Glenn Demichele wrote:I just got one. It's cooler than it looks in the pictures. Surprisingly heavy and rugged, and opens up lots of room in my pack a seat and on the floor.
Moyo Volume Pedals
- Glenn Demichele
- Posts: 661
- Joined: 11 Oct 2012 8:55 am
- Location: (20mi N of) Chicago Illinois, USA
Moyo Volume Pedals
They're not new, but I wanted to rave about them again. I just finished talking to Glenn Taylor about how great his pedals are. I have been using one for volume and one for expression since May 2016. I have S/N 007 and S/N 036, so I'm proud to say I got in on the ground floor.
Franklin D10 8&5, Excel D10 8&5, homemade buffer/overdrive, Moyo pedal, GT-001 effects, 2x BAM200 for stereo. 2x GW8003 8" driver in homemade closed-box. Also NV400 etc. etc...
- Tore Blestrud
- Posts: 469
- Joined: 4 Aug 1998 11:00 pm
- Location: Oslo, Norway
- Contact:
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- Posts: 328
- Joined: 3 Apr 2020 1:05 pm
- Location: Colorado, USA
I got one about two years ago and love it. Recently picked up another one pre-owned.
Kevin Maul: Airline, Beard, Clinesmith, Decophonic, Evans, Excel, Fender, Fluger, Gibson, Hilton, Ibanez, Justice, K+K, Live Strings, MOYO, National, Oahu, Peterson, Quilter, Rickenbacher, Sho~Bud, Supro, TC, Ultimate, VHT, Webb, X-otic, Yamaha, ZKing.
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- Posts: 72
- Joined: 2 Jan 2017 11:40 am
- Location: New York, USA
I bought one recently and have to say it's small, built like a rock, and, relative to my Hilton, tiny. I don't lean on my vol pedal a lot and I am very happy with this. There when you need it and not in the way when you don't. You can't adjust the throw so it's always on; all the way down is off unlike the adjustable Hilton or massively expensive Telonics, but it's a great pedal for the money.Highly recomended.
Really Love mine!! Never going back to the "Big Foot" volume pedals...........
Melbert 8, Remington S8,Remington D8, Rick B6, Tremblay 6 lap steel, Marlen S-10 4&4, Old Guild M75 and Artist Award, Benedetto Bravo, Epiphone Century Electar (the real one) and a bunch of old lap steels.... mostly Ricks and Magnatones'
- Steve Lipsey
- Posts: 1900
- Joined: 9 May 2011 8:51 pm
- Location: Portland, Oregon, USA
- Contact:
the trick is to make sure that your ankle is over the hinge on the pedal - if you put your toe on it, like you would on an effects pedal, it feels very awkward and volume moves in a funny way. With the middle of your foot on it, it feels very natural.
www.facebook.com/swingaliband & a few more....
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
- Glenn Demichele
- Posts: 661
- Joined: 11 Oct 2012 8:55 am
- Location: (20mi N of) Chicago Illinois, USA
Again (for the 5th time!), I absolutely love mine. No dead spots, and yes, put the pedal in the arch of your foot with your toes hanging over the end with the pivot directly under your ankle, and that sucker becomes part of your foot.
Franklin D10 8&5, Excel D10 8&5, homemade buffer/overdrive, Moyo pedal, GT-001 effects, 2x BAM200 for stereo. 2x GW8003 8" driver in homemade closed-box. Also NV400 etc. etc...
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- Posts: 209
- Joined: 27 Oct 2017 8:20 am
- Location: Easter Island, Chile