CMI , D10, 8/7, keyless ---REDUCED!! ---SOLD
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- Posts: 24
- Joined: 15 Dec 1998 1:01 am
- Location: West Monroe, LA
CMI , D10, 8/7, keyless ---REDUCED!! ---SOLD
CMI(made by Charles McGough, Marion, LA), D10, 8/7,
keyless, 25" neck (great sustain),split tuning on 5,6 and 10 strings of E9, black formica,
Geoge L pu's, Day E9, modified Emmons C6, nice case, like new, $1900 includes shipping to lower 48.
318-855-3693, bryanritter105@comcast.net
keyless, 25" neck (great sustain),split tuning on 5,6 and 10 strings of E9, black formica,
Geoge L pu's, Day E9, modified Emmons C6, nice case, like new, $1900 includes shipping to lower 48.
318-855-3693, bryanritter105@comcast.net
Last edited by Bryan Ritter on 16 Sep 2011 1:31 pm, edited 8 times in total.
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- Location: Lake Charles, LA, USA
Would that be a CMI
Daniel J. Cormier
Rittenberry with Tone to the bone,profex or tubefex and what ever amp, hilton pedal, BJS bars. Email at kajunsteelman@yahoo.com.
Rittenberry with Tone to the bone,profex or tubefex and what ever amp, hilton pedal, BJS bars. Email at kajunsteelman@yahoo.com.
- Paddy Long
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- Location: Lake Charles, Louisiana, USA
- Jerry Overstreet
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- Location: Louisville Ky
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- Posts: 4470
- Joined: 30 Jan 2002 1:01 am
- Location: Lake Charles, LA, USA
Played a couple CMI's in the early 90's when I played the steel shows in Hammond,La.Almost bought a grey D-10. Great sounding,well built guitars with almost no cabinet drop.
But who cared about cabinet drop back then. we were just happy to be playin anywhere.
But who cared about cabinet drop back then. we were just happy to be playin anywhere.
Daniel J. Cormier
Rittenberry with Tone to the bone,profex or tubefex and what ever amp, hilton pedal, BJS bars. Email at kajunsteelman@yahoo.com.
Rittenberry with Tone to the bone,profex or tubefex and what ever amp, hilton pedal, BJS bars. Email at kajunsteelman@yahoo.com.
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- Posts: 24
- Joined: 15 Dec 1998 1:01 am
- Location: West Monroe, LA
I made a typo....It is a CMI!! Charles and I are friends and when he made his first D10, I immediately had him make me one. It was his second
production, and I have had it since. I had a Nashville 400 and the two instruments made a great sound, but I have had to downsize weightwise. I now am using a Rittenberry S10 and traded the 400 for a Nashville 112. I am going to miss C6 and the D10, but have no choice.
production, and I have had it since. I had a Nashville 400 and the two instruments made a great sound, but I have had to downsize weightwise. I now am using a Rittenberry S10 and traded the 400 for a Nashville 112. I am going to miss C6 and the D10, but have no choice.
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- Posts: 4470
- Joined: 30 Jan 2002 1:01 am
- Location: Lake Charles, LA, USA
I understand the downsizing thing. If I could leave this guitar in a church or at a weekly sit down job I'd love to have it.
Daniel J. Cormier
Rittenberry with Tone to the bone,profex or tubefex and what ever amp, hilton pedal, BJS bars. Email at kajunsteelman@yahoo.com.
Rittenberry with Tone to the bone,profex or tubefex and what ever amp, hilton pedal, BJS bars. Email at kajunsteelman@yahoo.com.
- Henry Matthews
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- Posts: 24
- Joined: 15 Dec 1998 1:01 am
- Location: West Monroe, LA
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- Posts: 24
- Joined: 15 Dec 1998 1:01 am
- Location: West Monroe, LA
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- Posts: 24
- Joined: 15 Dec 1998 1:01 am
- Location: West Monroe, LA
I now have my e-mail working fine, so if there are any questions or details about this guitar, please let me know here, by e-mail, or call me. This guitar has complete adjustment capabilities on copedent changes, pedal stroke and position, knee lever stroke and position. It is triple raise and lower.
I have some extra pull rods, and bell cranks to modify the copedants if desired. I rarely break the 011. I have been using Mangus strings and go so long on the 011, I change them because I get nervous about how long I have gone without a change. The 25" neck sustain is better than any standard bridge length I have ever played, plus the high positions
(above the 12th fret) are easier to play.
I have some extra pull rods, and bell cranks to modify the copedants if desired. I rarely break the 011. I have been using Mangus strings and go so long on the 011, I change them because I get nervous about how long I have gone without a change. The 25" neck sustain is better than any standard bridge length I have ever played, plus the high positions
(above the 12th fret) are easier to play.
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- Posts: 24
- Joined: 15 Dec 1998 1:01 am
- Location: West Monroe, LA