Connie Smith-Johnny Cox OpryTV show Jan 18th
Moderator: Dave Mudgett
Connie Smith-Johnny Cox OpryTV show Jan 18th
Hey everyone..just looked at the line-up for the Opry and saw that Connie Smith has the TV spot along with Marty Stuart, Clint Black, and Andy Griffith. Hope you can all tune in.
Joan Cox
Joan Cox
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"Connie is a great promoter of the pedal steel"
She certainly is. And what a lady she is. She is considered by many to be the greatest female country singer. And how she has used our beloved instrument throughout her career.
I shall never forget the day I took my wife and young children on vacation to Nashville and Connie had just released "Once A Day". We heard it often that week. What a song. And what a magnificent job Weldon Myrick did using strings 3 and 5 on the E9th neck.
Weldon was second only to Tom Brumley back then exploring the incredible sounds of the high G# string; that ole Ralph Mooney had added in the evolution of the PSG.
Johnny Cox is just an example of how this precious lady glorifies the steel guitar. Never failing to talk about it and promote it and giving praise to the player. And a voice straight from the gardens of heaven to embelish its unprecedented sound. Marty Stuart must think he died and woke up in that garden.
May God richly bless Connie Smith (and Marty), Johnny Cox, his beloved wife and all of you,
carl<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by C Dixon on 16 January 2003 at 09:35 AM.]</p></FONT>
She certainly is. And what a lady she is. She is considered by many to be the greatest female country singer. And how she has used our beloved instrument throughout her career.
I shall never forget the day I took my wife and young children on vacation to Nashville and Connie had just released "Once A Day". We heard it often that week. What a song. And what a magnificent job Weldon Myrick did using strings 3 and 5 on the E9th neck.
Weldon was second only to Tom Brumley back then exploring the incredible sounds of the high G# string; that ole Ralph Mooney had added in the evolution of the PSG.
Johnny Cox is just an example of how this precious lady glorifies the steel guitar. Never failing to talk about it and promote it and giving praise to the player. And a voice straight from the gardens of heaven to embelish its unprecedented sound. Marty Stuart must think he died and woke up in that garden.
May God richly bless Connie Smith (and Marty), Johnny Cox, his beloved wife and all of you,
carl<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by C Dixon on 16 January 2003 at 09:35 AM.]</p></FONT>
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While reading the comments on this thread I remembered way back when Connie Smith was one of the first artists to publicly acknowledge on her shows her belief and faith in her Saviour Jesus Christ....and this was long before it was fashionable or good for a career to do so....in fact it was almost a negative at the time. She had the courage of her convictions regardless of the consequences and I have always appreciated her for that.
Gene www.genejones.com
Gene www.genejones.com
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I have been a fan of Connie Smith ever since I first heard her in 1964, while I was in the service. I have all of her records, and have seen her in person at least 5 times, the last couple of times with Johnny Cox.
My personal treasure of her is a picture of her and I together when she appeared at the opening of the Midwest Country Theater in Sandstone, MN. I also have a picture of Johnny and myself at the same theatre from a couple of years ago. A greater singer or steel player combination is hard to find in this modern age of so-called "country music", and I hope that they continue until the Lord comes for them.
Dennis
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<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Dennis Atkins on 16 January 2003 at 08:41 PM.]</p></FONT>
My personal treasure of her is a picture of her and I together when she appeared at the opening of the Midwest Country Theater in Sandstone, MN. I also have a picture of Johnny and myself at the same theatre from a couple of years ago. A greater singer or steel player combination is hard to find in this modern age of so-called "country music", and I hope that they continue until the Lord comes for them.
Dennis
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MSA S-10 Sidekick
Gorilla Amp with Digitech RP100 Processor
pedalman@msn.com
www.geocities.com/mnpedalman/index.html
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Dennis Atkins on 16 January 2003 at 08:41 PM.]</p></FONT>
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I'm wondering if it's me, or did the sound man cancel out Johnny's break that Connie Smith so graciously requested. The years of accomlishments on the steel guitar were thwarted by whomever was responsible for the sound projection. If I'm in error, I stand to be corrected by whomever was viewing the T.V. programming. The camera work was faultless, and clearly brought Johnny's great technique to my living room. For those who disagree with me, be sure to recall the crisp, and clear lead guitar work that followed Johnny's break. The contrast hit me like a Floyd Patterson 6" punch.
Bill H.
<FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bill Hankey on 19 January 2003 at 02:10 PM.]</p></FONT>
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Jerry R.
As the saying goes, "The majority rules." I do not wish to be disputatious, however, I feel strongly that something was amiss.
Johnny was picking the daylights out of the catchy tune, and his lead was far below the mix. What a
deprivation of a glorious moment for the steel guitar, and its chance to shine made possible by a superstar.
Bill H.
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I really enjoyed seeing Johnny behind that MSA. It sure is a great looking instrument. The only problem I had was only getting to see one song. Clint Black's interview was during her first song. By the way, did you see Jeff Peterson pickin' the fire out of that dobro during Clint's set? What a great musician and nice guy to boot.
Kim
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Bill H.,
Johnny was coming through loud and clear on my end. I watched it at 7:00 and then again 10:00. As a matter of fact, I remember being suprised that Johnny was actually turned up in the mix. He sounded superb!
Respectfully,
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<marquee><H1><i><font color=green><font size=3>Dave Burr
Remington Sustainmaster SD-10 3x4</marquee><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>
Johnny was coming through loud and clear on my end. I watched it at 7:00 and then again 10:00. As a matter of fact, I remember being suprised that Johnny was actually turned up in the mix. He sounded superb!
Respectfully,
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<marquee><H1><i><font color=green><font size=3>Dave Burr
Remington Sustainmaster SD-10 3x4</marquee><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>
- Bill Hankey
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Vern,
Thanks for the input. The broadcast was very entertaining, until I nearly blew my top when the steel ride fizzled out from start to finish. Can you imagine the impact of an artist such as Johnny Cox, playing a close-up camera run, of lets say a "country" song such as "Keys In The Mailbox" or "Invitation To The Blues", with Connie at the mike? If he was to play at proper volume levels, those who are true country fans, would surely want to be tuned in.
Bill H.