Dobro/National Electric Hawaiian Guitars
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- Peter Funk
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Dobro/National Electric Hawaiian Guitars
I've been offered a pair of electric Hawaiian Guitars made of aluminum from around 1936. One is a National, the other is a Dobro. They look quite similar. Since they don't have any tone knobs (only volume), I'm wondering, what they sound like? Any experiences?
- Noah Miller
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The National and Dobro versions (and the Supro and Bronson versions) have the same pickup. In practical terms, the only difference is in the shape of the body and the placement of the controls. Later versions also had tone controls and some other changes, but if you're comparing two early ones, we can ignore that.
Generally, they have lots of sustain and a warm, mellow voice. They're not twangy or raw, but smooth and full. There is some variability, possibly due to the way the magnets have aged and possibly due to inconsistencies in the winding (National-Dobro built from the "eh... looks close enough" school of quality control). The output is what I'd call moderate, and there's pretty good hum rejection due to the shielding of the body.
Generally, they have lots of sustain and a warm, mellow voice. They're not twangy or raw, but smooth and full. There is some variability, possibly due to the way the magnets have aged and possibly due to inconsistencies in the winding (National-Dobro built from the "eh... looks close enough" school of quality control). The output is what I'd call moderate, and there's pretty good hum rejection due to the shielding of the body.
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Basically the same instrument ('30s Supro) demonstrated: https://www.youtube.com/watch?v=u6cu_w--Is0
- Michael Greer
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Peter
I align with what Noah has said in terms of how the National/Dobro cast guitars sound......moderate output is an accurate characterization.
Mind you, I have never had any "work " done to the pickup on mine to see if that changes or enhances output.
I do however give the National cast guitars "TOP OF THE CLASS " rating for style....to my eyes they are a piece of art and a cool looking guitar.
I align with what Noah has said in terms of how the National/Dobro cast guitars sound......moderate output is an accurate characterization.
Mind you, I have never had any "work " done to the pickup on mine to see if that changes or enhances output.
I do however give the National cast guitars "TOP OF THE CLASS " rating for style....to my eyes they are a piece of art and a cool looking guitar.
- Steve Lipsey
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If the pickup doesn't have much output, you can have the magnet re-magnitized...there are threads on where to get that done...
www.facebook.com/swingaliband & a few more....
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
Williams S10s, Milkman Pedal Steel Mini & "The Amp"
Ben Bonham "CooderNator" archtop parlor electric reso w/Fishman & Lollar string-through
Ben Bonham "ResoBorn" deep parlor acoustic reso with Weissenborn neck and Fishman
Ben Bonham Style 3 Tricone., 1954 Oahu Diana, 1936 Oahu Parlor Squareneck
- Lee Holliday
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- Location: United Kingdom
They are great guitars, I have had afew over the years and have finally managed to get one of the Dobro ones which is aesthetically more going on but fundamentally the same. They do benefit from a tone control which allows Dark sounds through to bright chiming tones.
Consider re energising the horseshoe magnet and see what that brings to the party.
I have a B6 Rickenbacker, a supro (strings through pickup) and the cast Dobro, the other two win the tone and pickup race but the Dobro is in it's own way fantastic, Scale length, weight feel etc.
Consider re energising the horseshoe magnet and see what that brings to the party.
I have a B6 Rickenbacker, a supro (strings through pickup) and the cast Dobro, the other two win the tone and pickup race but the Dobro is in it's own way fantastic, Scale length, weight feel etc.
- Peter Funk
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