When does 'music' ...............become noise?
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- Ray Montee
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When does 'music' ...............become noise?
Is there a clear definition of what is 'music'?
When does one players' creative efforts 'outside the box' become a listners' headache, nightmare or noisey assualt on ones' senses?
How does a player recognize his/her level of playing?
When does one players' creative efforts 'outside the box' become a listners' headache, nightmare or noisey assualt on ones' senses?
How does a player recognize his/her level of playing?
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I think it was John Cage who said that music was organized sound. I like that definition. As a resident of New York City, I have access to the best music in the world. I've been at concerts at The Stone where harmony and melody were missing completely and still enjoyed the sounds washing over me.
As far as "level of playing", a musician in my opinion should judge that by how much they have created their own voice. At the beginning you imitate, later hopefully you innovate. But creating a music that is unique to your voice is the the ultimate goal for me.
As far as "level of playing", a musician in my opinion should judge that by how much they have created their own voice. At the beginning you imitate, later hopefully you innovate. But creating a music that is unique to your voice is the the ultimate goal for me.
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I can't begin to describe to you what it is about music that moves me. There is so much music that I've listened to that I don't understand, yet I have a real hunger for it.
I'm am really attracted to music that many would consider to be noise. I love atonal and free improvisational music. But I also love beautiful tonal music.
My own goal as a musician is to continue to grow into music and try to get to a place where I am able to play freely without any limitations, melodically, harmonically, rhythmically and otherwise. I have the rest of my life to work towards this goal, and I frankly don't care if others consider it noise. I play for myself first.
I'm am really attracted to music that many would consider to be noise. I love atonal and free improvisational music. But I also love beautiful tonal music.
My own goal as a musician is to continue to grow into music and try to get to a place where I am able to play freely without any limitations, melodically, harmonically, rhythmically and otherwise. I have the rest of my life to work towards this goal, and I frankly don't care if others consider it noise. I play for myself first.
- Rich Gardner
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- Fred Glave
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To me there is more than one componant to the question. In my humble opinion, if the tonal sound(s) produced by the musician(s) are the sounds they intended to produce, and are able to be duplicated reliably by them I'll give the musicians the benefit of the doubt regardless whether it compliments my taste, like it or not. If a musical piece is performed poorly, or incorrectly is it still music?
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"When does 'music' ...............become noise?"
When you strongly dislike it.
This only applies to you, of course. One man's meat is another man's poison, and vice versa.
**"You" is the editorial "you."**
"How does a player recognize his/her level of playing?"
This has a couple of angles to it. Each individual weights the different angles for him-/her- self.
1) To what degree are you able to express what you want to?
2) How much positive reaction do you get from other people?
-a) How strong a positive reaction?
-b) How many people?
-c) What kind of people?
When you strongly dislike it.
This only applies to you, of course. One man's meat is another man's poison, and vice versa.
**"You" is the editorial "you."**
"How does a player recognize his/her level of playing?"
This has a couple of angles to it. Each individual weights the different angles for him-/her- self.
1) To what degree are you able to express what you want to?
2) How much positive reaction do you get from other people?
-a) How strong a positive reaction?
-b) How many people?
-c) What kind of people?
- Dave Mudgett
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- Bent Romnes
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I can't quote him directly, but Lloyd Green said in an interview something like "When it gets to be more rhythm and less music, the music loses its identity". True words to my way of thinking.
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Frank Zappa had some good stuff to say about this in his autobiography. Basically, he said it was organization. The example he gave, I recall, was John Cage taping a contact mic to his throat and gargling carrot juice. If Cage calls that his composition, then that's what it is. That doesn't mean anyone has to like it.
I've played some pretty harsh atonal music for some of my guitar students, and some of them react pretty violently, saying, "That's not music!" I tell them what I wrote in the paragraph above, more or less, because I think declaring someone else's music as not-music is a dangerous and slippery slope.
I've played some pretty harsh atonal music for some of my guitar students, and some of them react pretty violently, saying, "That's not music!" I tell them what I wrote in the paragraph above, more or less, because I think declaring someone else's music as not-music is a dangerous and slippery slope.
