Clinesmith 8 string Frypan ( soundclip added... and another)
Moderator: Brad Bechtel
-
- Posts: 741
- Joined: 3 Oct 2009 7:58 am
- Location: Queensland, Australia
- Contact:
- Jim Newberry
- Posts: 582
- Joined: 3 Jan 2007 2:47 pm
- Location: Seattle, Upper Left America
Well, look what got delivered to me today!
Beautiful bell-like chime from the pickup, great balance across the strings, and sustain like I’ve never experienced. What a work of art.
Many thanks, Todd!
Beautiful bell-like chime from the pickup, great balance across the strings, and sustain like I’ve never experienced. What a work of art.
Many thanks, Todd!
"The Masher of Touch and Tone"
-1950 Fender Dual Pro 8
-1950's Fender Dual Pro 6
-Clinesmith D8
-Clinesmith 8-string Frypan
-Clinesmith Joaquin
-~1940 National New Yorker
-~1936 Rickenbacher B6
-Homebuilt Amps
-1950 Fender Dual Pro 8
-1950's Fender Dual Pro 6
-Clinesmith D8
-Clinesmith 8-string Frypan
-Clinesmith Joaquin
-~1940 National New Yorker
-~1936 Rickenbacher B6
-Homebuilt Amps
- Rick Barnhart
- Posts: 3046
- Joined: 23 May 2008 2:21 pm
- Location: Arizona, USA
-
- Posts: 869
- Joined: 29 Dec 1998 1:01 am
- Location: Sechelt, British Columbia
- Hideki Hattori
- Posts: 37
- Joined: 15 Feb 1999 1:01 am
- Location: Tokyo, Japan
- Phil Donnison
- Posts: 10
- Joined: 10 Oct 2013 9:30 pm
- Location: Manly Vale N.S.W., Australia
- Todd Clinesmith
- Posts: 1193
- Joined: 8 Dec 2003 1:01 am
- Location: Lone Rock Free State Oregon
- Contact:
Thanks again for all the comments.
I have had some questions about the steels and figured I would post some answers here.
The bridge spacing is fixed, on these steels. I made my horseshoe mounts work with this spacing.
I can be flexible on the nut's spacing.
The horseshoes are a real horseshoe and actually are a touch stronger than the originals.
I can do left handed versions.
I would not suggest a linear tone pot for Booh - Ahh's. Having an audio taper pot with a wide sweep will get the most range out of the steel. You can still get a good Boo-Ahh with a audio taper pot.
A short scale 8 , and long scale 6 pattern will be made. I assume these will be ready around the 1st of 2019.
I will try and work up another sound clip in the near future.
I have had some questions about the steels and figured I would post some answers here.
The bridge spacing is fixed, on these steels. I made my horseshoe mounts work with this spacing.
I can be flexible on the nut's spacing.
The horseshoes are a real horseshoe and actually are a touch stronger than the originals.
I can do left handed versions.
I would not suggest a linear tone pot for Booh - Ahh's. Having an audio taper pot with a wide sweep will get the most range out of the steel. You can still get a good Boo-Ahh with a audio taper pot.
A short scale 8 , and long scale 6 pattern will be made. I assume these will be ready around the 1st of 2019.
I will try and work up another sound clip in the near future.
- Jim Newberry
- Posts: 582
- Joined: 3 Jan 2007 2:47 pm
- Location: Seattle, Upper Left America
Thanks, Phil. My skill level doesn't rival Todd's, so a clip from me won't do justice to the quality of the instrument, I'm afraid! I certainly have much love for this guitar. Mine's configured with concentric V and T controls that work just right for me.Phil Donnison wrote:Congratulations Jim! What a beautiful instrument - and it's #2! Can you put up a clip so we can hear it?
"The Masher of Touch and Tone"
-1950 Fender Dual Pro 8
-1950's Fender Dual Pro 6
-Clinesmith D8
-Clinesmith 8-string Frypan
-Clinesmith Joaquin
-~1940 National New Yorker
-~1936 Rickenbacher B6
-Homebuilt Amps
-1950 Fender Dual Pro 8
-1950's Fender Dual Pro 6
-Clinesmith D8
-Clinesmith 8-string Frypan
-Clinesmith Joaquin
-~1940 National New Yorker
-~1936 Rickenbacher B6
-Homebuilt Amps
-
- Posts: 1003
- Joined: 10 Jul 2000 12:01 am
Todd, the string to string sonic separation on this, the first known recording session to feature the Frypan from 1933 has long haunted me.
https://www.youtube.com/watch?v=7-62InekNS0 (and Hawaiian Ripple after it).
I hear this quality in your recording, which IMO is a kind of holy grail of tone. Very exciting!
https://www.youtube.com/watch?v=7-62InekNS0 (and Hawaiian Ripple after it).
I hear this quality in your recording, which IMO is a kind of holy grail of tone. Very exciting!
Todd, you work is visually and aurally stunning. Thank you for raising the bar so high. I'm certain that one day, I will own one of your instruments.
Steel Guitar Books! Website: www.volkmediabooks.com
That is the magic that I’ve recognized in a Frypan’s sound—at times it sounds like the notes come out of nowhere from a different guitar. Very evident in some Andy Iona recordings. It is a phenomenon that I’ve never heard any other instrument replicate.Scott Thomas wrote:Todd, the string to string sonic separation on this, the first known recording session to feature the Frypan from 1933 has long haunted me.
https://www.youtube.com/watch?v=7-62InekNS0 (and Hawaiian Ripple after it).
I’ve always wanted a long scale Frypan.
- Todd Clinesmith
- Posts: 1193
- Joined: 8 Dec 2003 1:01 am
- Location: Lone Rock Free State Oregon
- Contact:
Thank you Andy. I sure appreciate your comments. We both share a lot in common, in our quest for quality in the steel guitar world.
Thanks, Scott for posting this. A great history lesson, I have not known . Also for pointing out some of the similarities. I will try another recording here soon. I am trying to locate an inspiring piece in F#9, or possibly a 6th tuning.
I wish I could plug a microphone into the ipad. I really enjoy the tone of this amp/ guitar combo at a slightly higher volume. But the microphone on the ipad just won't let me go there.
Thanks, Scott for posting this. A great history lesson, I have not known . Also for pointing out some of the similarities. I will try another recording here soon. I am trying to locate an inspiring piece in F#9, or possibly a 6th tuning.
I wish I could plug a microphone into the ipad. I really enjoy the tone of this amp/ guitar combo at a slightly higher volume. But the microphone on the ipad just won't let me go there.
- Bill Groner
- Posts: 1234
- Joined: 30 Dec 2016 8:42 am
- Location: QUAKERTOWN, PA
Play along to this and see how they compare....old to new. https://www.youtube.com/watch?v=xdTa9MzgF6sTodd Clinesmith wrote:Thank you Andy. I sure appreciate your comments. We both share a lot in common, in our quest for quality in the steel guitar world.
Thanks, Scott for posting this. A great history lesson, I have not known . Also for pointing out some of the similarities. I will try another recording here soon. I am trying to locate an inspiring piece in F#9, or possibly a 6th tuning.
I wish I could plug a microphone into the ipad. I really enjoy the tone of this amp/ guitar combo at a slightly higher volume. But the microphone on the ipad just won't let me go there.
Currently own, 6 Groner-tone lap steels, one 1953 Alamo Lap steel, Roland Cube, Fender Champion 40
- Todd Clinesmith
- Posts: 1193
- Joined: 8 Dec 2003 1:01 am
- Location: Lone Rock Free State Oregon
- Contact:
Thanks Bill,
Great playing on there. I have listened to Bobby's playing a lot. He is one of the best IMO.
I have owned a few original frypans, and I do have a short scale prewar here at the shop that I am restoring for a friend.
I am not really a "Sleep Walk" guy. I love the song, and enjoy hearing folks play it. But I have never been inspired to learn it, or to play it out.
Great playing on there. I have listened to Bobby's playing a lot. He is one of the best IMO.
I have owned a few original frypans, and I do have a short scale prewar here at the shop that I am restoring for a friend.
I am not really a "Sleep Walk" guy. I love the song, and enjoy hearing folks play it. But I have never been inspired to learn it, or to play it out.
- Bill Groner
- Posts: 1234
- Joined: 30 Dec 2016 8:42 am
- Location: QUAKERTOWN, PA
I assume you watched the whole video? I also assume you can throw yours on your shoulder and carry it like Bobby says. I really like your work. I have worked in the machine shop industry for the last 50 years and anyone who thinks making a lap steel with the quality and attention to detail yours have is an easy job, well let 'em give it a go! Great job.Todd Clinesmith wrote:Thanks Bill,
Great playing on there. I have listened to Bobby's playing a lot. He is one of the best IMO.
