Are there any Robert Randolph fans out there?
Moderator: Shoshanah Marohn
Are there any Robert Randolph fans out there?
This is my first post on here. I own a fairly good collection of steel guitars that I sit behind.
Stuart told me I would do fine on here, just don’t mention politics or music theory.
Would like to hear from steel players who play rock. I welcome replies from those that don't as well.
Stuart told me I would do fine on here, just don’t mention politics or music theory.
Would like to hear from steel players who play rock. I welcome replies from those that don't as well.
Well, here goes. I don't care for Robert Randolph's music, but I admire what he's done to raise the profile of the steel guitar.
I don't think of it as an exclusively country instrument. My regular band plays one number where I get to do a little traditional E9 work. The rest uses the full range of the universal and a lot of effects.
I don't think any of that was political or theoretical
I don't think of it as an exclusively country instrument. My regular band plays one number where I get to do a little traditional E9 work. The rest uses the full range of the universal and a lot of effects.
I don't think any of that was political or theoretical
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
- Mike Holder
- Posts: 794
- Joined: 17 Dec 2002 1:01 am
Robert Randolph
In theory it was actually quite politically correct!.. lol! I like Robert Randolph quite a bit, the whole Sacred Steel culture is incredibly inventive and like most blues players some are a bit more crude than others but the soul is alive behind the notes. Roberts style is becoming more refined every day! He just did a solo on a Grace Potter CD that is awesome! He’s the Derek Trucks of pedal steel!
I thought Nashville was the roughest, but I know I’ve said the same about them all.
I received my education, drivin through the Nation listenin to Paul!.. ( Franklin that is! )
I received my education, drivin through the Nation listenin to Paul!.. ( Franklin that is! )
- Roger Rettig
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I listened to RR again yesterday. I have to qualify my remarks by saying that I tend to roll my eyes a bit at the whole overdriven-blues-scale genre (I'm a bit suspicious of millionaire rock-stars who climb out of limos, assume an angst-ridden expression and take to the stage - all in the name of 'The Blues').
Randolph, however, didn't strike me in that way. He sounds inspired as he plays. He's inventive, seems to fret in-tune, and appears to love what he's doing. In short, I found myself watching until the end.
I'm not ever going to become a dedicated admirer of someone who lives only in the world of the blues-scale (I'm a Burt Bacharach fan), but Robert is as good as anyone I've heard.
Randolph, however, didn't strike me in that way. He sounds inspired as he plays. He's inventive, seems to fret in-tune, and appears to love what he's doing. In short, I found myself watching until the end.
I'm not ever going to become a dedicated admirer of someone who lives only in the world of the blues-scale (I'm a Burt Bacharach fan), but Robert is as good as anyone I've heard.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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- Location: Somewhere in the swamps of Jersey
I met and had an opportunity to spend some time with RR. Ross Shafer and I showed RR the new Ross Shafer Sierra Steel because RR was interested in owning one. RR came across as a genuinely good guy that was not as full of himself as other "stars" I have met. He was really a down to earth good guy.
As RR went through some of his stuff on the Sierra, I was really impressed with the breadth of his ability. Yes, he could play a lot of high energy rock, but his repertoire included a wide variety of other music. He also demonstrated a solid understanding of music theory. Meeting him was a good experience.
I respect RR for being one of the few PSG performers who really fronts the instrument.
As RR went through some of his stuff on the Sierra, I was really impressed with the breadth of his ability. Yes, he could play a lot of high energy rock, but his repertoire included a wide variety of other music. He also demonstrated a solid understanding of music theory. Meeting him was a good experience.
I respect RR for being one of the few PSG performers who really fronts the instrument.
blah, blah, blah.
Hey You Kids! Get Off My Lawn!
blah, blah, blah.
Hey You Kids! Get Off My Lawn!
blah, blah, blah.
I’m a fan of the “Sacred steel†genre. I love the feeling and the soul in it. I was a fan of Chuck Campbell who is mentor to Robert Randolph. I bought a steel from Chuck in 1982 and knew all about the church music that Robert’s music comes from. I think it’s all great. I met Robert a few times and spent time talking. He’s a really great guy and a dynamic performer and musician.
Kevin Maul: Airline, Beard, Clinesmith, Decophonic, Evans, Excel, Fender, Fluger, Gibson, Hilton, Ibanez, Justice, K+K, Live Strings, MOYO, National, Oahu, Peterson, Quilter, Rickenbacher, Sho~Bud, Supro, TC, Ultimate, VHT, Webb, X-otic, Yamaha, ZKing.
- Erv Niehaus
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- Location: San Jose, California, USA
Robert Randolph interview on NPR in 2001
I first heard of Robert Randolph in this interview on NPR in 2001--and I was totally amazed! I bought his first CD, and went to see him play live when he played in San Francisco a few months later.
For those of you "on the fence" about Robert Randolph (especially those with an interest in gospel music), you may want to give a listen to this excellent 16-minute interview with many examples of Robert Randolph's versatility and wonderful musicianship on the PSG.
..............................................
NPR has an odd way of listening to their archives.
