Choice
Moderator: Shoshanah Marohn
-
- Posts: 975
- Joined: 30 Jan 2007 3:31 pm
- Location: Alabama, USA
Choice
If you woke up tomorrow and had the money to pay cash for a new guitar, what would you buy? When I say new guitar, new to you not necessarily off the floor new
"Oh what a tangled web we weave when we first begin to deceive" Someone Famous
- Chris LeDrew
- Posts: 6404
- Joined: 27 May 2005 12:01 am
- Location: Canada
-
- Posts: 1344
- Joined: 18 Jun 2004 12:01 am
- Location: Atlanta, Texas, USA
I assume you mean any guitar so I would buy a D10 MSA Millennium.........mind you I would keep my two CARTERS but would like to pick on that MSA for awhile.
Last edited by Roual Ranes on 3 Jan 2010 5:16 pm, edited 1 time in total.
- Jerry Bull
- Posts: 207
- Joined: 6 Feb 2007 5:14 pm
- Location: Republic, MO, USA
I would buy a twin to my Carter except I would get the polished package.
www.psgpicker@gmail.com (Sierra Crown D-10 keyless)2-Nashville 112's, Steelers Choice, Hilton VP, Digitech RP150, Bobro, GeorgeL's cables, BJS Bars and Picks.
- Alan Brookes
- Posts: 13218
- Joined: 29 Mar 2006 1:01 am
- Location: Brummy living in Southern California
I'd buy a Sho-Bud Pro D10 which had been Cooped and had at least five pedals and four knee levers.
Of course, if I had an unlimited budget I would design my own pedal steel to my own specifications, and have an expert build it. It would have a wider string separation, about like a Stringmaster, and the pedals and knee levers would be in the same position as my legs and knees. (Most PSGs don't seem to have been designed with my dimensions in mind...)
Of course, if I had an unlimited budget I would design my own pedal steel to my own specifications, and have an expert build it. It would have a wider string separation, about like a Stringmaster, and the pedals and knee levers would be in the same position as my legs and knees. (Most PSGs don't seem to have been designed with my dimensions in mind...)
- Justin Griffith
- Posts: 1219
- Joined: 22 Nov 2001 1:01 am
- Location: Taylor, Texas, USA
- Danny Hall
- Posts: 215
- Joined: 29 Dec 2009 3:20 pm
- Location: Nevada, USA
Alan Brooks makes a good point. I don't know enough to make much of an educated guess but if I woke up with that kind of money, I think I'd fly to Texas and have a sitting with the good folks at Rains and have them build me a polished green lacquer SD-10 to fit.
The Last of the World's Great Human Beings. Ok, well maybe one of the last. Oh alright then, a perfectly ordinary slacker.
-
- Posts: 2603
- Joined: 9 Oct 2008 4:10 pm
- Location: Denham Springs, La.
That's a toughie, I like Emmons,but with some of the stories that I have heard. I also like the Mullen, If I go with a Mullen, I would have to see who would give me the best price, Herbie or Mickey. I also like the Rains. Or might even go with the Carter. They are all great guitars. Some many decisions. So little time.
Tommy Shown
Tommy Shown
-
- Posts: 975
- Joined: 30 Jan 2007 3:31 pm
- Location: Alabama, USA
Emmons
There is without a doubt something different about an Emmons. I don't know if it was a push pull or what, but I was at Fulton Mississippi and I heard a vast difference between the Emmons and others Not saying better or worse just different. Does anyone make a push pull now?
"Oh what a tangled web we weave when we first begin to deceive" Someone Famous
- Barry Hyman
- Posts: 608
- Joined: 29 Sep 2008 4:31 pm
- Location: upstate New York, USA
- Contact:
I did that last May when I bought my Williams. S-12 extended E9th, 700 Series, five pedals and five knees, curly maple body and neck with natural lacquer finish. If I woke up tomorrow with loads of money I'd buy another identical one so I wouldn't have to pack and unpack every time I have a gig...
I give music lessons on several different instruments in Cambridge, NY (between Bennington, VT and Albany, NY). But my true love is pedal steel. I've been obsessed with steel since 1972; don't know anything I'd rather talk about... www.barryhyman.com
- Larry Bell
- Posts: 5550
- Joined: 4 Aug 1998 11:00 pm
- Location: Englewood, Florida
- Contact:
Larry Bell - email: larry@larrybell.org - gigs - Home Page
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12
My CD's: 'I've Got Friends in COLD Places' - 'Pedal Steel Guitar'
2021 Rittenberry S/D-12 8x7, 1976 Emmons S/D-12 7x6, 1969 Emmons S/D-12 6x6, 1971 Dobro, Quilter ToneBlock 202 TT-12
- Roger Rettig
- Posts: 10548
- Joined: 4 Aug 2000 12:01 am
- Location: Naples, FL
- Contact:
I'd somehow persuade Jon Graboff to part with his blue carbon fiber-finish JCH D-10. That's the prettiest steel I've ever seen, and it is a JCH, after all!
A pipe-dream, of course; he'd never part with it....
A pipe-dream, of course; he'd never part with it....
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
----------------------------------
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
----------------------------------
- Ned McIntosh
- Posts: 802
- Joined: 4 Oct 2008 7:09 am
- Location: New South Wales, Australia
Well, since I already have a clear lacquer custom shop Carter D10 ("Blondie"), plus a beautiful black mica Fessenden D12 ("Blackie"), I'd have great difficulty choosing between a Zumsteel D10 or a Mullen Royal Precision D10, maybe with wood necks...or even one of Mickey Adams' pre-RP Mullen resorations. I have a great desire to own one or perhaps both of those brands at some time in my life.
