Info on tunings
Moderator: Brad Bechtel
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Info on tunings
I have a G tuning on my "reso", but I've been considering changing to an A tuning or possibly an E tuning. Would there be an advantage to doing this? Or which of the these, G, A, or E is the most common or accepted tuning? Thank's guys! <font size="1" color="#8e236b"><p align="center">[This message was edited by Eddie Thomas on 04 April 2005 at 06:19 AM.]</p></FONT>
- Bill McCloskey
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The most common tuning is G (GBDGBD). To me there would be little advantage to an A tuning since you can always capo up to play in A with G tuning but would have difficulty playing standard G stuff in A. Of course, this is assuming you are playing mostly bluegrass type stuff. Roy Thomson has done some nice things on this forum in D tuning and D tuning would be the 2nd most common tuning used. (DADF#AD
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E is just so guitar-like, its most natural as a transition from "normal" guitar, less transposing, which seems like less mental steps when improvising, at least seems so to me.
It would be nice to have 2 or 3 resos, as D is so big and low, and makes vocal tunes easier as they come out a step lower... And a G one, and an 8-string one.
CF
It would be nice to have 2 or 3 resos, as D is so big and low, and makes vocal tunes easier as they come out a step lower... And a G one, and an 8-string one.
CF
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I have played hi-bass G for years on my squareneck, but have recently been flirting with DGDGBD for the low notes and the 3rd-less (major or minor) chords. Yes, there are times when I reach for the low B and it ain't there.
But, as an extra bonus, it is very easy to switch over to D major (DADF#AD) or D6/Bm7 (DADF#BD) with minor re-tuning, and both of these are quite useful. D major gives you that Delta blues sound and some Shot Jackson licks (he used E, didn't he?), and I have figured out a few D fiddle tunes already. The D6/Bm7 smacks of Hank Sr. and old Hawiian sounds, not as comfy yet as a G6 or C6 tuning, but easily accessible.
Some slide players also use DADGAD, but I've never spent any time with that tuning.
I just ordered a Trilogy resonator tailpiece to use to toggle back and forth among those tunings, will have to report back later on how well it works.
But, as an extra bonus, it is very easy to switch over to D major (DADF#AD) or D6/Bm7 (DADF#BD) with minor re-tuning, and both of these are quite useful. D major gives you that Delta blues sound and some Shot Jackson licks (he used E, didn't he?), and I have figured out a few D fiddle tunes already. The D6/Bm7 smacks of Hank Sr. and old Hawiian sounds, not as comfy yet as a G6 or C6 tuning, but easily accessible.
Some slide players also use DADGAD, but I've never spent any time with that tuning.
I just ordered a Trilogy resonator tailpiece to use to toggle back and forth among those tunings, will have to report back later on how well it works.
- Andre Nizzari
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