Which Tone Bar for Mellower Tone?
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Which Tone Bar for Mellower Tone?
I play jazz standards a lot and am searching for a tone bar that would be less metallic and mellower, more in the direction of a hollow-body jazz guitar tone (I realize this isn't fully possible, but in that direction) and still have decent sustain. Does the Black Phoenix or that synthetic stone bar (forgot the name) give a tone in the mellower direction? Any other suggestions?
Thanks.
Thanks.
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if you're looking for a mellower tone, you might consider getting a used late 70s MSA maple/lacquer guitar. These guitars have a much mellower sound than an Emmons or Sho-Bud. In fact, their mellower tone is one of the reasons they are not more popular in Nashville, despite having superior mechanics.
If you listen to the recordings of Curly Chalker and Reece Anderson you can hear what these guitars sound like.
Two things though. Make sure it is the maple/lacquer guitar and not the earlier mica finish guitar which has a different sound, and you'll probably want to replace the pickup with a better one. I have a George L 5 position in mine. (The one in my avatar)
If you listen to the recordings of Curly Chalker and Reece Anderson you can hear what these guitars sound like.
Two things though. Make sure it is the maple/lacquer guitar and not the earlier mica finish guitar which has a different sound, and you'll probably want to replace the pickup with a better one. I have a George L 5 position in mine. (The one in my avatar)
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Another factor in the tone, especailly the attack, can be mellowed by using brass finger picks. Also, cut back the presence and treble, plus turn off the reverb and delays completely on your amp.
A lighter bar, whether chrome plated, stainless or a plastic / glass material will cut back on sustain and some bass. I have a custom made 7/8" dia brass bar, hollowed out that works to 'smooth out' the string noise. Any good bar maker mentioned in the Forum could probably make a brass bar to your specs.
Thanx,
Jim
A lighter bar, whether chrome plated, stainless or a plastic / glass material will cut back on sustain and some bass. I have a custom made 7/8" dia brass bar, hollowed out that works to 'smooth out' the string noise. Any good bar maker mentioned in the Forum could probably make a brass bar to your specs.
Thanx,
Jim
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I've bought many different bars over the years. The most recent one I received came in a plastic tube. When I tried the plastic tube container as a bar it sounded better than the $80 bar inside !
About 50 years ago my grandfather turned down some maple on a lathe to make my mother and her sister a tool for braiding their hair. I recently tried out one of those tools as a tone bar and it sounded pretty good. Not a lot of sustain, but a very soft sound. It worked particularly well on a Dobro.
...and don't forget the traditional glass bottle neck.
About 50 years ago my grandfather turned down some maple on a lathe to make my mother and her sister a tool for braiding their hair. I recently tried out one of those tools as a tone bar and it sounded pretty good. Not a lot of sustain, but a very soft sound. It worked particularly well on a Dobro.
...and don't forget the traditional glass bottle neck.
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You can get mellower on the wound strings by using nickel instead of stainless steel strings, also semi-flats or flatwounds. But the unwound strings are the same, and that's where most of the objectionable twang comes from.
As for bars, the material or coating is much more important than the weight. Light metal bars actually sound brighter and thinner than heavy ones, so that's going in the wrong direction. Something heavy, but softer would seem to be the thing. Anyone ever tried a lead bar? A heavy wood bar might be interesting. How about a wood bar with a lead core?
As for bars, the material or coating is much more important than the weight. Light metal bars actually sound brighter and thinner than heavy ones, so that's going in the wrong direction. Something heavy, but softer would seem to be the thing. Anyone ever tried a lead bar? A heavy wood bar might be interesting. How about a wood bar with a lead core?
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David got it - Something heavey, but softer would seem to be the thing - I only use bars made of German silver, for pedal steel guitar and lap steel guitar in different sizes. I get them customized from a friend who ownes a lathe. They produce a very rich and mellow sound with much sustain, and they are not as slippery as steel bars. German silver is a very good tone metal. It is used for National Guitars, saxophones, and fret wire.
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No one has mentioned Zirconia?
Bo Borland
Rittenberry SD10 , Derby D-10, Quilter TT12, Peavey Session 400 w/ JBL, NV112, Fender Blues Jr. , 1974 Dobro 60N squareneck, Rickenbacher NS lapsteel, 1973 Telecaster Thinline, 1979 blonde/black Frankenstrat
Currently picking with
Mason Dixon Band masondixonband.net
Rittenberry SD10 , Derby D-10, Quilter TT12, Peavey Session 400 w/ JBL, NV112, Fender Blues Jr. , 1974 Dobro 60N squareneck, Rickenbacher NS lapsteel, 1973 Telecaster Thinline, 1979 blonde/black Frankenstrat
Currently picking with
Mason Dixon Band masondixonband.net
The Zirconium bar takes the metallic edge off without affecting sustain. Good luck finding one, though.
I also like the old black Nick Manoloff bar, but it has less sustain.
I also like the old black Nick Manoloff bar, but it has less sustain.
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I make bars like this, out of delrin, Molybdenum-filled nylon and acrylic rods:
I use a delrin one almost exclusively myself, they're bigger in diameter than a steel bar but I find that easier to handle, and more controllable - it freaks some people out. When I want more weight, I'm also fond of the hand-blown leaded crystal bars made by Diamond Bottlenecks in England:
http://www.diamondbottlenecks.com/p_sig.html
I have a solid emerald green one that looks a lot like that first "Charlie O" one, 6.25 oz. I find that there's a threshold around 3 oz. below which any & all tone dies off, miserably. Contact me if needed.
(photo courtesy Jim Sliff, though I just got digital myself yesterday - wanna see my cats? Please?)
I use a delrin one almost exclusively myself, they're bigger in diameter than a steel bar but I find that easier to handle, and more controllable - it freaks some people out. When I want more weight, I'm also fond of the hand-blown leaded crystal bars made by Diamond Bottlenecks in England:
http://www.diamondbottlenecks.com/p_sig.html
I have a solid emerald green one that looks a lot like that first "Charlie O" one, 6.25 oz. I find that there's a threshold around 3 oz. below which any & all tone dies off, miserably. Contact me if needed.
(photo courtesy Jim Sliff, though I just got digital myself yesterday - wanna see my cats? Please?)