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Post new topic Fender Dual Pro Mahogany
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Author Topic:  Fender Dual Pro Mahogany
Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 16 Oct 2005 6:03 am    
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I recently had to need to check out some pickups and on the guitars under discussion, the pickups checked out in the 10-12,000 Ohm range, really not too consistant.
Erv
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Rick Alexander


From:
Florida, USA, R.I.P.
Post  Posted 16 Oct 2005 6:57 am    
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Quote:
I like the looks of old steels that have marks, chips etc


Garman, how's this for marks & chips?



I think it looks cool the way it is. It certainly has been played . .

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Jon Light (deceased)


From:
Saugerties, NY
Post  Posted 16 Oct 2005 7:05 am    
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Marks, chips? Yeah, I got 'em.

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Jody Carver


From:
KNIGHT OF FENDER TWEED
Post  Posted 16 Oct 2005 7:45 am    
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Jon
Its has chips and marks YES but I'll bet that baby still cuts the mustard. Leo F didnt call it the tank for nothing. Have you even seen a tank that went through battle? Their still running strong.

Its whats inside that counts.
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Jason Dumont

 

From:
Bristol, Connecticut, USA
Post  Posted 16 Oct 2005 8:00 am    
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Rick,
That "pewter" finish is GORGEOUS!!!!I've never seen one in that color. I'm totally smitten with it!
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Jon Light (deceased)


From:
Saugerties, NY
Post  Posted 16 Oct 2005 8:10 am    
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Jody--one day I will spend the time on this that it deserves and make your statement come true. Sadly, (I've told this story before) I bought this on ebay several years ago on the advice of a forum member who is no longer with us. I knew it was cosmetically shaky but didn't know that it was literally shaky, also--wobbles on its (4!) legs (but so do I--well 2 legs except for those honkytonk nights--well nevermind). It arrived semi-strung with rusty strings and with one dead pickup circuit. I decided it wasn't even worth stringing up until I brought it up to some degree of snuff. Then I got the Stringmaster and this went into the to-do pile. Some day, some way.
Meanwhile, this makes for a good illustration of how to abuse an instrument. I have no quarrel with the home adaptations of the old instruments that we always see. Unfortunately this one was hacked by someone without a clue. Bored big holes in the tuner pans for pedals. Stomped on the pedal and the guitar keeled right over. So he added a 4th leg next to the original. Still was tippy. So he moved the two legs to the corners. All along, making incisions in the wood with an arrowhead stone, apparently. I admire ingenuity. I do not admire hackery.
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Rick Alexander


From:
Florida, USA, R.I.P.
Post  Posted 16 Oct 2005 8:48 am    
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Jason, it was refinished, rewired, rechromed, and the pickups rewired by Jason Lollar - all under the auspices of Big John Bechtel. It's like having a brand new Custom - it even smells new. There's not a scratch or scuff on it and the hardware is gleaming and unscratched. The pics don't really do it justice, but there are lots more of 'em here.
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Gary Boyett

 

From:
Colorado/ Lives in Arizona
Post  Posted 17 Oct 2005 3:08 am    
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Rick that steel has history! I seen the other thread about it and that is what I am talking about. Players playing steels!

But that other picture Jon posted is just wrong.. That guy should have been ARRESTED!!!


------------------
JCFSGC,RMSGC,HSGA member
Boyett's Glass Bars

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Rick Alexander


From:
Florida, USA, R.I.P.
Post  Posted 17 Oct 2005 3:25 am    
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It sure does have history Garman!
As I mentioned in that other thread (Customs are a hot topic this week), it's on pg 247 of Lap Steel Guitar aka the bible. Andy owned it and sold it to Bobbe and I guess Chris got it from him. What I'd like to know is its history before that. After all, it's a 51 - so it was around before Elvis and PSG . .
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Alvin Sydnor

 

From:
Boothwyn, Pennsylvania, USA
Post  Posted 17 Oct 2005 5:26 am    
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What is the function of the toggle switch next to the lever switch?
On the question of resistance readings on original pickups I think the method of winding those pickups has a lot to do with their resistance varying + - 15 to 20 %?
Keep on pikin Fenders
Alvin
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Rick Alexander


From:
Florida, USA, R.I.P.
Post  Posted 17 Oct 2005 4:45 pm    
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The toggle switch activates all 3 necks.
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Gibson Hartwell


From:
Missoula, Montana, USA
Post  Posted 19 Oct 2005 10:29 am    
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Gary M. Great to see your Dual Pro on this thread. I've been trying to get a better date on my mahogany Dual Pro - serial number 1597. Mine has blue flocking on the bottom which I believe Jody said was discontinued in 1953? The date on mine has been boogered up as someone did a chisel/drill job trying to add a lever or pedal. Being about 20- some guitars apart from the factory, and knowing that your's was made in April of '52, we could figure out an approximate date of production if I knew the production rate. Jody? How many of these guitars were being pumped of Bakersfield back then?
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Bill Quinn

 

Post  Posted 27 Nov 2005 11:31 am    
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My entry in the "Scratch, dent, chips and marks" category. This guitar was evidently either dropped or had a drunk fall on it (the player?!?) , at some point it was broken in half between the inner necks and then repaired. The controls and middle p/u do not function. The other necks sound FANTASTIC.I have been known to put on a back brace and haul it to a club.It is on the project list to do this instrument justice and get it in functioning properly.It is signed "Tadeo 3/53". I always did like the older ladies....

[This message was edited by Bill Quinn on 27 November 2005 at 12:02 PM.]

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Aaron Schiff

 

From:
Cedaredge, CO, USA
Post  Posted 27 Nov 2005 2:57 pm    
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I thought I would add a photo of my 1954 Walnut Dual Pro. I bought it from the original owner who gigged with it for 30 years in most of the Grange Halls within a hundred miles of here. Her 1942 near mint condition 0028 went to Japan for big bucks, but I managed to keep the Dual Pro here in its hometown.

[This message was edited by Aaron Schiff on 27 November 2005 at 02:59 PM.]

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Rick Alexander


From:
Florida, USA, R.I.P.
Post  Posted 27 Nov 2005 3:11 pm    
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This is my ol' 48 with boxcars.

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Kevin Bullat

 

From:
Huntington Beach, CA
Post  Posted 28 Nov 2005 8:46 pm    
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My '51.

Yeah, sometimes I look at a particular ding or nick on my guitar and wonder what led to that? Was it a bar room brawl, lover's quarral, drunk patron, earthquake...
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Dan Sawyer

 

From:
Studio City, California, USA
Post  Posted 29 Nov 2005 3:04 pm    
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This has been a great topic so far. I love my dual pro (blonde ash). A year ago i bought a stringmaster after hearing so much about them. Well, it just didn't sound as good as the old trap pickup Fenders. So i sold it and haven't regretted it once. Looks like i'm in good company with Jody preferring them too.
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