J.R., I don't think you will have offended anyone with your thoughts here. I do think that part of the problem with the declining popularity of steel guitar is that it became too closely connected to just two styles of music (Country, and Hawaiian) - in fact, so much so, that for a long period of time, the steel guitar defined those two musical styles. And, by having all its eggs in just two baskets, it fell victim to the declining popularity of those styles of music in the mass market. (Well, something "called" country is still being played to large numbers of people but we all know that is much less connected to steel guitars nowadays.)J R Rose wrote:Hope I have not offended anyone here with my thoughts, that's all they are, is thoughts. Just hoping for the best to come for the steel guitar.
Where I'm heading with this is that, for the steel guitar to survive, it needs to be seen as a musical instrument (like a piano or guitar or violin) that can be played in any type of music, not just country or Hawaiian. For us to hope that steel guitar will return to popularity because classic country will have a comeback is very much a longshot. We can't stay stuck in our roots, we have to grow outward and be seen and heard in ALL types of music. That's how steel guitar will remain an active part of the musical scene, even if it fades from country music.
Players like the Campbell Brothers, Robert Randolph, Mike Perlowin, Mike Neer, Susan Alcorn, Dave Easley and a few others I'm forgetting right now (sorry) are establishing beachfronts in other genres but it will take others to pick up on it, follow up and extend further, for a real presence to develop in these other genres. (Actually, there is a very strong presence already in the sacred steel world, with younger players coming up all the time.)