That JayDee/Emmons tone,,,wow!
Moderator: Shoshanah Marohn
That JayDee/Emmons tone,,,wow!
Picked up a used copy of The Desert Rose Band Greatest Hits today. I loved that band! Listening to it on the way home, I realized that I had forgotten just how great the touch and tone JayDee has.
Combined with the old Emmons, that's about as good as it gets. Espcially when he's trading dozens with John Jorgenson. That stuff is scarey!
Where is JayDee these days? Years ago, I got a mint 65 or 66 volume pedal from him. I finally broke it out for the 65 bolton...
Combined with the old Emmons, that's about as good as it gets. Espcially when he's trading dozens with John Jorgenson. That stuff is scarey!
Where is JayDee these days? Years ago, I got a mint 65 or 66 volume pedal from him. I finally broke it out for the 65 bolton...
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bOb Jay Dee is an avid collector of Emmons pp guitars. I was going to offer my Emmons to him a few years back but decided to keep it. Great steel player and a fine guy. <font size="1" color="#8e236b"><p align="center">[This message was edited by Jody Carver on 25 October 2005 at 06:26 PM.]</p></FONT>
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Hey Tom,
First of all, nice to see you back on the forum.
Over the years I've read several references to Jay Dee liking the '69 models, for whatever reason.
A couple of trivial points of personal reflection - A fellow that lives in my neighbourhood, David Rattray, sold Jay Dee a '69 black push pull through Al Brisco some years ago.
Mr. Rattray currently owns the spectacular sunburst birdseye Carter which was on display at the Texas show 2 years ago. It was custom built for him.
When I talked to Jay Dee in St Louis in 2003, he was playing a '69... perhaps the same one, I don't know.
The necks on my bolt-on were re-jewelled by Jay Dee while it was being born again at Mike Cass' shop about 5 years ago.
-John
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First of all, nice to see you back on the forum.
Over the years I've read several references to Jay Dee liking the '69 models, for whatever reason.
A couple of trivial points of personal reflection - A fellow that lives in my neighbourhood, David Rattray, sold Jay Dee a '69 black push pull through Al Brisco some years ago.
Mr. Rattray currently owns the spectacular sunburst birdseye Carter which was on display at the Texas show 2 years ago. It was custom built for him.
When I talked to Jay Dee in St Louis in 2003, he was playing a '69... perhaps the same one, I don't know.
The necks on my bolt-on were re-jewelled by Jay Dee while it was being born again at Mike Cass' shop about 5 years ago.
-John
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Yeah, the "Emmons sound" was there from the beginning, but JayDee's style is a perfect fit.
I play mine because even a semi-pro can sound good on these guitars. In the hands of a genuine picker, nothing comes close in my book, but before we all get into a you-know-what match, there are many, many fine sounding steel guitars.
Vintage Emmons guitars just happen to be my personal favorite.
I play mine because even a semi-pro can sound good on these guitars. In the hands of a genuine picker, nothing comes close in my book, but before we all get into a you-know-what match, there are many, many fine sounding steel guitars.
Vintage Emmons guitars just happen to be my personal favorite.
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yep, ol' JD gets a tone as big as a house, and a large one at that I heard a GAC rerun of the GOO the other day w/JD & Vince Gill and J's tone was awesome and so typically him. He rotates between those two 69's he has. He says he likes one better for live,etc. One of my all-time heroes and proud to call him my friend. Nicest fellow you'd ever want to meet, and he has that same thing that Buddy E has; the ability to hear things the rest of us cant. I believe Mike Brown would agree with me on that
Additionally, if youve ever seen JD's p/p guitars then you know they're clean enough to eat off of; not my doing. JayDee is one of the best restores/mechanics of those guitars around, I learned alot from him.
Hurry yer tail back here J, theres a new buffet in town <font size="1" color="#8e236b"><p align="center">[This message was edited by Mike Cass on 26 October 2005 at 12:55 PM.]</p></FONT>
Additionally, if youve ever seen JD's p/p guitars then you know they're clean enough to eat off of; not my doing. JayDee is one of the best restores/mechanics of those guitars around, I learned alot from him.
Hurry yer tail back here J, theres a new buffet in town <font size="1" color="#8e236b"><p align="center">[This message was edited by Mike Cass on 26 October 2005 at 12:55 PM.]</p></FONT>
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No, he does not have stock pick`ups... and like all the other great comments about JD, all I have to add is he is as great a person as player!... his guitars look to be brand new!! well, let's just say his guitars and hair... is always perfect!!!...
wish I could say that!!!!!!!!!!!!!!!!!!<a href='http://www.smileycentral.com/?partner=Z ... YYYYYY92US' target='_blank'><img src='http://smileys.smileycentral.com/cat/36/36_2_41.gif' alt='Head Banger' border=0></a>
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wish I could say that!!!!!!!!!!!!!!!!!!<a href='http://www.smileycentral.com/?partner=Z ... YYYYYY92US' target='_blank'><img src='http://smileys.smileycentral.com/cat/36/36_2_41.gif' alt='Head Banger' border=0></a>
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I grow tired of hearing about "tone".
Yes, Jay Dee and Buddy both sound great! However, their skills at playing far outshadows their "tone". I've heard a hundred players with just as good a "tone" as these guys, but very few that could match their creativity, ability, and technique.
I feel that we, as players, have to get off this "tone thing", and focus more on creativity, ability, and technique, in order to be accepted by the rest of the musical world. "Tone", in and of itself, won't buy you a cup of coffee.
Flame away! <font size="1" color="#8e236b"><p align="center">[This message was edited by Donny Hinson on 28 October 2005 at 07:12 AM.]</p></FONT>
Yes, Jay Dee and Buddy both sound great! However, their skills at playing far outshadows their "tone". I've heard a hundred players with just as good a "tone" as these guys, but very few that could match their creativity, ability, and technique.
I feel that we, as players, have to get off this "tone thing", and focus more on creativity, ability, and technique, in order to be accepted by the rest of the musical world. "Tone", in and of itself, won't buy you a cup of coffee.
Flame away! <font size="1" color="#8e236b"><p align="center">[This message was edited by Donny Hinson on 28 October 2005 at 07:12 AM.]</p></FONT>