Flat tone bar...why?
Moderator: Brad Bechtel
- Tony Palmer
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Flat tone bar...why?
I've always had this old tone bar but can't see what the appeal is.
Is it strictly for hawaaian?
Is it strictly for hawaaian?
- Keith Cordell
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- Rick Aiello
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I have my favorites that I usually use,but,I use many different slides for different reasons. This style Elton is great for very fast passages.
It's a little light for the tone I like but Rick A. does not seem to have that problem.
Sometimes it's fun to try to use old bars to see how "they" did it back then.
It's a little light for the tone I like but Rick A. does not seem to have that problem.
Sometimes it's fun to try to use old bars to see how "they" did it back then.
- Jeff Au Hoy
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- Bob Hickish
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Tony
That bar is part of the progress / evolution / of the Steel guitar
That is what you would call second generation Hawaiian guitar
bar . The first generation was a railroad spike
Hick
That bar is part of the progress / evolution / of the Steel guitar
That is what you would call second generation Hawaiian guitar
bar . The first generation was a railroad spike
Hick
Last edited by Bob Hickish on 21 Mar 2007 5:39 am, edited 1 time in total.
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- George Keoki Lake
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I have a few of those olde flat bars, never use them. I suppose that back in the pre-electric days, they served their purpose. However, as Jeff pointed out, there is no way a person could do a fast run across the strings smoothly on an electric with that blunt end. If, for whatever physical reason, you are unable to hold onto a round bar, a far better solution than using that flat bar would be to locate one of those combination half-round bars (with the round end) and the flat 'handle'. I'm not sure if they are still produced but I'm sure they can still be found....or 'home made' at any machine shop.
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- Rick Aiello
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Lucky for me ... the fastest song I play is WaipioHowever, as Jeff pointed out, there is no way a person could do a fast run across the strings smoothly on an electric with that blunt end.
Bobby Koefer seems to do a decent job with one though ...
As does Roland Peachy in this Film Short ...
Hey, I just answered Mr. Palmer's question as to why I find them appealing ...
I'd never advocate the use of flatties to anyone ... especially minors ...
- Don Kona Woods
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- Rick Aiello
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Different yes ... betterDo you think that Roland Peachy would have made that steel guitar sound even better with a round bar?
The rationale that a heavier bar produces a bigger tone ... could be extended to .. say ... all 3/4" diameter bullet bar users ...
A 7/8" would sound bigger ...
A 15/16" would sound even bigger ...
A 1" would sound even bigger still ...
(L to R) Dia = 3/4" , 7/8" , 1" ... all 2 3/4" long
Paul Kim was using a tiny 5/8" diameter bar at Joliet ... would he have sounded better using a 1" bar of the same length.
Looks like the great Ralph Mooney is using a "cylinder bar" here in Dallas ...
He plays "lightnin' fast" across the strings
My point ...
Tools are just tools ... and the craftsman chooses the tool that he/she feels ... gets the job done ... to his/her satisfaction.
Delrin bars, Zirconia bars, Stevens bars, Powder Coated bars, Flatties ... Flatwound strings, Semi-flatwound strings, Nickel roundwound, Stainless roundwound ... Reverb effect, Delay effect, Distortion effect ... Tube amp, Solid state amp ... Horseshoe pickup, GeoL pickup, Charlie C. ... 1 pup per neck, 2 pickups per neck, ... Bakelite, Aluminum, Carbon fiber, Maple, Koa ... Pedals .... Yada, yada, yada ...
Personally, I always thought that "bullet bars" were used by players who wanted to compensate for bad technique ...
(Thats a joke)
- Jeff Au Hoy
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So, does anyone have a bar like the 2nd from the bottom or the bottom one in the 2nd column for sale? I've done some looking on eBay, but I've nevre found one like either of those.
(Thanks for making a pic of your collection available, Rick!)
Tony, in other words, I'll buy your bar if you want to sell...
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I wondered if maybe those evolved from (or were the commercial versions of) knife blades or other "found" items used to play steel. They look to me like they'd be awkward to handle, being so tall and skinny, but that video clip shows that's certainly not the case. Pretty cool footage there--I especially like the way they keep cutting/wiping back to the steeler when he does a lick. That's quality editing.
Vince
Vince
- Todd Weger
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Elton flattie
John -- I have an Elton flattie that I don't use. I personally don't care for 'em. My email is tweger@tampabay.rr.com, if you're interested. It needs a cleanup, and might even benefit from a re-plating. I have no clue what they're worth.
Anyone know?
TJW
Anyone know?
TJW
Todd James Weger --
1956 Fender Stringmaster T-8 (C6, E13, A6); 1960 Fender Stringmaster D-8 (C6, B11/A6); Custom-made 25" aluminum cast "fry pan" with vintage Ricky p'up (C6); 1938 Epiphone Electar (A6); 1953 Oahu Tonemaster; assorted ukuleles; upright bass
1956 Fender Stringmaster T-8 (C6, E13, A6); 1960 Fender Stringmaster D-8 (C6, B11/A6); Custom-made 25" aluminum cast "fry pan" with vintage Ricky p'up (C6); 1938 Epiphone Electar (A6); 1953 Oahu Tonemaster; assorted ukuleles; upright bass
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A Blast From The Past
I just watched this video and it reminded me of this thread.
Here's a guy using a flat bar. The tone and touch are undeniable...Don Helms on a cabinet-end Sho~Bud.
https://www.youtube.com/watch?v=_dXdTAUWM-4
Here's a guy using a flat bar. The tone and touch are undeniable...Don Helms on a cabinet-end Sho~Bud.
https://www.youtube.com/watch?v=_dXdTAUWM-4
RICK ABBOTT
Sho~Bud D-10 Professional #7962
Remington T-8, Wakarusa 5e3 clone
1953 Stromberg-Carlson AU-35
Sho~Bud D-10 Professional #7962
Remington T-8, Wakarusa 5e3 clone
1953 Stromberg-Carlson AU-35
- Jouni Karvonen
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- Rick Aiello
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