The reality is there are so many truly great steels out there to choose from this becomes a very personal and agonising decision. Fortunately the scenario outlined is purely hypothetical.
For many of us, so are our choices on this matter.
The reality is there are so many truly great steels out there to choose from this becomes a very personal and agonising decision. Fortunately the scenario outlined is purely hypothetical.
For many of us, so are our choices on this matter.
The steel guitar is a hard mistress. She will obsess you, bemuse and bewitch you. She will dash your hopes on what seems to be whim, only to tease you into renewing the relationship once more so she can do it to you all over again...and yet, if you somehow manage to touch her in that certain magic way, she will yield up a sound which has so much soul, raw emotion and heartfelt depth to it that she will pierce you to the very core of your being.
- Gianni Gori
- Posts: 247
- Joined: 12 Oct 2000 12:01 am
- Location: Livorno, Italy
- Contact:
- Justin Griffith
- Posts: 1219
- Joined: 22 Nov 2001 1:01 am
- Location: Taylor, Texas, USA
Re: Emmons
I think you can get a new Promat, which is a dead ringer for an Emmons P/P. I have never seen one up close nor played one, but I have heard good things about them.Robert Harper wrote:There is without a doubt something different about an Emmons. I don't know if it was a push pull or what, but I was at Fulton Mississippi and I heard a vast difference between the Emmons and others Not saying better or worse just different. Does anyone make a push pull now?
- Roger Rettig
- Posts: 10548
- Joined: 4 Aug 2000 12:01 am
- Location: Naples, FL
- Contact:
Seeing as money is no object (right?), I think I'll also get one of those immaculate push/pulls that Tommy Cass occasionally shows us here on the Forum.
I'd like 8+8, black, and I'd probably keep it at home rather than thrashing it on the road. Oh, and I'd like one old enough to have one of those very cool stick-on logos....
I'd like 8+8, black, and I'd probably keep it at home rather than thrashing it on the road. Oh, and I'd like one old enough to have one of those very cool stick-on logos....
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
----------------------------------
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
----------------------------------
- Roger Rettig
- Posts: 10548
- Joined: 4 Aug 2000 12:01 am
- Location: Naples, FL
- Contact:
- Roger Rettig
- Posts: 10548
- Joined: 4 Aug 2000 12:01 am
- Location: Naples, FL
- Contact:
I like so many of the modern guitars. It's hard to choose! Right now I'd gravitate towards an S-10 with 5+5 and a dark, pretty wood finish. Carter and Jackson are at the top of my list lately, but it changes from week to week. So many guitars, so little time.
I just got a new guitar recently, a Desert Rose S-8. Really nice! And I also have a Williams D-12 crossover and a Sierra Olympic S-12 that are really wonderful. Always looking for something different, though, and then there's no money for a while.
I just got a new guitar recently, a Desert Rose S-8. Really nice! And I also have a Williams D-12 crossover and a Sierra Olympic S-12 that are really wonderful. Always looking for something different, though, and then there's no money for a while.
-𝕓𝕆𝕓- (admin) - Robert P. Lee - Recordings - Breathe - D6th - Video
- Cliff Kane
- Posts: 1932
- Joined: 10 Dec 1999 1:01 am
- Location: the late great golden state
- Contact:
If I could find the guitars: an Emmons Wrap Around, a Sho-Bud Permanant, and a Bigsby (I'll settle for a Clinesmith or a Wright Custom if I can't find a Bigsby). Time to pass the pipe.
Last edited by Cliff Kane on 3 Jan 2010 4:00 pm, edited 1 time in total.
-
- Posts: 1440
- Joined: 2 Nov 2006 1:01 am
- Location: Pennsylvania, USA
Barry and Larry
I'm with Barry and Larry, Even though I have a Williams 600 series S10WB: My fist choice would be one like Barry Hyman has a Williams S-12 extended E9th 700 series, my second would be a Show-Pro, my third would be an Excel, like Carl Dixion has, then a Mullen G2, then a Rains...wow, I guess I have to win the lottery...you can't make that much money working on the clock.
- Darvin Willhoite
- Posts: 5715
- Joined: 4 Aug 1998 11:00 pm
- Location: Roxton, Tx. USA
MSA all the way, there's always room for one more.
Darvin Willhoite
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, as well as some older MSAs, several amps, new and old, and a Kemper Powerhead that I am really liking. Recently added a Zum D10, a Mullen RP, and a restored blue Rose, named the "Blue Bird" to the herd. Also, I have acquired and restored the plexiglass D10 MSA Classic again that was built as a demo in the early '70s. I also added a '74 lacquer P/P, with wood necks.
MSA Millennium, Legend, and Studio Pro, Reese's restored Universal Direction guitar, as well as some older MSAs, several amps, new and old, and a Kemper Powerhead that I am really liking. Recently added a Zum D10, a Mullen RP, and a restored blue Rose, named the "Blue Bird" to the herd. Also, I have acquired and restored the plexiglass D10 MSA Classic again that was built as a demo in the early '70s. I also added a '74 lacquer P/P, with wood necks.
- Bill Dobkins
- Posts: 4276
- Joined: 3 Feb 2007 10:18 pm
- Location: Rolla Missouri, USA