Sudden loss of 'chops'?
Moderator: Shoshanah Marohn
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- Posts: 249
- Joined: 3 Aug 2007 2:36 pm
- Location: Washington, USA
Sudden loss of 'chops'?
Been playing about 8 months and recently started to see some improvement - now, all of a sudden I feel like I can't play a darn thing in tune, can't block, missing strings.... I play by ear and am off on my chords much more than usual...
Anyone else suffer this sort of backslide as they were learning? I've tried PSG twice before, gotten to this point, and given up.
I don't want to let that happen again please help!!! How do I get outta my funk?....
Thank you!
Anyone else suffer this sort of backslide as they were learning? I've tried PSG twice before, gotten to this point, and given up.
I don't want to let that happen again please help!!! How do I get outta my funk?....
Thank you!
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- Location: West Virginia, USA
Sudden loss of 'chops'?
With spring in full swing in the northern Hemisphere. Have you been mowing ward, Running gas weed eater, Tilling garden? Loud noise from internal combustion engines without ear plugs could be affecting your hearing. The vibration of Lawn Mowers, Weed Eaters, Chain saws can affect peoples motor skills for fine hand movements.
Also another thought, Have you changed food or drink consumption, Or have you changed medications, or prescriptions. These could have effects on motor skills. Good Luck and Happy Steelin.
Also another thought, Have you changed food or drink consumption, Or have you changed medications, or prescriptions. These could have effects on motor skills. Good Luck and Happy Steelin.
- Micky Byrne
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- Location: United Kingdom (deceased)
Re: Sudden loss of 'chops'?
Bobby....it will come back, but in time. I've had many lay offs after health issues...you loose your "grips" miss strings etc etc, but it WILL come back, it's according to how patient you are
Micky "scars" Byrne U.K.
Micky "scars" Byrne U.K.
- Dave Campbell
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- Location: Nova Scotia, Canada
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For every few steps forward, there will be a step or two back once in awhile. I think that's just part of learning. Keep at it. There will be something that you stumble upon that will bring it back, inspire you, and you'll be progressing again. Then you'll plateau, or step back a bit, and regain your traction....ad nauseum.
Re: Sudden loss of 'chops'?
I've only been learning pedal steel about six months, and this happens to me about every other day. I play a few other instruments, and it happens there, too. What works is always the same: slow down, work with a metronome, focus on perfection of tone and execution. On pedal steel, I go back to bar accuracy exercises, picking and blocking exercises, chimes, slants, ....Landon Johnson wrote:Been playing about 8 months and recently started to see some improvement - now, all of a sudden I feel like I can't play a darn thing in tune, can't block, missing strings.... I play by ear and am off on my chords much more than usual...
Anyone else suffer this sort of backslide as they were learning?
You gotta getcher fundamentals, that's what it's all about!
Trust persistence, trust the learning process, it will work!
--Al Evans
2018 MSA Legend, 2018 ZumSteel Encore, 2015 Mullen G2, G&L S-500, G&L ASAT, G&L LB-100, Godin A4 Fretless, Kinscherff High Noon
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Re: Sudden loss of 'chops'?
Landon I see you are from Washington.
There are alot of players in WA/OR.
You might consider some lessons from John McClung in Olympia, or come to one of our Steel Jams in Portland (Larry Behm is our Fearless Leader).
Alot of us guys are good at helping Advanced Beginners make the leap to Solid Intermediate. Once a guy becomes and Advanced Intermediate they usually off on their own.
You can always just, say the prayer...
Lorrrrrd, Please bless me with the clairvoyance to transcend the Steel Guitar Re-ward I am about to receive!
There are alot of players in WA/OR.
You might consider some lessons from John McClung in Olympia, or come to one of our Steel Jams in Portland (Larry Behm is our Fearless Leader).
Alot of us guys are good at helping Advanced Beginners make the leap to Solid Intermediate. Once a guy becomes and Advanced Intermediate they usually off on their own.
You can always just, say the prayer...
Lorrrrrd, Please bless me with the clairvoyance to transcend the Steel Guitar Re-ward I am about to receive!
