Dirt floor basement find , what is it ?
Moderator: Shoshanah Marohn
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- Lee Baucum
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Dirt basement find
I know it’s a d12
I was looking for maybe a builder
I was looking for maybe a builder
justice sd10, ,Webb,Nashville 400, Hilton,goodrich,matchbox
- Andy DePaule
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Mid 50's to early 60's?
Mid 50's to early 60's is my best guess? No idea who might have built it.
Looks like a kind of copy of a Sho~Bud permanent, but it's not that.
Look at the inside castings to see if maybe it's a Blankenship from Amarillo?
Better close up pictures of the underside would help to make an identification.
I'd bet it would sound great if restored.
Good luck,
Andy
Looks like a kind of copy of a Sho~Bud permanent, but it's not that.
Look at the inside castings to see if maybe it's a Blankenship from Amarillo?
Better close up pictures of the underside would help to make an identification.
I'd bet it would sound great if restored.
Good luck,
Andy
Inlaid Star Guitar 2006 by Mark Giles. SD-10 4+5 in E9th; http://luthiersupply.com/instrument-gallery.html
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
Those yokes on the E9 pulls are superior to many and reminiscent of Kline or ZB.
I had a D10 of this period that just had crude fishplates to split the pulls, but being pull-release it sounded great. This one could be even better, all other things being equal.
I had a D10 of this period that just had crude fishplates to split the pulls, but being pull-release it sounded great. This one could be even better, all other things being equal.
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
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I think those yokes are on the C6 (assumed) neck. Looks like the pedals attach to the other neck, at the bottom of the pictures, which would make that the front neck. Of course, we don't really know what tunings were on the guitar, and on which neck.Ian Rae wrote:Those yokes on the E9 pulls are superior to many and reminiscent of Kline or ZB.
I had a D10 of this period that just had crude fishplates to split the pulls, but being pull-release it sounded great. This one could be even better, all other things being equal.
Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, NV400, NV112 . Playing for 53 years and still counting.
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I was thinking those vertical screws are actually the raise stops, with conventional lower stop screws below that we aren't able see in the posted pics. I experimented with something like that once. Would be cool to see some more detail pics of the changer end.David Ball wrote:...the lowers tune vertically through a tab on the finger itself instead of horizontally through some type of crossbar (and pushing against the finger) as do most pull/release guitars...
All lies and jest, still a man hears what he wants to hear and disregards the rest - Paul Simon
- Andy DePaule
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If there are better photos
If there are better photos we'd be able to tell a lot of these details better.
Hope that Vic can get some close up pictures in sharp focus soon.
He sure did find a nice example of a steel from that period of time when pedal guitars were still an exciting new thing to be developed.
Hope that Vic can get some close up pictures in sharp focus soon.
He sure did find a nice example of a steel from that period of time when pedal guitars were still an exciting new thing to be developed.
Inlaid Star Guitar 2006 by Mark Giles. SD-10 4+5 in E9th; http://luthiersupply.com/instrument-gallery.html
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
Andy reminds us that during that period a bunch of people joined the craze but few will have taken it beyond one or two attempts.
Not everyone who built a radio set 100 years ago became a corporation
Not everyone who built a radio set 100 years ago became a corporation
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
- David Ball
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Looking at it again, you've got to be right. I must have been thinking backwards! Very interesting at any rate.Ian Worley wrote:I was thinking those vertical screws are actually the raise stops, with conventional lower stop screws below that we aren't able see in the posted pics. I experimented with something like that once. Would be cool to see some more detail pics of the changer end.David Ball wrote:...the lowers tune vertically through a tab on the finger itself instead of horizontally through some type of crossbar (and pushing against the finger) as do most pull/release guitars...
Dave
- Dave Zirbel
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I love these old mystery steels. I ran across a homemade unmarked d-10 carcass....turned out to be one of the best sounding steels I’ve had.
Keep us updated if you’re restoring this. It looks really cool.
Keep us updated if you’re restoring this. It looks really cool.
Dave Zirbel-
Sierra S-10 (Built by Ross Shafer),ZB, Fender 400 guitars, various tube and SS amps
Sierra S-10 (Built by Ross Shafer),ZB, Fender 400 guitars, various tube and SS amps
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The changer is interesting. Looks like instead of holding the pedals down and tuning the raise. Then using the horizontal screws to adjust the open tuning. The open strings are tuned then the raises are tuned by the stop screws on the back of the fingers.
The fret boards are neat too, Looks like fallen stars,
The fret boards are neat too, Looks like fallen stars,
My first instrument was a copy of a Permanent D10. It weighed a ton but it played well and sounded great. Frustratingly, there was a rectangle of glue on the front where the maker's name had fallen off!Dave Zirbel wrote:I love these old mystery steels. I ran across a homemade unmarked d-10 carcass....turned out to be one of the best sounding steels I’ve had
I never did find out who built it, but they knew what they were doing.
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs