Excellent condition. Collings makes guitars that are incredibly consistent from one to the next, so if you've played a standard D2H, you know what this sounds like: a tight and powerful low end; clear, cutting midrange and sparkling highs, optimally balanced and magnificently projected. It's had an L.R. Baggs undersaddle pickup installed, too.
There are a few small cosmetic imperfections here and there– on top of the headstock, on the side of the upper bout, a few light pick blemishes on the top that you can really only see at certain angles. Comes in Collings/TKL case (no smoke) with a perfectly snug fit. $3,500
Specs:
- Top: Sitka spruce
- Back & sides: E. Indian rosewood
- Neck: Honduran mahogany
- Body Binding: Ivoroid with herringbone
purfling
- Bridge: Ebony belly-style with 2 3/16"
spacing
- Fingerboard: Ebony with abalone long
diamond & squares
- Bridge & end pins: Ebony with MOP
dot
- Nut: Bone, 1 3/4"
- Saddle: Bone, drop-in
- Neck profile: Modified V
- Peghead profile: Tapered square with
volute
- Neck joint: Mortise & tenon hybrid
- Fully adjustable truss rod
- Medium 18% nickel-silver
- Peghead veneer: Stained Exotic Ebony
with MOP Collings logo
- Nickel Waverly (16:1 ratio)
- 2-style (Zipper)
- Rosette: iv/tort/iv & b/w purflings
- 25 1/2" scale length
- Sitka spruce braces, scalloped
- 14" - 26" compound fingerboard
radius
- Body finish: High gloss nitrocellulose
lacquer
- Strings: D'Addario EJ-17 (.013"- .056")
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Collings D2H 2007 - SOLD
Collings D2H 2007 - SOLD
Last edited by Ron Hall on 12 Nov 2021 9:11 am, edited 2 times in total.
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- Posts: 215
- Joined: 10 Aug 2004 12:01 am
- Location: Greenbank, WA
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- Posts: 709
- Joined: 25 Aug 2010 1:07 pm
- Location: California, USA
Beautiful guitar, looks nearly identical to my ‘94 HD 28 CF Martin.
Dana Blodgett
From Los Osos,Ca.
'74 ShoBud 6140 3+4, Martins HD28,D-12-28, D-15,'65 Gibson LG-1, '77 Gibson Les Paul special dbl cut p-90's, Les Paul Special p-100's,Les paul Special Hybrid(maple top) hbkr's,'68 Fender Strat reissue, Fender Squire Jazz bass,Epi mandolin,Epi Wilshire '66 reissue, Kamaka Concert uke, 70's Kamaka Soprano Uke, Fender Super amp, Ampeg ba112 bass amp,60's harmony banjo,'00 Gibson SG Supreme
From Los Osos,Ca.
'74 ShoBud 6140 3+4, Martins HD28,D-12-28, D-15,'65 Gibson LG-1, '77 Gibson Les Paul special dbl cut p-90's, Les Paul Special p-100's,Les paul Special Hybrid(maple top) hbkr's,'68 Fender Strat reissue, Fender Squire Jazz bass,Epi mandolin,Epi Wilshire '66 reissue, Kamaka Concert uke, 70's Kamaka Soprano Uke, Fender Super amp, Ampeg ba112 bass amp,60's harmony banjo,'00 Gibson SG Supreme
- Roger Rettig
- Posts: 10548
- Joined: 4 Aug 2000 12:01 am
- Location: Naples, FL
- Contact:
What a stunning guitar.
While this Collings is essentially a rip-off of Martin's D-28, I've found Collings to be way more consistent than Martin. Something in their quality control? Maybe, but I don't remember playing a bad Collings.
Credit to CFM for the original concept, but Collings have taken it to another level.
While this Collings is essentially a rip-off of Martin's D-28, I've found Collings to be way more consistent than Martin. Something in their quality control? Maybe, but I don't remember playing a bad Collings.
Credit to CFM for the original concept, but Collings have taken it to another level.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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- Joined: 3 Mar 2003 1:01 am
- Location: Mead, Oklahoma, USA