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- Alan Brookes
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I believe music became noise about 1963.
I have to say that I like a catchy tune, and much of today's music has no catchy tunes to hum to oneself.
I also think that music should be capable of being written out on paper, without being all on one note. Rap, to me, has no melody, and consists of extraordinarily-bad prose with abusive language which violates many human rights and fosters racial tension.
I have to say that I like a catchy tune, and much of today's music has no catchy tunes to hum to oneself.
I also think that music should be capable of being written out on paper, without being all on one note. Rap, to me, has no melody, and consists of extraordinarily-bad prose with abusive language which violates many human rights and fosters racial tension.
- chas smith
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One of the definitions of noise, white noise, is all frequencies at random. We, myself included, who grew up in a Western culture tend to be rooted in music based on 12-tone scales and 8-tone harmonies and, in particular, music based on melody and harmony, which is also vertical structure.
I think Cage considered any sounds to qualify as music, the piece 4'33" would be an example of that. I think the quote that "music composition is organized sound" came from Edgar Varese, who also wrote the first percussion piece, Ionisation, back in the 20's which would have qualified as noise from a tonal point of view.
So when is noise interesting, beautiful and/or soothing? Listening to the waves or the wind in the pines and trees, or a thunderstorm.
I play in a couple of different "noise" ensembles that include variations of wind and guitar players including "prepared guitar". The idea is to fill the air with sound that's "moving and alive" which means I have to really listen to what is happening and play into it. In that regard, what I think we are making is complicated sound, where traditional harmony and theory have lost their meaning.
On the other end of the spectrum, one time I played with a death-metal free improve noise ensemble that had 3 guitars, 2 basses, 2 drummers and a sax player with a pedal board who could put out a wall of noise by himself. I can't believe the full house audience sat through that one, but they did.
I think Cage considered any sounds to qualify as music, the piece 4'33" would be an example of that. I think the quote that "music composition is organized sound" came from Edgar Varese, who also wrote the first percussion piece, Ionisation, back in the 20's which would have qualified as noise from a tonal point of view.
So when is noise interesting, beautiful and/or soothing? Listening to the waves or the wind in the pines and trees, or a thunderstorm.
I play in a couple of different "noise" ensembles that include variations of wind and guitar players including "prepared guitar". The idea is to fill the air with sound that's "moving and alive" which means I have to really listen to what is happening and play into it. In that regard, what I think we are making is complicated sound, where traditional harmony and theory have lost their meaning.
On the other end of the spectrum, one time I played with a death-metal free improve noise ensemble that had 3 guitars, 2 basses, 2 drummers and a sax player with a pedal board who could put out a wall of noise by himself. I can't believe the full house audience sat through that one, but they did.
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Without a doubt when you hear it called rap or hiphop.When a 150 dollar auto with a 5000.00 sound system with about 4 or 6 18 inch bass speakers drives down your street at three am,and rattles the windows in your house,DAMN IT THATS NOISE.If you try to defend that,I'm sorry for you.You need to get a job on MSNBC,YOU WILL FIT RIGHT IN. YOU BETCHA,DYK?BC.
Hard headed, opinionated old geezer. BAMA CHARLIE. GOD BLESS AMERICA. ANIMAL RIGHTS ACTIVIST. SUPPORT LIVE MUSIC !
- Tony Glassman
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- Marc Jenkins
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Music usually becomes noise somewhere after a band has consumed the fourth round of drinks bought for them by a well-meaning club patron.
If you want to recognize your level of musical accomplishment....listen to any recording/performance by your favorite musician, then listen to your own efforts on the same tune.....should give you a pretty clear idea of where you are on the pecking order....the same is also good for ego reduction.
If you want to recognize your level of musical accomplishment....listen to any recording/performance by your favorite musician, then listen to your own efforts on the same tune.....should give you a pretty clear idea of where you are on the pecking order....the same is also good for ego reduction.