The Future of Pedal Steel - ca. 1980
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- Frank Freniere
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The Future of Pedal Steel - ca. 1980
From the December 1980 issue of "Guitar Player" magazine, written by Steve Fishell.
Sorry about the small print...
Sorry about the small print...
- Chris Templeton
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- Frank Freniere
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well, this just serves to tell me that the current trend to not use PSG and fiddles in C&W music won't last...
Red Emmons D10 fatback #2246D with sweet Hugh Briley split cases, Black Emmons S10 #1466S, '73 Fender "Snakeskin" Twin Reverb, Peavey Nashville 400, Line 6 Pod XT, Fender 400, Fender Stringmaster Double-8, too many guitars, one bass!
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I was especially interested in Rusty Young's comments about how his parts were always deleted for sounding "too country".. I know I have experienced it and it was infuriating to me the musician, as well as the the singer/songwriter, who had as little to say in the matter as I did.. The guy that wrote the song, sang it, had the vision as to what he wanted it to be, is not allowed his vision, because he/she is "under contract"... I know a LOT of us have been through it, and can relate.. Imagine, a player of legendary status like Rusty, having all his best stuff lopped off of records during the HEIGHT of the country rock pedal steel craze... Doesn't give me great hope for the future of the instrument... bob
I'm over the hill and hittin'rocks on the way down!
no gear list for me.. you don't have the time......
no gear list for me.. you don't have the time......
OTOH Sneaky told me around the same time how he intentionally tried to NOT sound country!
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1930's/40's Rickenbacher/Rickenbacker 6&8 string lap steels
1921 Weissenborn Style 2; Hilo&Schireson hollownecks
Appalachian, Regal & Dobro squarenecks
1959 Fender 400 9+2 B6;1960's Fender 800 3+3+2; 1948 Fender Dual-8 Professional
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I remember reading that in 1980 and being surprised by the pessimistic comments about the future of steel. I couldn't understand it because I was an eager, young player at the time and there were plenty of gigs in my area. I think part of the decline in steel guitar is due to the decline in live music in general in recent years. Young players don't understand this, and when you tell them that a player could play 7 nights a week back then and get paid every night they don't believe you! That's how much the live music scene has changed.
Steel guitar is still with us, but IMO the role of the steel guitar has changed with Americana, alt. country, sacred steel, and the resurgence of non-pedal steel. It seems like the playing we hear today is simpler, more ambient, not as present in the mixes as it was in the golden era of steel guitar.
Steel guitar is still with us, but IMO the role of the steel guitar has changed with Americana, alt. country, sacred steel, and the resurgence of non-pedal steel. It seems like the playing we hear today is simpler, more ambient, not as present in the mixes as it was in the golden era of steel guitar.
- Frank Freniere
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