Glen - 50 cal is just fine. I just assumed it was a shotgun shell.Glen Porter wrote: <snip>
I don't have a bar with a shotgun shell insert but I do have one ready with a 50 Cal insert OK?
Tone Bars, Great new Idea!
- John Gilman
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Re: 1
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73 Sho-Bud/Surratt/Marrs D-10
72 Emmons PP D-10
69 ZB Custom D-10
73 Sho-Bud/Surratt/Marrs D-10
72 Emmons PP D-10
69 ZB Custom D-10
- Donnie Pierce
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50 cal. is fine with me.
Thanks, For a quick response. Sorry we picked up the wrong name for insert(shot gun shell) 50 Cal. is Great. Be Looking forward to it....
MSA Classic S-10,Zumsteel Encore
Fender Steel King,Fender Twin Reverb
Hilton Pedal,George L Cable
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Fender Steel King,Fender Twin Reverb
Hilton Pedal,George L Cable
Black Box,Wet Reverb
- John McClung
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Glen, can you post the weights of the various size bars? Thanks. Beautiful bars, and I love those beautiful heel inserts!
E9 INSTRUCTION
If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net
If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net
- John McClung
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Is it the metal inserts that makes bar slants easier? That's very appealing to me, just like to understand it better. Thanks again.
E9 INSTRUCTION
If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net
If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net
- Richard Keller
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John Mr Twang
John McLung, email sent. Glen
Owner Red Barn Musical Instrument Parts for PSg. Light Legs, Tone Bars, large Tuning Wrenches.
- Bo Borland
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Hi glen Did you get my order and payment via paypal?
Last edited by Bo Borland on 22 Apr 2015 10:53 am, edited 1 time in total.
- John Gilman
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Order
Glen, I ordered a couple of bars from you also. Let me know if you need any more info.
Justice Pro Lite; Telonics; Steelaire
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bars
Just received mine and they are wonderful, great feel, great finish and great sustain!!
Billy Knowles
STEEL GUITAR EAST
Emmons authorized dealer and approved service technician
my web site: http://www.steelguitareast.com
STEEL GUITAR EAST
Emmons authorized dealer and approved service technician
my web site: http://www.steelguitareast.com
- Kenneth Cartright
- Posts: 678
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- Location: Missouri, USA
Tone bar
Glen, sending you Paypal for 15/16 MAGNETIC light blue. Thanks..Ken
Promat D10, Goodrich, Milkman
NV 400 Amps
NV 400 Amps
- Stu Schulman
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Glen,Wondering if you got payment from me in the mail?
Steeltronics Z-pickup,Desert Rose S-10 4+5,Desert Rose Keyless S-10 3+5... Mullen G2 S-10 3+5,Telonics 206 pickups,Telonics volume pedal.,Blanton SD -10,Emmons GS_10...Zirctone bar,Bill Groner Bar...any amp that isn't broken.Steel Seat.Com seats...Licking paint chips off of Chinese Toys since 1952.
- David Wren
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Just sent you an email order Glen, with my contact info included.
Sounds like a great idea... and good enough for Mr. Easton, is surely good enough me
440; 7/8"; Dark Blue insert
Thanks.
Sounds like a great idea... and good enough for Mr. Easton, is surely good enough me
440; 7/8"; Dark Blue insert
Thanks.
Dave Wren
'96 Carter U12,7X7; 1936 7 string National; Line 6 HX Stomp; Quilter TT-15/TB202; Quilter "Steelaire"; DV Mark "GH 250"with 15" 1501 BW; Boss "Katana" 100 Head w/Line 6 Cab; Telonics VP.
'96 Carter U12,7X7; 1936 7 string National; Line 6 HX Stomp; Quilter TT-15/TB202; Quilter "Steelaire"; DV Mark "GH 250"with 15" 1501 BW; Boss "Katana" 100 Head w/Line 6 Cab; Telonics VP.
- Jim Lindsey (Louisiana)
- Posts: 1118
- Joined: 27 Oct 1998 1:01 am
- Location: Greenwell Springs, Louisiana (deceased)
Very Nice!
Just received my 440 and my nephew's 316 bar in the mail. I'm still waiting to try out my 440 because my nephew won't get off my guitar long enough for me to take a turn at it.
