Stones and Steels
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- Roger Rettig
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I posted my remarks before I listened to the track, preferring to rely on the critiques of my Forum brothers with regard to the steel-part on the recording. I've now listened and I wish I hadn't! It reminds me of how I sounded when I first brought a steel guitar back to the house in 1972.
And no, it wasn't me!
(I've never 'got' Mick Jagger's voice - listening to a Stones record is an endurance test for me.)
And no, it wasn't me!
(I've never 'got' Mick Jagger's voice - listening to a Stones record is an endurance test for me.)
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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- Dan Beller-McKenna
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Possible. But Andrew Oldham had a pretty tight group of musicians around him, the so-called Oldham Orchestra. But with scanty documentation, yeah, anything is possible.
Last edited by Dan Beller-McKenna on 29 Aug 2018 6:56 am, edited 1 time in total.
- Joachim Kettner
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- Roger Rettig
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That's Roger McKew. I've been in a couple of bands with Roger (Joe Brown's Bruvvers - after the 'Home Brew' experiment) and Freddie Starr's group. Roger told me he had 'dabbled' with steel but I can't imagine it would have been that early.
Gerry Hogan didn't take up steel until '65, if I remember correctly. In any case he, too, would never have played out-of-tune regardless of what stage he'd reached in the learning process. Rod King was an early exponent (That's Rod on the Hollies' 'Jennifer Eccles') and so was Basil Henriques. None of these guys, though, would have (in my opinion) perpetrated what we hear on this track.
My money's on one of the studio hot-shots best known as guitar players but having a stab at PSG on the 'How hard can it be???' principal.
Gerry Hogan didn't take up steel until '65, if I remember correctly. In any case he, too, would never have played out-of-tune regardless of what stage he'd reached in the learning process. Rod King was an early exponent (That's Rod on the Hollies' 'Jennifer Eccles') and so was Basil Henriques. None of these guys, though, would have (in my opinion) perpetrated what we hear on this track.
My money's on one of the studio hot-shots best known as guitar players but having a stab at PSG on the 'How hard can it be???' principal.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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- Dan Beller-McKenna
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- Jack Hanson
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My sentiments exactly, since I first heard "Tell Me" on the radio in my impressionable youth. But what was worse was Jagger's early mouth organ work. He made Bob Dylan sound like Toots Thielemans in comparison. Brian Jones, on the other hand, was a decent little harp player. At least when sober.Roger Rettig wrote:I've never 'got' Mick Jagger's voice - listening to a Stones record is an endurance test for me.
- Roger Rettig
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One other name is Martin Jenner. He was a fine guitar player and was in Cliff Richard's band for a while. His steel playing, though, was rudimentary at best. Listen to his pitchiness on the Everly Brothers' reunion concert at the Albert Hall in '83.
Maybe he got a steel too late to be a contender in this instance, though - I honestly don't know.
Jack - that's funny!
Maybe he got a steel too late to be a contender in this instance, though - I honestly don't know.
Jack - that's funny!
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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- Godfrey Arthur
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Good eye Joachim!Joachim Kettner wrote:This aticle is from '69. It says "his latest acqisition"
Post Posted 27 Feb 2011 9:31pm
"Your Time Is Gonna Come" Led Zep with some bar drags:Ken Byng wrote:Jimmy Page was not the only Led Zep member to own a pedal steel. Bassist John Paul Jones bought a ZB guitar in the mid 1970's when I worked for the UK ZB importer. Jones and a roadie came into the showroom, and told owner Eric Snowball that he would like to buy a green single 10 model. When Jones' roadie presented Eric with a company cheque, Eric queried it, as they wanted to take the guitar away with them. The roadie had a quiet word in Eric's ear as to who the buyer was and they went on their way with the ZB.
https://www.youtube.com/watch?v=LeweFJpz2ac
Does the playing sound familiar?
ShoBud The Pro 1
YES it's my REAL NAME!
Ezekiel 33:7
YES it's my REAL NAME!
