Page 2 of 2
Posted: 19 Nov 2005 10:54 pm
by John Bechtel
I had an 8-string Lap~Steel back in ’01, while waiting for a new PSG and although most folks probably wouldn’t go for it, I tuned mine to C-Diatonic: (C)–(E)–F–(G)–(A)–B–(C)–(E)
------------------
“Big John” Bechtel
Soon to be: New Burgundy D–10 Derby (w/6 &
’65 Re-Issue Fender Twin–Reverb Custom™ 15” Eminence
web site
Posted: 21 Nov 2005 1:28 am
by David L. Donald
David, stagger into Brad's page of steel,
and tells us when you come up for air.
http://www.well.com/user/wellvis/steel.html
Posted: 28 Nov 2005 10:34 am
by Edward Meisse
I have more or less just begun to seriously play lap steel. I'm using what they call a low C6 (that is with the E on top) and I tune the 7th and 8th strings back and forth from A, F and Bb, G. I have a long way to go to either learn my way around this tuning or figure out any reason why I would need another one. I strongly suggest a C6 tuning to begin. The important part of that(from high to low) is E C A G E C. That is the heart of the tuning and the strings you will probably use most. You may just as well tune the others to whatever 8 string formation suits your fancy for now. Only after playing awhile can you figure out what you personally are going to need.
Posted: 1 Dec 2005 1:41 pm
by Chuck Fisher
"Weird Chuck Fisher Tuning"????
I resemble that. Actually its just Jerry's 6-string E-13 with a IV powerchord underneath, I think Steiner uses this too. Its pretty versatile.
BTW can we ban any posts that mention a tuning without defining LOW-TO-HI or HI-to-LOW???
Posted: 3 Dec 2005 4:12 pm
by Ray Montee
HIGH to lo has been standard for decades. (Before rock and roll and Hank Williams Jr.)
Younger folks are re-writing the book.... but at times it is confusing at first glance.
Anyone that is using the olde standard verson of C6th are short changing themselves possibly; by tuning that bottom "C" note to "C#". It gives you so much versatility, I do believe. And having that really, really LOW note below that is really a kicker.
Posted: 3 Dec 2005 4:27 pm
by Steinar Gregertsen
<SMALL>Actually its just Jerry's 6-string E-13 with a IV powerchord underneath, I think Steiner uses this too. Its pretty versatile.</SMALL>
Yeah, I really like that tuning, being used to playing 6-string in straight major tuning I found it easy to adapt to, plus it has all the advantages of the 6-string major tuning and those cool "extras".
At the moment I'm busy trying to figure out this C6add9 tuning though; (low to high) ACEGACED. That added ninth up there opens up some nice harmonic possibilities...
Steinar
------------------
www.gregertsen.com