Clinesmith 8 string Frypan ( soundclip added... and another)

Lap steels, resonators, multi-neck consoles and acoustic steel guitars

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Jeff Spencer
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Post by Jeff Spencer »

Wow, wow, wow, that IS THE tone. I now must have one! Well done sir! A master piece of work!!
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Jim Newberry
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Post by Jim Newberry »

Well, look what got delivered to me today!

Image

Image


Image

Beautiful bell-like chime from the pickup, great balance across the strings, and sustain like I’ve never experienced. What a work of art.

Many thanks, Todd!
"The Masher of Touch and Tone"

-1950 Fender Dual Pro 8
-1950's Fender Dual Pro 6
-Clinesmith D8
-Clinesmith 8-string Frypan
-Clinesmith Joaquin
-~1940 National New Yorker
-~1936 Rickenbacher B6
-Homebuilt Amps
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Rick Barnhart
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Post by Rick Barnhart »

Excellent, congratulations Jim.
Clinesmith consoles D-8/6 5 pedal, D-8 3 pedal & A25 Frypan, Pettingill Teardrop, & P8 Deluxe.
Ian McLatchie
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Post by Ian McLatchie »

What a beauty! I'll be ordering one, too.
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Hideki Hattori
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Post by Hideki Hattori »

Wow, beautiful! Serial is #2, real treasure!!
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Phil Donnison
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Post by Phil Donnison »

Congratulations Jim! What a beautiful instrument - and it's #2! Can you put up a clip so we can hear it?
1935 Rickenbacher B6, 1953 Leilani lap steel and matching amp, 2001 Beeton Style 3 Tricone square neck, 1934 National Style O, 1996 National Tricone
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Todd Clinesmith
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Post by Todd Clinesmith »

Thanks again for all the comments.

I have had some questions about the steels and figured I would post some answers here.

The bridge spacing is fixed, on these steels. I made my horseshoe mounts work with this spacing.

I can be flexible on the nut's spacing.

The horseshoes are a real horseshoe and actually are a touch stronger than the originals.

I can do left handed versions.

I would not suggest a linear tone pot for Booh - Ahh's. Having an audio taper pot with a wide sweep will get the most range out of the steel. You can still get a good Boo-Ahh with a audio taper pot.

A short scale 8 , and long scale 6 pattern will be made. I assume these will be ready around the 1st of 2019.

I will try and work up another sound clip in the near future.
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Jim Newberry
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Post by Jim Newberry »

Phil Donnison wrote:Congratulations Jim! What a beautiful instrument - and it's #2! Can you put up a clip so we can hear it?
Thanks, Phil. My skill level doesn't rival Todd's, so a clip from me won't do justice to the quality of the instrument, I'm afraid! I certainly have much love for this guitar. Mine's configured with concentric V and T controls that work just right for me.
"The Masher of Touch and Tone"

-1950 Fender Dual Pro 8
-1950's Fender Dual Pro 6
-Clinesmith D8
-Clinesmith 8-string Frypan
-Clinesmith Joaquin
-~1940 National New Yorker
-~1936 Rickenbacher B6
-Homebuilt Amps
Scott Thomas
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Post by Scott Thomas »

Todd, the string to string sonic separation on this, the first known recording session to feature the Frypan from 1933 has long haunted me.

https://www.youtube.com/watch?v=7-62InekNS0 (and Hawaiian Ripple after it).

I hear this quality in your recording, which IMO is a kind of holy grail of tone. Very exciting!
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Andy Volk
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Post by Andy Volk »

Todd, you work is visually and aurally stunning. Thank you for raising the bar so high. I'm certain that one day, I will own one of your instruments.
Steel Guitar Books! Website: www.volkmediabooks.com
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Mike Neer
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Post by Mike Neer »

Scott Thomas wrote:Todd, the string to string sonic separation on this, the first known recording session to feature the Frypan from 1933 has long haunted me.

https://www.youtube.com/watch?v=7-62InekNS0 (and Hawaiian Ripple after it).
That is the magic that I’ve recognized in a Frypan’s sound—at times it sounds like the notes come out of nowhere from a different guitar. Very evident in some Andy Iona recordings. It is a phenomenon that I’ve never heard any other instrument replicate.

I’ve always wanted a long scale Frypan.
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Todd Clinesmith
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Post by Todd Clinesmith »

Thank you Andy. I sure appreciate your comments. We both share a lot in common, in our quest for quality in the steel guitar world.

Thanks, Scott for posting this. A great history lesson, I have not known . Also for pointing out some of the similarities. I will try another recording here soon. I am trying to locate an inspiring piece in F#9, or possibly a 6th tuning.
I wish I could plug a microphone into the ipad. I really enjoy the tone of this amp/ guitar combo at a slightly higher volume. But the microphone on the ipad just won't let me go there.
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Bill Groner
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Post by Bill Groner »

Todd Clinesmith wrote:Thank you Andy. I sure appreciate your comments. We both share a lot in common, in our quest for quality in the steel guitar world.