Ezekiel 33:7
- Fred Treece
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In 1964 Jimmy P was not the stoned hippy dude he became later. He was one of the busiest session guitarists in London. I think he, like most of the rest of us, would have remembered his first recording experience on pedal steel. It could be that he just didn’t want to ‘fess up to it, though I don’t see why not.
- Joachim Kettner
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In his autobiography Bill Wyman writes that Keith Richards learned about the high string tuning from George Jones guitar player and he later used it on "Jumping Jack Flash".
Here's an article about the 1964 concert:
https://www.mysanantonio.com/news/local ... 534920.php
Here's an article about the 1964 concert:
https://www.mysanantonio.com/news/local ... 534920.php
Fender Kingman, Sierra Crown D-10, Evans Amplifier, Soup Cube.
- Alan Bidmade
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Hope I'm not hi-jacking this thread, but Big Jim Sullivan was a monster guitar player. Tom Jones used to have a TV series in the UK in (probably late 60's or early 70's) and he would do a song each week with just Big Jim accompanying him. As a learner guitarist at the time, it was an absolute knock-out to see and hear what an electric guitar could do.
And I agree - Big Jim was a superb musician who would not, I'm sure, put his name to anything that was out of tune.
And I agree - Big Jim was a superb musician who would not, I'm sure, put his name to anything that was out of tune.
Ben-Rom #017 'Lorelei', Guild D25, Epiphone 'Joe Pass', Roland 40XL, Hilton VP
First name Alan, but known as Nick
First name Alan, but known as Nick
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- Roger Rettig
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- Joachim Kettner
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A yardbirds outtake from 1967 with pedal steel, again a little pitchy.
https://www.youtube.com/watch?v=R4p7q_2gwj0
https://www.youtube.com/watch?v=R4p7q_2gwj0
Fender Kingman, Sierra Crown D-10, Evans Amplifier, Soup Cube.
- Fred Treece
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- Dan Beller-McKenna
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- Andy DePaule
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Roger got that right for sure!
Roger got that right for sure!Roger Rettig wrote:No, Fred - Gordon was already a good player when I first took up steel in the early '70s. It's much more likely to be one of the Stones - I did a tour alongside them in 1965 and can attest to the fact that tuning wasn't something that troubled them too much.
I saw the Stones in London at some theater in 65 and the girls were all standing and jumping on the seats screaming their bloody little stupid heads off and crying their silly eyes out.... You couldn't hear a thing but the screaming.
Also couldn't even see much because of them being up on the seats.
Thats all I remember of it except getting a glimpse of Brian Jones darting across the stage with his guitar.
All in all a big waste on time and money and my hearing is still screwed up!
Last edited by Andy DePaule on 1 Sep 2018 4:24 pm, edited 1 time in total.
Inlaid Star Guitar 2006 by Mark Giles. SD-10 4+5 in E9th; http://luthiersupply.com/instrument-gallery.html
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
2017 Mullen SD-10, G2 5&5 Polished Aluminum covering. Custom Build for me. Great Steel.
Clinesmith Joaquin Murphy style Aluminum 8 String Lap Steel Short A6th.
Magnatone Jeweltone Series Lap Steel, Circa 1950? 6 String with F#minor7th Tuning.
1956 Dewey Kendrick D-8 4&3, Restoration Project.
1973 Sho~Bud Green SD-10 4&5 PSG, Restoration Project.
- Roger Rettig
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I will add a little to my story.
I was Eden Kane's guitarist (EK had a string of big hits in the UK from '61 - '64; believe me, I know the name means nothing in this country but that was a plum job for me to land at 18 years of age) and we were booked to headline a tour. The Rolling Stones were quite new at the time but they'd already had a couple of hits. Kane, though, took precedence based on his career to that point and we topped the bill (or 'closed' the show, if you like).
I can well remember the rhythm guitarist in our group saying to me on the first night: 'We should listen to these guys and see what all the fuss is about'. We stood in the wings for maybe three of their songs, then Ben turned to me and said: 'Let's go and have a beer...' It was, by any standards we held dear, pretty awful.