Landon - What you are describing may be a reflection of your improvement. The more you know, you see just how much more you don't know. This can be frustrating. To track your progress and take heart in what progress you have made, try recording yourself, even if it is just scales. Then, in a few months, listen to your recording. It will be encouraging to compare your playing at that point versus your earlier playing.
It is important not to take ones self too seriously, either. Keep the fun factor up by just noodling around or experimenting with different pedal effects, for example. "Seat time" just cannot be rushed. Many of the great PSG players have been at it since they were kids... and even they can have off days. So, keep at it and have fun!
It is important not to take ones self too seriously, either. Keep the fun factor up by just noodling around or experimenting with different pedal effects, for example. "Seat time" just cannot be rushed. Many of the great PSG players have been at it since they were kids... and even they can have off days. So, keep at it and have fun!
blah, blah, blah.
Hey You Kids! Get Off My Lawn!
blah, blah, blah.
Hey You Kids! Get Off My Lawn!
blah, blah, blah.
- Rich Peterson
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Lots of good advice here. I suggest that when this happens, don't try to fix everything at once. Pick one thing and work one it exclusively for a day or two. Going from one grip to another, or moving the bar at the same time as you press a pedal/lever so that the pitch of the raised/lowered string doesn't change. Play a chord and keep the loudness the same as it decays with the expression pedal. Connect a tuner and play octaves as you move the bar to different frets.
MOST IMPORTANT! Put a smile on your face as you struggle with these techniques. Seriously. You will learn faster. Guaranteed.
MOST IMPORTANT! Put a smile on your face as you struggle with these techniques. Seriously. You will learn faster. Guaranteed.
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Thanks everybody!
I appreciate the responses and am pretty well over my 'funk'. I noticed a couple of items on my BMI that need attention; these could also be affecting my playing. I guess I just reached a plateau...
Landon, your description sounds like my first 20 minutes at the steel, every time I sit down to play it. I’ve been at it a bit longer than you, too.
My advice.
Take one or two days off. Your hands and brain will be more relaxed when you come back. Pushing through a slump can be detrimental. And you’ll be fascinated by the sound of the instrument when you return.
Learn some new music. A chord progression, a solo off an album. Use a slow down app or program.. There are oceans of great steel solos out there, and so much music to be learned.
A slump is not a good time to concentrate on technical exercises. They will frustrate you and you will eventually get bored and loose interest in the instrument.
Music is why we play. Put your energy there.
John
My advice.
Take one or two days off. Your hands and brain will be more relaxed when you come back. Pushing through a slump can be detrimental. And you’ll be fascinated by the sound of the instrument when you return.
Learn some new music. A chord progression, a solo off an album. Use a slow down app or program.. There are oceans of great steel solos out there, and so much music to be learned.
A slump is not a good time to concentrate on technical exercises. They will frustrate you and you will eventually get bored and loose interest in the instrument.
Music is why we play. Put your energy there.
John
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Chris in an earlier post hit it, called plateaus of learning. It seems to happen most with learning an instrument. Just when you feel like you're moving right along stagnation sets in sapping inspiration. Perfectly normal, and each time you hit a new plateau, you're a better player. Just keep aiming for the next plateau and you'll be OK. A little time off here and there is not a bad thing either, and remember the more you learn, the more you learn there is to learn. The never ending path of music.
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I'm a beginner on PSG and also play fingerstyle guitar. When I made the switch from a flatpick to fingers I would have phenomenal days or even weeks practicing where everything goes as right as it can go and then for no apparent reason everything would occasionally turn into a wreck. When this would happen I kept telling myself to play/practice no matter how frustrating it got... things usually got better and if they didn't I'd try something new or different for a while.
I try as best I can to apply this attitude to PSG especially since I'm new to it and have to deal with a fair amount of frustration and some days are just better than others.
It's really cool that you came back to PSG after a layoff or two... soldier on!
I try as best I can to apply this attitude to PSG especially since I'm new to it and have to deal with a fair amount of frustration and some days are just better than others.
It's really cool that you came back to PSG after a layoff or two... soldier on!
- Fred Treece
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Landon,
The good news is you are actually improving when this happens.....The more I practice towards improvement, the more focused my hearing becomes....As my hearing keeps improving what was acceptable months ago, no longer rises to my new level of proficiency...That's a good thing and should happen over and over as we learn new things, or work on correcting bad habits. Whether we are 8 months in or 56 years like me, that is the process....
