Emmons history question

Instruments, mechanical issues, copedents, techniques, etc.

Moderator: Shoshanah Marohn

Post Reply
Mitch Ellis
Posts: 699
Joined: 22 May 2006 12:01 am
Location: Collins, Mississippi USA

Emmons history question

Post by Mitch Ellis »

What year did Ron Lashley Sr. turn the Emmons Guitar Co. over to Ron Lashley Jr.?

Thank You,
Mitch
User avatar
Jack Hanson
Posts: 5024
Joined: 19 Jun 2012 3:42 pm
Location: San Luis Valley, USA

Post by Jack Hanson »

Did Senior turn the business over to Junior, or did Little Ron merely inherit it after Big Ron tipped over?
Dave Diehl
Posts: 1193
Joined: 19 Jun 2001 12:01 am
Location: Mechanicsville, MD, USA

Post by Dave Diehl »

Neither! Ron Sr. Turned it over to Jim Aycoth. Without going into detail, Ron Jr later acquired it.
Mitch Ellis
Posts: 699
Joined: 22 May 2006 12:01 am
Location: Collins, Mississippi USA

Post by Mitch Ellis »

Dave Diehl wrote:Neither! Ron Sr. Turned it over to Jim Aycoth.
When did this happen? The reason for the question is because I have a 1988 Emmons Lashley Lagrande D10 that was built by Jack Strayhorn and I was just curious if Ron Sr. was still running the company at that time. I got this steel from a very dear friend who has now passed away and I'm trying to piece together it's history.

Thank you
Mitch
User avatar
Bill Erchul
Posts: 205
Joined: 2 Jan 2001 1:01 am
Location: Raleigh, NC, USA

Emmons history question

Post by Bill Erchul »

I received a press release from Emmons in May 1998 announcing the sale of the company to Jim Aycoth. It stated that Ron Sr. would play "a key, active role" and that Ron Jr. and Jack Strayhorn would remain with the company.

When I returned to Burlington in February 1999 to pick up a new guitar, all four gentlemen were there. Wish I had packed a camera that day.
Mitch Ellis
Posts: 699
Joined: 22 May 2006 12:01 am
Location: Collins, Mississippi USA

Post by Mitch Ellis »

Thank you, Bill!
I know how you feel about the camera. Once the moment is gone, it's gone forever. The occasion that you are talking about sure would have made a great picture to have. Thank you again for your help.

Mitch
User avatar
J D Sauser
Moderator
Posts: 2808
Joined: 4 Aug 1998 11:00 pm
Location: Wellington, Florida
Contact:

Post by J D Sauser »

After the first of Carl Dixon's Steel Guitar Extravaganza, a Swiss man living in Florida drove up from Gwinnett, GA to Burlington, NC and then to nearby Greensboro and sought up a business broker to tender his purchase interest to the owners of the Emmons Guitar Company.
The prospect's intentions was to unite the company with another, back then very successful steel guitar Mfg. Co. in Texas and take the operation for Emmons guitars as a custom-boutique brand to Nashville's Broadway and keep the other brand more as a standard line.
The hopes included trying to get BE involved into the brand who bore his name again, too.

The owner answered with a exorbitant purchase price and asked for an LOI to be signed to engage into discussions and a subsequent inspection period. The prospect signed although he was certain that the inspection period would provide numbers which would bring both parties back to the negotiating table and work on a more realistic price. The company had tired out and lost much of it's luster and newer companies were selling a multiple of what that company did.

However, after exchanging signed LOI's, the next the prospect and his future "partners" in Texas found out, was that the owners took that LOI straight to Jim Aycroft, their main parts builder and told him they were selling the company to some guy from Switzerland who was likely to take the company to Switzerland, essentially loosing Aycroft all business from the Emmons Guitar Co.
He bought the company there and then for pretty much that exorbitant amount of money and lacking a marketing plan to revive the company, ended in financial hardship which eventually ended the company back into the seller's son's possession.

What I can say, is that the somewhat disappointed prospect buyer is immensely glad to see the company being revived by the new team which in their own way is taking the brand not just back to but beyond it's old glory and, as a high end boutique brand of outstanding quality and with integrity.

... J-D.
__________________________________________________________
A Little Mental Health Warning:

Tablature KILLS SKILLS.
The uses of Tablature is addictive and has been linked to reduced musical fertility.
Those who produce Tablature did never use it.

I say it humorously, but I mean it.
User avatar
Roger Rettig
Posts: 10548
Joined: 4 Aug 2000 12:01 am
Location: Naples, FL
Contact:

Post by Roger Rettig »

There is much more to this story, as others have implied.

Jim Aycoth inherited a company in distress. It's my belief that, had he been allowed to continue with his more realistic business model, the history might look very different.

The Aycoths were in control of the company from '98 until about 2000/2001. As per the agreement between Jim Aycoth and Ron Lashley Sr., Ron Jr. had a place at Emmons under the new arrangement; he didn't inherit it from his father.

(I ordered my new SD-10 in April, 1998 and it was with Jim that I communicated. My second LeGrande - the one in my profile-pic - was delivered in October, 2000. That, too, was under the auspices of the Aycoths.)

The new Emmons Co., though, is an exciting venture and I believe that we all want to see them prosper and thrive. I can't imagine that we'll see any more new all-pull Emmons guitars, though.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
----------------------------------
User avatar
Brett Day
Posts: 5041
Joined: 17 Jun 2000 12:01 am
Location: Pickens, SC
Contact:

Post by Brett Day »

I remember meeting Jim Aycoth at the Choo Choo City Steel Guitar Reunion in '01. At the time, I'd been playing steel for two years, and although my steel at the time was a 1974 Emmons GS-10, I wanted to see what it was like to play an Emmons Lashley Legrande, so I walked into the Emmons room at the show, had my picks and bar with me, but I think the white Emmons Lashley Legrande in there was just for display, because I didn't really get to try it out, but recently, at the Emmons Guitar Company in Sevierville, I had an opportunity to play a little bit on a 1994 Emmons D-10. I love the history of Emmons, and I love how the Emmons Guitar Company is building the ReSound '65! That's one steel I want to try out
User avatar
scott murray
Posts: 2752
Joined: 4 Aug 1998 11:00 pm
Location: Asheville, NC

Post by scott murray »

Roger Rettig wrote: I can't imagine that we'll see any more new all-pull Emmons guitars, though.
don't be so sure my friend!
1965 Emmons S-10, 3x5 • Emmons LLIII D-10, 10x12 • JCH D-10, 10x12 • Beard MA-8 • Oahu Tonemaster
User avatar
Roger Rettig
Posts: 10548
Joined: 4 Aug 2000 12:01 am
Location: Naples, FL
Contact:

Post by Roger Rettig »

Uh, oh!!!!
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
----------------------------------
Jack Strayhorn
Posts: 885
Joined: 20 Oct 1999 12:01 am
Location: Winston-Salem, NC
Contact:

Post by Jack Strayhorn »

Yes, Ron Sr owned the company in 88" and I was taking care of the daily operations.
Mitch Ellis
Posts: 699
Joined: 22 May 2006 12:01 am
Location: Collins, Mississippi USA

Post by Mitch Ellis »

Thank you Mr. Strayhorn for your reply. And thank you for building such a fine instrument. My dear friend bought it new in 1988 and enjoyed it into his 88th year (ironic isn't it) when he became no longer able to play. That's when I got it. He didn't want anyone to have the guitar but me and so now I'm getting to enjoy it. I have no intentions of ever parting with it. Thank you again, sir.

Mitch
Post Reply