We compared this new bar against the Dekley bar Sheldon's been using and I noticed several positive things right off the bat:
1. A distinct improvement in the tone ... fuller, richer and cleaner with a pleasant bell-like resilience when Sheldon picks the strings.
2. With the old Dekley bar, and even the couple of times I let him try my BJS bar, he was getting some string noise during bar movement. With this new bar, he's getting no string noise at all! His bar movements are now smooth and quiet. Doing several A/B comparisons, he's getting bar noise with the Dekley and BJS bars; with this new bar from Glen, he's getting no bar noise at all.
3. With the older bar, Sheldon would pick the strings and get his tone right then, but the tone would die out gradually as the notes sustain. With this new bar, it seems the tone actually broadens and matures as the notes sustain, rather than dying out as the notes ring.
Well done, Glen! Now, if I can get Sheldon to get off my guitar long enough for me to try out my 440!
We compared this new bar against the Dekley bar Sheldon's been using and I noticed several positive things right off the bat:
1. A distinct improvement in the tone ... fuller, richer and cleaner with a pleasant bell-like resilience when Sheldon picks the strings.
2. With the old Dekley bar, and even the couple of times I let him try my BJS bar, he was getting some string noise during bar movement. With this new bar, he's getting no string noise at all! His bar movements are now smooth and quiet. Doing several A/B comparisons, he's getting bar noise with the Dekley and BJS bars; with this new bar from Glen, he's getting no bar noise at all.
3. With the older bar, Sheldon would pick the strings and get his tone right then, but the tone would die out gradually as the notes sustain. With this new bar, it seems the tone actually broadens and matures as the notes sustain, rather than dying out as the notes ring.
Well done, Glen! Now, if I can get Sheldon to get off my guitar long enough for me to try out my 440!
1986 Mullen D-10 with 8 & 7 (Dual Bill Lawrence 705 pickups each neck)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
- Scott A. Anderson
- Posts: 62
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- Location: Texas, USA
- Contact:
Bars
Jim, got your message about these bars. Gonna give 'em a look.
2019 MSA Legend 9&9 BL705/Telonics X10 - 2010 MSA Studio Pro 9&9 BL 710s - 1995 Emmons LeGrande II D10 8&8 - E-66's - 1976 Emmons Split Tail PP - Clay Alden 15k SW - Hilton and Goodrich Volume Pedals - Evans FET 500 - Peavey Session 400 - Quilter Tone Block 202 w/Travis Toy Signature 12 and 15 Speakers/Cabinets - Profex II and ART Multiverb Alpha
https://www.msapedalsteels.com
https://soundcloud.com/scott-anderson-42
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https://www.msapedalsteels.com
https://soundcloud.com/scott-anderson-42
https://www.youtube.com/user/TheBluesteelguy
- Jim Lindsey (Louisiana)
- Posts: 1118
- Joined: 27 Oct 1998 1:01 am
- Location: Greenwell Springs, Louisiana (deceased)
Excellent Bars!
Not in many years have I been this impressed with a new bar. I have A/B compared my old bars with Sheldon's new 316 bar and my new 440 bar from Glen. I was pleasantly amazed!
First, this weight thing he's doing with the bars is wonderful. Since my stroke and the associated nerve damage, holding and controlling a bar has been a true challenge for me; it's been, in many ways, like trying to learn steel all over again. That is, until we got these new bars today. They are extremely well balanced and do not feel like holding a lump of cylindrical steel; instead, they feel perfect in the hand and actually are easier to control and hold than my other bars. And bar slants? Once again, they are easy as pie to do. Apparently, it was no wild boast that these bars aid in making bar slanting easier to do and control; they really do work!
The second thing is the quietness of these bars. I've never had an issue with bar noise on the strings, but it's something that has been plaguing my nephew since he started playing ... until today. His bar movements are now silent and smooth. When I tried them it was the same for me; I pushed the volume pedal down and slid the bar across the strings in a test for noise and they were silent and smooth. Even my BJS bar, which is the quietest bar I've ever owned, isn't as silent across the strings as these new bars.
In tone, these bars are great. I find, as notes are sustaining, that both the 316 and 440 are nearly identical in overall sound ... BUT ... in string attack as you pick the strings, the 440 sounds pretty much like my BJS bar (beautiful tone and responsive to lighter, mellower picking attacks while still able to give a sharp attack when that picking technique is used); the 316 bar has a naturally slightly brighter and more resilient sound as the string is picked, yet the added resilience is never too much or unpleasant. It, too, is a beautiful sounding bar.
