What brand is this PSG ??
Moderator: Shoshanah Marohn
What brand is this PSG ??
Looks like a shobud changer?? Could it be a
Marlen...
https://www.musicgoround.com/product/40 ... edal-steel
Pw
Marlen...
https://www.musicgoround.com/product/40 ... edal-steel
Pw
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- Richard Sinkler
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Stay away from Music Go Round. They are a complete rip-off. Look at the outrageous shipping charges they charge. I wouldn't trust them at all. I ordered something from them before. Can't remember what right now, but it didn't work. They don't stand behind their sales.
Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, NV400, NV112 . Playing for 53 years and still counting.
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- Jerry Van Hoose
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It’s a Marlen cabinet. I had the exact same inlay and it’s configuration on a new, D-10 Marlen that I picked up from Leonard Stadler in the late 60’s. However, my end plates had straight edges, unlike the cutaway design as shown that was a little earlier. He had both end plate designs whenever my guitar was built, probably during a changeover/update period. Mine was a pull release and someone has converted this one to all pull with a Sho~Bud changer. Note: Marlen fretboards had musical note designs/markings.
- Steven Hudson
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Jerry. You're right. Those are the end plates that were used in the mid 60's. I haven't seen that inlay before. I read on a forum thread that Duane Marrs used to upgrade older Sho-buds with his own changer after he left Sho-bud. I wonder if he could have put a new changer and worked on the undercarriage.
2001 Marlen S-10, 2020 Zumsteel Encore, Melbert 6 string Roundabout, Evans E250 VH Amp
- Jerry Van Hoose
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That cabinet is exactly like my Marlen from the late 60’s, same two-tone color and inlay. It’s been a long time but if I remember correctly, I called to order a guitar and Leonard told me he had just finished one and the buyer had changed their mind for some reason unknown to me. So, I drove down there and picked it up. I had never seen that inlay design prior to that day and certainly not in that configuration on the top as well as the aprons. I’ve searched for my old D-10 Marlen for years but never have found it, eventually gave up. If not for the end plate design on the guitar, I would think that is possibly how mine ended up. My Marlen was stolen in Ashland, KY in 1978 but luckily, the police found it and I got it back. I foolishly sold it about a year later to someone in Huntington, WV. I’m sure that guitar began life as a D-10. It could very well be Duane’s work given the Sho~Bud changer and Marrs fretboard. Either way, I would think that guitar is capable of producing a great tone in the hands of a good player. Guitars like this one interest me, would like to know it’s history.
What brand is this PSG
Jerry
I would contact the store and see if that was your guitar. I don't know it ended up in Wisconsin but you never know I can investigate for you I know slot of players up north
P.w
I would contact the store and see if that was your guitar. I don't know it ended up in Wisconsin but you never know I can investigate for you I know slot of players up north
P.w
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- Patrick Huey
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They would have an easier time selling it if they posted pics of the undercarriage mechanics
Pre RP Mullen D10 8/7, Zum 3/4, Carter S-10 3/4, previous Cougar SD-10 3/4 & GFI S-10 3/4, Fender Steel King, 2 Peavey Session 500's, Peavey Nashville 400, Boss DD-3, Profex-II, Hilton Digital Sustain, '88 Les Paul Custom,Epiphone MBIBG J-45, Fender Strat & Tele's, Takamine acoustics, Marshall amps, Boss effects, Ibanez Tube Screamer, and it all started with an old cranky worn out Kay acoustic you could slide a Mack truck between the strings and fretboard on!!
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Not really, as those early models were the worst Marlens. The cross-shafts were too skinny, and the plastic bearings Leonard used were about the cheapest you could buy. This was also the era when Leonard did a lot of his work with files and hacksaws, so some of the mechanical parts are rather crudely made and irregular.Patrick Huey wrote:They would have an easier time selling it if they posted pics of the undercarriage mechanics
In short, this isn't a good 'un to own.
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Danny, wow thanks for the info. Good that prospective buyers know that. I did see that they have since posted photos of the undercarriage. It would be good if you could take a glance and see if that’s the case as I am not very steel parts savy couldn’t tell much one way or another.Donny Hinson wrote:Not really, as those early models were the worst Marlens. The cross-shafts were too skinny, and the plastic bearings Leonard used were about the cheapest you could buy. This was also the era when Leonard did a lot of his work with files and hacksaws, so some of the mechanical parts are rather crudely made and irregular.Patrick Huey wrote:They would have an easier time selling it if they posted pics of the undercarriage mechanics
In short, this isn't a good 'un to own.
Pre RP Mullen D10 8/7, Zum 3/4, Carter S-10 3/4, previous Cougar SD-10 3/4 & GFI S-10 3/4, Fender Steel King, 2 Peavey Session 500's, Peavey Nashville 400, Boss DD-3, Profex-II, Hilton Digital Sustain, '88 Les Paul Custom,Epiphone MBIBG J-45, Fender Strat & Tele's, Takamine acoustics, Marshall amps, Boss effects, Ibanez Tube Screamer, and it all started with an old cranky worn out Kay acoustic you could slide a Mack truck between the strings and fretboard on!!
- Dave Mudgett
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Yes, I sent them a message asking them to add pics of the underside last week and they have since added those you mentioned, Dave. From what I could see they seem to be poor quality photos. Possible poor quality because the undercarriage looks a little raunchy to me....dirty needs cleaning something lol good quality photos would highlight a number of issues possibly?Dave Mudgett wrote:There are pictures of the undercarriage - not great ones, but if you scroll the pictures to the right, you'll see them.
Pre RP Mullen D10 8/7, Zum 3/4, Carter S-10 3/4, previous Cougar SD-10 3/4 & GFI S-10 3/4, Fender Steel King, 2 Peavey Session 500's, Peavey Nashville 400, Boss DD-3, Profex-II, Hilton Digital Sustain, '88 Les Paul Custom,Epiphone MBIBG J-45, Fender Strat & Tele's, Takamine acoustics, Marshall amps, Boss effects, Ibanez Tube Screamer, and it all started with an old cranky worn out Kay acoustic you could slide a Mack truck between the strings and fretboard on!!