popularity with some.
It was discribed as a "highly magnetic alloy", and that it's 'sharpness' in sound falls between nickel and stainless steel.
It has been said that all guitar strings are mostly the same. Some companies may get these "normal" strings and try freezing them, (or whatever else) to alter the string's sound. If something like that had been done to the "NYXL", I don't know....
But my experience with stainless steel was that it was too sharp sounding, and nickel was not sharp enough. I know that is all subjective, where some people may choose either side. But I choose the NYXL's because it sounded "just right".
It is different.......Pat.
I read an older post (can't recall under what title...) that kind of explains NYXL's difference and popularity with some.
It was discribed as a "highly magnetic alloy", and that it's 'sharpness' in sound falls between nickel and stainless steel.
It has been said that all guitar strings are mostly the same. Some companies may get these "normal" strings and try freezing them, (or whatever else) to alter the string's sound. If something like that had been done to the "NYXL", I don't know....
But my experience with stainless steel was that it was too sharp sounding, and nickel was not sharp enough. I know that is all subjective, where some people may choose either side. But I choose the NYXL's because it sounded "just right".
It is different.......Pat.