connecting/passing chords
Moderator: Shoshanah Marohn
connecting/passing chords
Not long ago there was an in depth discussion concerning this. I tried finding it in the archives with no luck. Any help please?
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I think this is the one you're looking for, RC...
http://steelguitarforum.com/Forum1/HTML/013370.html
http://steelguitarforum.com/Forum1/HTML/013370.html
- chas smith
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RC, simply stated, substitution chords are chords that share notes that are the 3rd and 7th of either of them. For instance: C7 has E and Bb as the 3rd and 7th respectively, F#7 has E and Bb(A#) as the 7th and 3rd so they substitute for each other. The easy rule is dominants a tritone (b5) apart sub for each other.
Relative minors substitute for their major: A-7 subs for Cmaj and E-7 subs for Cmaj7 and Gmaj.
Passing chords are chords of lesser importance that connect the important chords, like chords in a 'walkdown'. The important chords are the one where it started and the one where it ended.
An example of substitute dominants would be a VI-II-V-I turnaround in C: ( C A7->D7->G7->C ). C6 normal set up: 12 13(5ped)->12(5ped)->11(5ped)->12. Which is also C Eb7 D7 Db7 C.
Relative minors substitute for their major: A-7 subs for Cmaj and E-7 subs for Cmaj7 and Gmaj.
Passing chords are chords of lesser importance that connect the important chords, like chords in a 'walkdown'. The important chords are the one where it started and the one where it ended.
An example of substitute dominants would be a VI-II-V-I turnaround in C: ( C A7->D7->G7->C ). C6 normal set up: 12 13(5ped)->12(5ped)->11(5ped)->12. Which is also C Eb7 D7 Db7 C.
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Maybe these were the threads you were thinking of, R.C. The idea of understanding the harmonized major scale is particularly important.
http://steelguitarforum.com/Forum5/HTML/002865.html
<A HREF="http://steelguitarforum.com/Forum5/HTML/002878.html" TARGET=_blank>http://steelguitarforum.com/Forum5/HTML/002878.html
<A HREF="http://steelguitarforum.com/Forum5/HTML/002573.html
TARGET=_blank>http://steelguitarforum.com/Forum5/HTML/002573.html
</A>
</A> <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 17 October 2001 at 04:39 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 17 October 2001 at 04:43 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 17 October 2001 at 04:47 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 17 October 2001 at 04:51 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 17 October 2001 at 04:52 PM.]</p></FONT>
http://steelguitarforum.com/Forum5/HTML/002865.html
<A HREF="http://steelguitarforum.com/Forum5/HTML/002878.html" TARGET=_blank>http://steelguitarforum.com/Forum5/HTML/002878.html
<A HREF="http://steelguitarforum.com/Forum5/HTML/002573.html
TARGET=_blank>http://steelguitarforum.com/Forum5/HTML/002573.html
</A>
</A> <FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 17 October 2001 at 04:39 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 17 October 2001 at 04:43 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 17 October 2001 at 04:47 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 17 October 2001 at 04:51 PM.]</p></FONT><FONT SIZE=1 COLOR="#8e236b"><p align=CENTER>[This message was edited by Jeff A. Smith on 17 October 2001 at 04:52 PM.]</p></FONT>
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- Posts: 807
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Sorry. I was trying to get this one up there , too:
http://steelguitarforum.com/Forum5/HTML/002573.html
http://steelguitarforum.com/Forum5/HTML/002573.html
- chas smith
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- Location: Encino, CA, USA
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Reece has several tunes in his "Smart Tab" (highly recommended)series that really helps to understand subs, passing tones, etc- especially using his "Bubble Chart" in the back of each tabbed song. He has you chart out what's already identified as a sub and it becomes real obvious that there are tons of chords that can be used as subs for others.