Emmons L II
Moderator: Shoshanah Marohn
- Billy McCombs
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- Location: Bakersfield California, USA
Emmons L II
Guys, I played my new to me Emmons LII, 1998, out tonight, and all I can say Wooow! I cant beleave the tone and how it cut thru, so smooth. These are truly great Guitars. This is a keeper for sure. Billy
78 Emmons PP,Great tone.82 Emmons SKH #56
- Hook Moore
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- Jerry Roller
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- Jerry Roller
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Austin, the first all pull Emmons was the LeGrande and it had 4 hole bellcranks and used a pushpull type swivel in the larger bellcrank holes. It later became referred to as the SKH because of the shorter body which took a shortened keyhead. Then the LeGrande II came out with 14 hole bellcranks and that was the LeGrande II. However, the factory has a large supply of LeGrande decals so they continued to use the LeGrande decals on the LeGrande II until they ran out of them or at least down to a short supply. There is no difference in the 14 hole bellcrank guitar with the LeGrande decal and the LeGrande II. The LeGrande III is no different that the LeGrande II other than having one or in some cases two antidetuner devices. If I have skipped a model in between I was not aware of it.
Jerry
Jerry
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1. The "LeGrande" short three piece extruded keyhead, changer mount with dividers between each finger, bridge radius of 7/8", 4 hole bellcranks, body 1/2 inch shorter than push-pull.
2. "Lashley LeGrande" originally had just a LeGrande decal, body 1" longer than SKH LeGrande, full size one piece cast keyhead, no dividers between fingers except for spacer, bridge radius 3/4", 4 hole bellcrank.
3. "Lashley LGrande II" all features of "Lashley LeGrande" with the change to 14 hole bellcrank, re-positioned changer to make fingers more upright (when radius was changed it caused the finger mechanism to be slightly out of line), pedal stop bar was moved to change the pivot on the crossbar to have a better mechanical advantage, assembly processes changed for smoother and easier movement of fingers and crossbars.
4. "III" was the addition of the counterforce, no other features or processes changed.
2. "Lashley LeGrande" originally had just a LeGrande decal, body 1" longer than SKH LeGrande, full size one piece cast keyhead, no dividers between fingers except for spacer, bridge radius 3/4", 4 hole bellcrank.
3. "Lashley LGrande II" all features of "Lashley LeGrande" with the change to 14 hole bellcrank, re-positioned changer to make fingers more upright (when radius was changed it caused the finger mechanism to be slightly out of line), pedal stop bar was moved to change the pivot on the crossbar to have a better mechanical advantage, assembly processes changed for smoother and easier movement of fingers and crossbars.
4. "III" was the addition of the counterforce, no other features or processes changed.
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There were several changes, mostly to assembly techniques, between the Lashley I and II. It is a misconception that only the bellcrank changed. We did very little to advertise the exact changes but the guitar spoke for itself. It was by far, a better playing guitar. Most of these changes were implemented by me, with the exception of the bellcrank. None of the changes that took place with the LeGrande guitars would have happened without the urging and advice from Hal Rugg. Hal wanted the cast keyhead, the 14 hole bellcrank, the changer re-alignment, and a cure for the cabinet drop. Not to say that others were not influential, but Hals relentless pleading for Ron to make improvements is what prompted these changes.
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LeGrande ll
Jack Strayhorn is the real deal jack built both of my LeGrande ll guitars good to see you on the forum
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Last Year Built
Jack do you know how many SKH Guitars Were Built and The Last Year they Were Made? Thanks Randy G.
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I started a reply on this last night, and was about finished when my Schnauzer, Kelsea, rolled her big ball on the power strip and shut my whole system off. So, I'll try it again....with the exception of about 6 other guitars, a Rains, two MSA Classics, two Sho-Buds (a Professional & Super-Pro) and one MCI, I've been an Emmons player...and my current guitar, an '08 LeGrande II is an incredible guitar, and the best of all with the exception of my '85 SKH. I wish I still had it......I'll always regret trading..........HAL
HAL...Excel D-10 w/ 8 & 5. SteelSeat.com w/back,SteelSeat.com Pedal Board on Legs with Quilter Tone Block 200 amp, Boss GE 7, Boss DD 3, Boss RV 6, Boss RT-20 Hilton Expression Pedal, Evans Cabinet with 4 ohm Eminence 15" speaker. BJS birthstone bar, Powder coated Tone bar by Michael Hillman. Dunlop Coated finger picks and Zookies L30 thumb picks.
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I would guess there to be around 400 SKH guitars. They were discontinued after the Lashley model came out with exception to a few custom orders. The orders for SKH at that time would have had the modified bridge. The changer mount with dividers was discontinued because too most, the changer without the dividers is more push-pull like in tone. The 7/8" radius pivoting bridge members were no longer produced, however in 99' when I left we still had quite a few of the ribbed mounts left. Those style mounts were much more trouble to produce and made it more time consuming to assemble.
Skh
Jack, correct me if I am mistaken, but I recall reading Buddy saying that the prototype SKH model that Ron Snr built was the best sounding Emmons guitar he had ever played, but Ron made changes to the original design to better suit production and cost factors and the production guitars lost that magic to some extent.
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- Location: Denham Springs, La.
I am a proud owner of a 1977 Emmons,It is truly a great guitar. And the sound of it is even better since I got the Black Box. The tone just blows me away. I am amazed of the sound quality and the infamous Emmons "growl". I told my wife, Roxanne. I would like to get another one. Preferably a newer one, maybe a Legrande. I have heard so much about them. But if I do, it'll have to be a pre-owned model. I have heard of the horror stories that some of the Forumites have had in the buying process. Don't get me wrong. Emmons makes a fine,mighty fine instrument.My guitar is a push pull. And for the tone, one can't find a better guitar.
Tommy Shown
Tommy Shown
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I am a proud owner of a 1977 Emmons,It is truly a great guitar. And the sound of it is even better since I got the Black Box. The tone just blows me away. I am amazed of the sound quality and the infamous Emmons "growl". I told my wife, Roxanne. I would like to get another one. Preferably a newer one, maybe a Legrande. I have heard so much about them. But if I do, it'll have to be a pre-owned model. I have heard of the horror stories that some of the Forumites have had in the buying process. Don't get me wrong. Emmons makes a fine,mighty fine instrument.My guitar is a push pull. And for the tone, one can't find a better guitar.
Tommy Shown
Tommy Shown
- chris ivey
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- Billy McCombs
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Billy, I just bought a 98 Lashley Legrand II also. This is my third Emmons. This guitar sounds great, but the 1980 Emmons SKH I had, was the best soundin of the three Emmons I've had. Bobbe did have two SKHs for sale on his website, and they were priced just right to. I think one was around $2800. can't remember what the other one was.
terry
terry