i know there is a way to run my 74' twin and my nash 400 at the same time. is the a tried and true method to using both amps at the same time? i play steel as well as switching to lead guitar and was hoping i could get the combined sound of both amps because they have such wonderful and totally different tone. i know i could work some elaborate a/b setup, but my real question is: can i actually hook these amps to one another and have the combined tone coming from one or(preferably) both amps? i guess its a blessing and a curse to have two great amps and two great guitars(a gretch nashville and a 71 tele). i can never decide what sounds and plays better 'cause it all sounds so good! god help me if i get a second steel!! i imagine i'll just sort of spontaneously combust when i start thinking of all the possibilities of that! so lets hear it what do you all think about the amp situation, (other than the fact that i am obviously insane for thinking about carrying more equipment to every show).
thanks in advance,
jordan
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wishing they made volume controls for drums......
using both amps?
Moderator: Shoshanah Marohn
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Jordan Shapiro
- Posts: 341
- Joined: 31 May 2002 12:01 am
- Location: Echo Park, California, USA
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Bill Moore
- Posts: 2099
- Joined: 5 Jun 2000 12:01 am
- Location: Manchester, Michigan
The simplest way is to plug the guitar into one amp, then plug a second cord into the other input jack of that amp, then plug the cord into the imput of the second. Adjust the amps to suit your ear. Some like to use a delay effect going into one of the amps to get a little of that "stereo" sound. <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Bill Moore on 21 April 2003 at 02:22 PM.]</p></FONT>
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Erv Niehaus
- Posts: 26797
- Joined: 10 Aug 2001 12:01 am
- Location: Litchfield, MN, USA
Yup, and something I JUST learned.
You can come out of your volume pedal with a T, and choose which amp you wish to have go through the PA. Turning your unmiked amp up, down, toward, or away from you, can adjust how much of this you want to go "out front".
If you wish, and you have a Fender, you can also do one that's "fantastic". You can mike or line-out each amp to a different side and using the tremolo on the Twin get a KILLER Leslie effect that's the width of the PA stack.
Session 500s had a "bi-amp" feature that can have the twin handle the highs.
It does open up a lot of possibilities. You can make your "stage sound" any way you like it.
EJL
You can come out of your volume pedal with a T, and choose which amp you wish to have go through the PA. Turning your unmiked amp up, down, toward, or away from you, can adjust how much of this you want to go "out front".
If you wish, and you have a Fender, you can also do one that's "fantastic". You can mike or line-out each amp to a different side and using the tremolo on the Twin get a KILLER Leslie effect that's the width of the PA stack.
Session 500s had a "bi-amp" feature that can have the twin handle the highs.
It does open up a lot of possibilities. You can make your "stage sound" any way you like it.
EJL