In my practice regiment I strive for learning with balance in mind....Developing well rounded musicianship is like building muscles...I was taught how to build musicianship all at once so everything comes together evenly....I have known many players practice with an omni focus on one or two issues and the result was unbalanced musicianship...
Paul
The good news is you are actually improving when this happens.....The more I practice towards improvement, the more focused my hearing becomes....As my hearing keeps improving what was acceptable months ago, no longer rises to my new level of proficiency...That's a good thing and should happen over and over as we learn new things, or work on correcting bad habits. Whether we are 8 months in or 56 years like me, that is the process....
In my practice regiment I strive for learning with balance in mind....Developing well rounded musicianship is like building muscles...I was taught how to build musicianship all at once so everything comes together evenly....I have known many players practice with an omni focus on one or two issues and the result was unbalanced musicianship...
Paul
- John McClung
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- Contact:
Landon, I'm the instructor mentioned by Pete Burak up above. I live in Olympia, WA.
It's my experience, and that of most of my students, that you'll hit a series of "plateaus" over the course of your playing lifetime.
But it's likely that your loss of chops now and then could be something as simple as any of these things:
• you're sitting on a different seat of a different height.
• you're sitting farther to the left or right than usual. You should be centered on fret 15 or thereabouts.
• you're using different picks, throwing off your picking game.
• you aren't warming up enough with familiar scales, licks or grips exercises. Doing so reacquaints your hand with what they already know, preparing them for learning some new things.
Good luck. Don't give up, we all have our struggles, no matter what level we've reached. If I can help in any way, contact me!
All best,
John McClung
Pedal Steel Lessons, Casuals, Sessions
Olympia, WA 98512
Email – steelguitarlessons@earthlink.net
Website – http://steelguitarlessons.com
Skype name: professortwang
Cell & text: 310-480-0717
It's my experience, and that of most of my students, that you'll hit a series of "plateaus" over the course of your playing lifetime.
But it's likely that your loss of chops now and then could be something as simple as any of these things:
• you're sitting on a different seat of a different height.
• you're sitting farther to the left or right than usual. You should be centered on fret 15 or thereabouts.
• you're using different picks, throwing off your picking game.
• you aren't warming up enough with familiar scales, licks or grips exercises. Doing so reacquaints your hand with what they already know, preparing them for learning some new things.
Good luck. Don't give up, we all have our struggles, no matter what level we've reached. If I can help in any way, contact me!
All best,
John McClung
Pedal Steel Lessons, Casuals, Sessions
Olympia, WA 98512
Email – steelguitarlessons@earthlink.net
Website – http://steelguitarlessons.com
Skype name: professortwang
Cell & text: 310-480-0717
E9 INSTRUCTION
If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net
If you want to have an ongoing discussion, please email me, don't use the Forum messaging which I detest! steelguitarlessons@earthlink.net
- Henry Matthews
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I was going to say what Paul said above and he is exactly spot on.Franklin wrote:Landon,
The good news is you are actually improving when this happens.....The more I practice towards improvement, the more focused my hearing becomes....As my hearing keeps improving what was acceptable months ago, no longer rises to my new level of proficiency...That's a good thing and should happen over and over as we learn new things, or work on correcting bad habits. Whether we are 8 months in or 56 years like me, that is the process....
In my practice regiment I strive for learning with balance in mind....Developing well rounded musicianship is like building muscles...I was taught how to build musicianship all at once so everything comes together evenly....I have known many players practice with an omni focus on one or two issues and the result was unbalanced musicianship...
Paul
Henry Matthews
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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- Location: North Carolina, USA
plateau funk....
pardon my redundancy (or repetition) if this has been mentioned but
when I get into a plateau/funk on one instrument I grab another guitar and go crazy for a couple of days. Then I taper off of that by thinking about how to apply it to the previous (funky) instument.
works for me.....
when I get into a plateau/funk on one instrument I grab another guitar and go crazy for a couple of days. Then I taper off of that by thinking about how to apply it to the previous (funky) instument.
works for me.....