Thanks, Scott for posting this. A great history lesson, I have not known . Also for pointing out some of the similarities. I will try another recording here soon. I am trying to locate an inspiring piece in F#9, or possibly a 6th tuning.
I wish I could plug a microphone into the ipad. I really enjoy the tone of this amp/ guitar combo at a slightly higher volume. But the microphone on the ipad just won't let me go there.
Play along to this and see how they compare....old to new. https://www.youtube.com/watch?v=xdTa9MzgF6s
Currently own, 6 Groner-tone lap steels, one 1953 Alamo Lap steel, Roland Cube, Fender Champion 40
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Todd Clinesmith
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Post by Todd Clinesmith »

Thanks Bill,
Great playing on there. I have listened to Bobby's playing a lot. He is one of the best IMO.

I have owned a few original frypans, and I do have a short scale prewar here at the shop that I am restoring for a friend.

I am not really a "Sleep Walk" guy. I love the song, and enjoy hearing folks play it. But I have never been inspired to learn it, or to play it out.
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Bill Groner
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Post by Bill Groner »

Todd Clinesmith wrote:Thanks Bill,
Great playing on there. I have listened to Bobby's playing a lot. He is one of the best IMO.

I have owned a few original frypans, and I do have a short scale prewar here at the shop that I am restoring for a friend.

I am not really a "Sleep Walk" guy. I love the song, and enjoy hearing folks play it. But I have never been inspired to learn it, or to play it out.
I assume you watched the whole video? I also assume you can throw yours on your shoulder and carry it like Bobby says. :D I really like your work. I have worked in the machine shop industry for the last 50 years and anyone who thinks making a lap steel with the quality and attention to detail yours have is an easy job, well let 'em give it a go! Great job. :D
Currently own, 6 Groner-tone lap steels, one 1953 Alamo Lap steel, Roland Cube, Fender Champion 40
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Steve Marinak
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Post by Steve Marinak »

Todd,
Put me on the list for a long scale 6 string pan.
Thank you.

Steve
Steve Marinak
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Todd Clinesmith
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Post by Todd Clinesmith »

Thanks Bill..

Thanks Steve, will do .
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Andy DePaule
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WoW, Maybe I need one

Post by Andy DePaule »

WoW, Maybe I need one after all! :whoa:
Didn't know you had them done already.
I'll bet these sell like hot cakes! :lol: :D
What else do you get from a hot frying pan?
Inlaid Star Guitar 2006 by Mark Giles. SD-10 4+5 in E9th; http://luthiersupply.com/instrument-gallery.html
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
Aaron Johnson
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Post by Aaron Johnson »

Andy, you need one of course. So do many others. My order is in but there seem to be quite a few ahead of me :)
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Andy DePaule
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As usual Todd...

Post by Andy DePaule »

As usual Todd has created a reproduction that is better than the original.
My guess is that if and when the complete history of the steel guitar is written Todd will be a big part of that... At least one chapter.

I already have two of his and was thinking of getting another of his Joaquin styled aluminum lap steels, but now thinking of an 8 string short scale fry pan instead.

No hurry on my part as I can always get in line behind much better players who are far more deserving. :D
Inlaid Star Guitar 2006 by Mark Giles. SD-10 4+5 in E9th; http://luthiersupply.com/instrument-gallery.html
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
Gloria Baldwin
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Clinesmith Fry Pan Lap Steel

Post by Gloria Baldwin »

Hello Todd,
My friend Margie is here really wanting to possibly purchase one of your beautiful fry pan lap steels, as shown. Would you be able to provide her with a price.
Thank you kindly,
Gloria
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Fred Kinbom
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Post by Fred Kinbom »

Stunning!
Bill Creller
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Post by Bill Creller »

My interest in a new frypan would be in a long scale 6 string. I'm still of the opinion that a long scale is a great sounding scale...
Beautiful instruments Todd !! :D
Paul Honeycutt
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Post by Paul Honeycutt »

I got to see Jim's guitar this weekend at HSGA in Fort Collins. What a work of art! Unfortunately I got so enraptured with Jim's bakelite Rickenbacher that I forgot to play the fry pan. I did get to hear it played along with a lot of original frypans and it certainly held it's own in the tone department.

Nice work, Todd!
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Todd Clinesmith
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Post by Todd Clinesmith »

Gloria,
The price is $1800 plus shipping for the 8 String Frypan. Long scale 6's and short scale 8's should be ready around the 1st of the year.

Thanks,
Todd
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