Here are two links to the same Robert Randolph interview:
“Hear a 2001 interview with Robert Randolph†Liane Hansen, August 5, 2001
https://www.npr.org/templates/story/sto ... Id=1126977
or
“Weekend Edition Sunday Heavenly 'Sacred Steel'†Liane Hansen, August 5, 2001
https://www.npr.org/artists/17645145/ro ... =7-31-2002
Some points of interest:
1:15—RR playing gospel rock on PSG
2:20—RR playing gospel “House of God†music on PSG
3:28—RR showing how he accompanies a preacher’s sermon
4:19—RR playing “Jubilee†gospel music
5:55—RR playing with a congregation singing
…………………………………………………………….
6:20 -- RR discussing visiting Nashville and his great admiration for country PSG players
7:16—RR discussing his admiration for Stevie Ray Vaughn’s fast guitar playing
7:57—RR describing the capabilities of his 13-string PSG
8:06—RR demonstrating “country†PSG playing, including what sounds like Paul Franklin’s “fingertip blockingâ€! (This is amazing!)
8:27-- RR demonstrating rock & roll PSG playing
9:05—RR demonstrating sacred steel “House of God†PSG playing
10:55—RR plays “I’ll Fly Awayâ€
15:44--RR plays a beautiful version of a traditional hymn "I Need Thee"
- Dave
For those of you "on the fence" about Robert Randolph (especially those with an interest in gospel music), you may want to give a listen to this excellent 16-minute interview with many examples of Robert Randolph's versatility and wonderful musicianship on the PSG.
..............................................
NPR has an odd way of listening to their archives.
Here are two links to the same Robert Randolph interview:
“Hear a 2001 interview with Robert Randolph†Liane Hansen, August 5, 2001
https://www.npr.org/templates/story/sto ... Id=1126977
or
“Weekend Edition Sunday Heavenly 'Sacred Steel'†Liane Hansen, August 5, 2001
https://www.npr.org/artists/17645145/ro ... =7-31-2002
Some points of interest:
1:15—RR playing gospel rock on PSG
2:20—RR playing gospel “House of God†music on PSG
3:28—RR showing how he accompanies a preacher’s sermon
4:19—RR playing “Jubilee†gospel music
5:55—RR playing with a congregation singing
…………………………………………………………….
6:20 -- RR discussing visiting Nashville and his great admiration for country PSG players
7:16—RR discussing his admiration for Stevie Ray Vaughn’s fast guitar playing
7:57—RR describing the capabilities of his 13-string PSG
8:06—RR demonstrating “country†PSG playing, including what sounds like Paul Franklin’s “fingertip blockingâ€! (This is amazing!)
8:27-- RR demonstrating rock & roll PSG playing
9:05—RR demonstrating sacred steel “House of God†PSG playing
10:55—RR plays “I’ll Fly Awayâ€
15:44--RR plays a beautiful version of a traditional hymn "I Need Thee"
- Dave
I'm just going to be asking a lot of questions on here.
I was hoping there were some jams close to Lebanon MO
also
I'm going to be selling almost all my closet gear, Pedal steels and accessories. I sold a Fender S10 cable and a BMI S12 extend E9 with pad early last year the sales all went splendidly. Really great people here on the Forum.
I was hoping there were some jams close to Lebanon MO
also
I'm going to be selling almost all my closet gear, Pedal steels and accessories. I sold a Fender S10 cable and a BMI S12 extend E9 with pad early last year the sales all went splendidly. Really great people here on the Forum.
- Stuart Legg
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- Brooks Montgomery
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- Brooks Montgomery
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- Fred Justice
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As you notice Cody’s favorite Steel player is Robert Randolph
Stuart’s favorite steel player is Paul Franklin. He’s a fan even though he has taken a lot of abuse in his threads related to Paul.
My favorite steel player is Joe Wright (he just plain makes me happy) and he will up stage any and every one at a Steel Guitar Convention.
We only agree on one player and that’s because we all like The Bakersfield sound. Give us some Mooney anytime!
Stuart’s favorite steel player is Paul Franklin. He’s a fan even though he has taken a lot of abuse in his threads related to Paul.
My favorite steel player is Joe Wright (he just plain makes me happy) and he will up stage any and every one at a Steel Guitar Convention.
We only agree on one player and that’s because we all like The Bakersfield sound. Give us some Mooney anytime!
- Douglas Schuch
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- Location: Valencia, Philippines
I'm mostly in Roger Rettig's camp when it comes to RR: I admire his skill, and love some of his songs - but he loses me when he adds too many pedals to the mix and goes "Hendrixy"- just don't like the heavily overdriven/distorted tones. Didn't like it when Hendrix did it, and still not a fan of that style. Same with some of the other guys out of the Sacred Steel tradition. I really like a lot of what AJ Ghent is playing - but he can also go into the heavily overdriven sound at times.
But the steel world is big, and can certainly be much bigger. There is plenty of room for all styles. Experimentation is encouraged!
But the steel world is big, and can certainly be much bigger. There is plenty of room for all styles. Experimentation is encouraged!
Pedal steel, lap steel, resonator, blues harp - why suck at just one instrument when you can do so on many?
- Fred Treece
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- Location: California, USA
I measure my fandom by my willingness to pay to see an artist in concert. RR may have made it on to my list 35 years ago during the great SRV-driven loud blues resurgence, which I enjoyed thoroughly. Now, when I hear that kind of playing it’s more like, yes he is very good, and it is interesting hearing it done on pedal steel, but I’ll be moving on now.
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- Larry Dering
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