I have owned a few original frypans, and I do have a short scale prewar here at the shop that I am restoring for a friend.
I am not really a "Sleep Walk" guy. I love the song, and enjoy hearing folks play it. But I have never been inspired to learn it, or to play it out.
Currently own, 6 Groner-tone lap steels, one 1953 Alamo Lap steel, Roland Cube, Fender Champion 40
- Steve Marinak
- Posts: 207
- Joined: 14 Jan 2012 9:28 am
- Location: Man O War Cay, Abaco, Bahamas
- Todd Clinesmith
- Posts: 1193
- Joined: 8 Dec 2003 1:01 am
- Location: Lone Rock Free State Oregon
- Contact:
- Andy DePaule
- Posts: 2576
- Joined: 20 Jun 1999 12:01 am
- Location: Saigon, Viet Nam & Springfield, Oregon
- Contact:
WoW, Maybe I need one
WoW, Maybe I need one after all!
Didn't know you had them done already.
I'll bet these sell like hot cakes!
What else do you get from a hot frying pan?
Didn't know you had them done already.
I'll bet these sell like hot cakes!
What else do you get from a hot frying pan?
Inlaid Star Guitar 2006 by Mark Giles. SD-10 4+5 in E9th; http://luthiersupply.com/instrument-gallery.html
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
-
- Posts: 249
- Joined: 16 Apr 2017 7:43 am
- Location: Lemoore, CA
- Andy DePaule
- Posts: 2576
- Joined: 20 Jun 1999 12:01 am
- Location: Saigon, Viet Nam & Springfield, Oregon
- Contact:
As usual Todd...
As usual Todd has created a reproduction that is better than the original.
My guess is that if and when the complete history of the steel guitar is written Todd will be a big part of that... At least one chapter.
I already have two of his and was thinking of getting another of his Joaquin styled aluminum lap steels, but now thinking of an 8 string short scale fry pan instead.
No hurry on my part as I can always get in line behind much better players who are far more deserving.
My guess is that if and when the complete history of the steel guitar is written Todd will be a big part of that... At least one chapter.
I already have two of his and was thinking of getting another of his Joaquin styled aluminum lap steels, but now thinking of an 8 string short scale fry pan instead.
No hurry on my part as I can always get in line behind much better players who are far more deserving.
Inlaid Star Guitar 2006 by Mark Giles. SD-10 4+5 in E9th; http://luthiersupply.com/instrument-gallery.html
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
-
- Posts: 179
- Joined: 11 Jun 2017 7:04 am
- Location: California, USA
Clinesmith Fry Pan Lap Steel
Hello Todd,
My friend Margie is here really wanting to possibly purchase one of your beautiful fry pan lap steels, as shown. Would you be able to provide her with a price.
Thank you kindly,
Gloria
My friend Margie is here really wanting to possibly purchase one of your beautiful fry pan lap steels, as shown. Would you be able to provide her with a price.
Thank you kindly,
Gloria
- Fred Kinbom
- Posts: 1230
- Joined: 28 Sep 2005 12:01 am
- Location: Berlin, Germany, via Stockholm, Sweden.
- Contact:
Stunning!
www.fredrikkinbom.com - New lap steel album out now - listen here: fredrikkinbom.bandcamp.com/album/songs-for-lap-steel-and-harmonium
-
- Posts: 3740
- Joined: 29 Oct 2002 1:01 am
- Location: Saginaw, Michigan, USA (deceased)
-
- Posts: 860
- Joined: 28 Mar 2005 1:01 am
- Location: Colorado, USA
I got to see Jim's guitar this weekend at HSGA in Fort Collins. What a work of art! Unfortunately I got so enraptured with Jim's bakelite Rickenbacher that I forgot to play the fry pan. I did get to hear it played along with a lot of original frypans and it certainly held it's own in the tone department.
Nice work, Todd!
Nice work, Todd!
- Todd Clinesmith
- Posts: 1193
- Joined: 8 Dec 2003 1:01 am
- Location: Lone Rock Free State Oregon
- Contact: