54 Strat
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54 Strat
Hi!
I have a 54 Strat that was made in August 54 the pots however were made in March of 55. Are thse pots original to this guitar?
BTW....I know this is a steel geetar forum but MAYBE someone will gimmie a hand. Thanks!
I have a 54 Strat that was made in August 54 the pots however were made in March of 55. Are thse pots original to this guitar?
BTW....I know this is a steel geetar forum but MAYBE someone will gimmie a hand. Thanks!
- Stu Schulman
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Leo Fender had no up to the minute perfect parts flow. Seems they would just buy parts and throw them in bins and take them out when needed and use up old parts on new designs until they were gone and then start using new parts. 7 months difference is not a lot. I would look at other issues like the soldering etc. to determine if they were original. If everthing else on the guitar is original then the pots probably are too.
An original 54 Strat in great condition with the original case is worth what???---$10-20K.
Edit. Larry is right about the code number on the pots. The majority of pots have this code number on them. 137 is the CTS company, 302 is Stackpole etc.<font size="1" color="#8e236b"><p align="center">[This message was edited by Bill Hatcher on 23 June 2005 at 07:44 PM.]</p></FONT>
An original 54 Strat in great condition with the original case is worth what???---$10-20K.
Edit. Larry is right about the code number on the pots. The majority of pots have this code number on them. 137 is the CTS company, 302 is Stackpole etc.<font size="1" color="#8e236b"><p align="center">[This message was edited by Bill Hatcher on 23 June 2005 at 07:44 PM.]</p></FONT>
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To add to what Bob said, the Les Paul reissue of 1968 is put together with parts from the late 50s early 60s. I am talking about the Les Paul goldtop with P90s. The wooden necks and bodies were stored at Gibson for all those years and Les Paul guitars were made during that time on a custom basis from those parts--not many were made because there was not much demand in the early 60s for them. So in 68 when the guitar was reissued, it was not touted as being late 50s or early 60s but as made in 68. I guess since the necks and bodies were never assembled as one unit and stamped with a date code then it was not considered an official Les Paul until that was done. Quite a gap there date wise on those parts.
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Bill, if you'll read up, there was a significant change in the Les Paul body shape in 1961---to the guitar we now know as the SG. The first SG's were still called "Les Pauls". After protest from Les Paul himself, Gibson began calling the guitars "SG," which stands for "solid guitar."
After the Beatles hit, the demand for solid body guitars dropped WAY off---to the point where Fender reportedly considered discontinuing their solid body lines.
After the Beatles hit, the demand for solid body guitars dropped WAY off---to the point where Fender reportedly considered discontinuing their solid body lines.
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SG--your initials!
I am talking about the 68 Les Paul goldtop--the same guitar as a 57 gold top with P90s. That was the first reissue Les Paul instrument from Gibson of which the very early ones are made from left over bodies and necks from the late 60s early 60s. Small headstock and a nice deep dished out body. HUGE neck and a great sound. Wish I still had mine.
Funny that Les Paul bitched about the guitars---there are plenty of Gibson pics of him and Mary Ford playing these. Basically the Les Paul original model had totally fallen out of what limited favor it had among players. It was too heavy and the next version of the small flat bodied Les Paul guitar did not set the woods on fire. Isn't the SG design the third version of the Les Paul guitar. I doubt if he had too much input on it. It is a pretty little guitar. I like the SG instruments.
I think it is safe to say that the Les Paul guitar popularity had totally played out by 61 and the style of music is what really brought it back. Mike Bloomfield can be totally credited with the resurgance of the Les Paul guitar. I was in high school when my buddies in Alabama started dragging out these old Les Pauls out of pawn shops and old music stores and talking about how they sustained and such. I remember several $75 sunbursts from 58 and 59 that my friend used to bring to our garage band gigs. We just thought of them as old guitars?!?!?!
I do have my 64 SG Standard that I bought brand new. Funny, that it came in a Les Paul SG case. You can still see where the sideways Les Paul tailpiece made contact with the top of the case.
I am talking about the 68 Les Paul goldtop--the same guitar as a 57 gold top with P90s. That was the first reissue Les Paul instrument from Gibson of which the very early ones are made from left over bodies and necks from the late 60s early 60s. Small headstock and a nice deep dished out body. HUGE neck and a great sound. Wish I still had mine.
Funny that Les Paul bitched about the guitars---there are plenty of Gibson pics of him and Mary Ford playing these. Basically the Les Paul original model had totally fallen out of what limited favor it had among players. It was too heavy and the next version of the small flat bodied Les Paul guitar did not set the woods on fire. Isn't the SG design the third version of the Les Paul guitar. I doubt if he had too much input on it. It is a pretty little guitar. I like the SG instruments.
I think it is safe to say that the Les Paul guitar popularity had totally played out by 61 and the style of music is what really brought it back. Mike Bloomfield can be totally credited with the resurgance of the Les Paul guitar. I was in high school when my buddies in Alabama started dragging out these old Les Pauls out of pawn shops and old music stores and talking about how they sustained and such. I remember several $75 sunbursts from 58 and 59 that my friend used to bring to our garage band gigs. We just thought of them as old guitars?!?!?!
I do have my 64 SG Standard that I bought brand new. Funny, that it came in a Les Paul SG case. You can still see where the sideways Les Paul tailpiece made contact with the top of the case.
- Charlie McDonald
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Hey, Larry,
What, it's not a lefty? (I wonder how much that would bring....)
Since your thread has already been hijacked, go to http://steelguitarforum.com/Forum15/HTML/009621.html
to hear my latest tune. I'm playing the sweetest Danelectro Innuendo; I defy you to come up with a Strat that's better.
Leave a note for me there, would you?
I'd like a bump.
Charlie
What, it's not a lefty? (I wonder how much that would bring....)
Since your thread has already been hijacked, go to http://steelguitarforum.com/Forum15/HTML/009621.html
to hear my latest tune. I'm playing the sweetest Danelectro Innuendo; I defy you to come up with a Strat that's better.
Leave a note for me there, would you?
I'd like a bump.
Charlie
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- Howard Kalish
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Funny coincidence. Just last night I was duping a VCR tape to DVD of Eldon Shamblin showing how he played all those great moving chords on the Bob Wills records. The tape was made in 1991 and he was playing a G&L Strat-like guitar. He told the story about how he went by the Fender factory in 1954 and Leo gave him one of the first Strats and an amp. Eldon said, "Someone with more money than brains bought that guitar from me a few years ago".
Makes one wonder how much a guitar's price might increase if it can be shown that it was owned and played by a notable player.
I know Strats are associated with Jimi Hendrix and obviously make for great R&R instruments. But Eldon sure could make it sound pretty.
Makes one wonder how much a guitar's price might increase if it can be shown that it was owned and played by a notable player.
I know Strats are associated with Jimi Hendrix and obviously make for great R&R instruments. But Eldon sure could make it sound pretty.
- Charlie McDonald
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Here's one at Gruhn Guitars:
Fender Stratocaster, 1954, VG, 6-54 neck date, 6-15-54 body date, two tone sunburst finish, modern Fender HC......$35000
HERE
Well I see why it's worth so much, it's two months older than Larry's.
Here's another at Gruhn:
EF7032 Fender Stratocaster, 1954, VG+, neck date 5-54, body date 6-2-54, replacement tone and volume knobs, replacement tremolo cover backplate, HC......$40000
HERE
Don't everybody fight over these now!
<font size="1" color="#8e236b"><p align="center">[This message was edited by Jim Phelps on 24 June 2005 at 01:10 PM.]</p></FONT>
Fender Stratocaster, 1954, VG, 6-54 neck date, 6-15-54 body date, two tone sunburst finish, modern Fender HC......$35000
HERE
Well I see why it's worth so much, it's two months older than Larry's.
Here's another at Gruhn:
EF7032 Fender Stratocaster, 1954, VG+, neck date 5-54, body date 6-2-54, replacement tone and volume knobs, replacement tremolo cover backplate, HC......$40000
HERE
Don't everybody fight over these now!
<font size="1" color="#8e236b"><p align="center">[This message was edited by Jim Phelps on 24 June 2005 at 01:10 PM.]</p></FONT>
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I remember going to a vintage guitar shop in 1980 with a buddy.I'd told him I preferred Teles to Strats.As we were trying out different axes,he handed me a '57 Strat in like-new condition.Nice guitar,but I was just outraged that the asking price was $1,000.
To put it in perspective,6 years earlier I'd bought my first "used" Tele for $167.50.It was a '59.
To put it in perspective,6 years earlier I'd bought my first "used" Tele for $167.50.It was a '59.
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I bought my '54 Tele in near-mint condition in 1982 for $1200 and thought that was a lot at the time. Sure wish I'd kept it.
Insteresting to me that on Gruhn's Fender page the whole list of inventory is all Strats and only 3 Tele's, an '80's MIJ blue floral reissue, a '52 reissue and a custom shop Tele. No old ones.
<font size="1" color="#8e236b"><p align="center">[This message was edited by Jim Phelps on 24 June 2005 at 02:41 PM.]</p></FONT>
Insteresting to me that on Gruhn's Fender page the whole list of inventory is all Strats and only 3 Tele's, an '80's MIJ blue floral reissue, a '52 reissue and a custom shop Tele. No old ones.
<font size="1" color="#8e236b"><p align="center">[This message was edited by Jim Phelps on 24 June 2005 at 02:41 PM.]</p></FONT>
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Wise (or lucky?) move, Daniel. I usually had to sell or trade a guitar in to get another one but there were a few years I didn't, and I had several very nice guitars at the same time. I didn't use too much foresight, though... one by one I got rid of them, sold or traded for something else and I always said, "If I miss it that much I can always just get another one".
How wrong I was.
How wrong I was.