One of the things I love is that, as a note or chord sustains, the tone seems to broaden and mature as opposed to dying and fading out. And, all the way up the neck from the lowest register all the way into ultra-Hughey-land the pick attack and tone is consistent.
It is difficult for me to decide which bar I like best of the two; the 440 sounds consistently fabulous like my BJS bar, but so does the slightly more resilient string attack yielded by the 316 bar. I wish I'd had one of each of these bars during my concert and recording years! I would, depending on the songs I played and the sound I wanted for them, have been happily using the 316 on one song while turning to the 440 for another.
Comparing the overall weight of these two 1" bars against the weight of my 1" BJS bar, they seem just a little over half the weight of the BJS bar. Light enough to be a real pleasure to use, but not too light; yet they deliver the full rich clean sound of a heavy bar.
I think you've got something really great going on with these, Glen, and I really like them. I think I can safely say that I've retired my BJS bar and these will become my go-to bars now. Very well done!
First, this weight thing he's doing with the bars is wonderful. Since my stroke and the associated nerve damage, holding and controlling a bar has been a true challenge for me; it's been, in many ways, like trying to learn steel all over again. That is, until we got these new bars today. They are extremely well balanced and do not feel like holding a lump of cylindrical steel; instead, they feel perfect in the hand and actually are easier to control and hold than my other bars. And bar slants? Once again, they are easy as pie to do. Apparently, it was no wild boast that these bars aid in making bar slanting easier to do and control; they really do work!
The second thing is the quietness of these bars. I've never had an issue with bar noise on the strings, but it's something that has been plaguing my nephew since he started playing ... until today. His bar movements are now silent and smooth. When I tried them it was the same for me; I pushed the volume pedal down and slid the bar across the strings in a test for noise and they were silent and smooth. Even my BJS bar, which is the quietest bar I've ever owned, isn't as silent across the strings as these new bars.
In tone, these bars are great. I find, as notes are sustaining, that both the 316 and 440 are nearly identical in overall sound ... BUT ... in string attack as you pick the strings, the 440 sounds pretty much like my BJS bar (beautiful tone and responsive to lighter, mellower picking attacks while still able to give a sharp attack when that picking technique is used); the 316 bar has a naturally slightly brighter and more resilient sound as the string is picked, yet the added resilience is never too much or unpleasant. It, too, is a beautiful sounding bar.
One of the things I love is that, as a note or chord sustains, the tone seems to broaden and mature as opposed to dying and fading out. And, all the way up the neck from the lowest register all the way into ultra-Hughey-land the pick attack and tone is consistent.
It is difficult for me to decide which bar I like best of the two; the 440 sounds consistently fabulous like my BJS bar, but so does the slightly more resilient string attack yielded by the 316 bar. I wish I'd had one of each of these bars during my concert and recording years! I would, depending on the songs I played and the sound I wanted for them, have been happily using the 316 on one song while turning to the 440 for another.
Comparing the overall weight of these two 1" bars against the weight of my 1" BJS bar, they seem just a little over half the weight of the BJS bar. Light enough to be a real pleasure to use, but not too light; yet they deliver the full rich clean sound of a heavy bar.
I think you've got something really great going on with these, Glen, and I really like them. I think I can safely say that I've retired my BJS bar and these will become my go-to bars now. Very well done!
1986 Mullen D-10 with 8 & 7 (Dual Bill Lawrence 705 pickups each neck)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
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- Location: Denham Springs, La.
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- Posts: 214
- Joined: 29 Mar 2010 12:22 pm
- Location: Las Crues, New Mexico, USA
Nu-Tone bars
Jim Thanks for the great review on The Tone Bars from Red Barn Music, unsolicited
reviews from Great players are very much appreciated. Thanks again Glen
reviews from Great players are very much appreciated. Thanks again Glen
Owner Red Barn Musical Instrument Parts for PSg. Light Legs, Tone Bars, large Tuning Wrenches.
- Mike Perlowin
- Posts: 15171
- Joined: 4 Aug 1998 11:00 pm
- Location: Los Angeles CA
- Contact:
I've decided to get one too. Billy Easton's testimony convinced me.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
- Scott Swenson
- Posts: 26
- Joined: 8 Jan 2014 12:24 pm
- Location: NE Wisconsin, USA