They had the last laugh, though. Halfway through the tour they released 'Not Fade Away' and it quickly became their first #1 record. By this point it was becoming clear that it would be more fitting if they closed the show and so the running-order was changed. I've always thought that must have been a bitter pill for Rick ('Eden Kane') to swallow but he bore it with apparent stoicism.
I was Eden Kane's guitarist (EK had a string of big hits in the UK from '61 - '64; believe me, I know the name means nothing in this country but that was a plum job for me to land at 18 years of age) and we were booked to headline a tour. The Rolling Stones were quite new at the time but they'd already had a couple of hits. Kane, though, took precedence based on his career to that point and we topped the bill (or 'closed' the show, if you like).
I can well remember the rhythm guitarist in our group saying to me on the first night: 'We should listen to these guys and see what all the fuss is about'. We stood in the wings for maybe three of their songs, then Ben turned to me and said: 'Let's go and have a beer...' It was, by any standards we held dear, pretty awful.
They had the last laugh, though. Halfway through the tour they released 'Not Fade Away' and it quickly became their first #1 record. By this point it was becoming clear that it would be more fitting if they closed the show and so the running-order was changed. I've always thought that must have been a bitter pill for Rick ('Eden Kane') to swallow but he bore it with apparent stoicism.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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- Godfrey Arthur
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To me if you listen to the playing, it sounds like Page just listening to his Zep tracks on psg.Dan Beller-McKenna wrote:Another nod towards Page.
Might be reason why he never brought it up with you Roger.
As an aside, wonder who inspired Page to take up steel?
At least we know that some Page's guitar licks and some of the Fab Four's were inspired by this guy:
Bobby Parker
Watch Your Step. What Zep and Beatle's songs does the riff remind you of?
https://www.youtube.com/watch?v=nC9UlURkGLI
ShoBud The Pro 1
YES it's my REAL NAME!
Ezekiel 33:7
YES it's my REAL NAME!
Ezekiel 33:7
- Joachim Kettner
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- Fred Treece
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- Fred Treece
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Yeah, Godfrey. That’s I Feel Fine. It’s also One Way Out by The Allman Bros.Godfrey Arthur wrote:
Watch Your Step. What Zep and Beatle's songs does the riff remind you of?
https://www.youtube.com/watch?v=nC9UlURkGLI
- Roger Rettig
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I really don't know. I can't imagine Albert encouraging anyone to take up steel. Maybe Page was on a session with Rod King?
Albert told me he did try steel very briefly but this conversation took place in the wings of the Biloxi Harrah's showroom in 2000 just as Buddy was warming up on Black Bart! He looked at me, we looked at Emmons and Al said: 'Just as well I packed that in!(or words to that effect)'
I think Albert had a Denley steel but not for very long. I'm away working now but I'll ask him next chance I get.
Albert told me he did try steel very briefly but this conversation took place in the wings of the Biloxi Harrah's showroom in 2000 just as Buddy was warming up on Black Bart! He looked at me, we looked at Emmons and Al said: 'Just as well I packed that in!(or words to that effect)'
I think Albert had a Denley steel but not for very long. I'm away working now but I'll ask him next chance I get.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
----------------------------------
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
----------------------------------
- Godfrey Arthur
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- Fred Treece
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Roger, I didn’t mean that Albert influenced Jimmy to take up steel. Page was just remarking on his standard guitar influences.
Here is a YouTube of Albert Lee playing non-pedal steel on a Heads Hands And Feet song. He sounds about 300 times better than Jimmy P. did on psg.
https://m.youtube.com/watch?v=v41oBFBFIVo
I thought there was a tube of him playing pedal steel with HH&F too but I couldn’t find it.
Here is a YouTube of Albert Lee playing non-pedal steel on a Heads Hands And Feet song. He sounds about 300 times better than Jimmy P. did on psg.
https://m.youtube.com/watch?v=v41oBFBFIVo
I thought there was a tube of him playing pedal steel with HH&F too but I couldn’t find it.