What songs gave you an "ah ha" moment?
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- Jeff Metz Jr.
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What songs gave you an "ah ha" moment?
I am slowly picking up more pieces to the puzzle that is Pedal steel guitar.
What songs did you learn that taught you a special lick, or brought you to a better understanding of how things work? Thanks
What songs did you learn that taught you a special lick, or brought you to a better understanding of how things work? Thanks
Mullen G2 SD10 , Lil Izzy Buffer, Goodrich 120 volume pedal, Boss DD-7, Peterson Strobo flip, Peavey Nashville 112
- John Billings
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"Bar Hoppin'" Lloyd Green.
Dr. Z Surgical Steel amp, amazing!
"74 Bud S-10 3&6
'73 Bud S-10 3&5(under construction)
'63 Fingertip S-10, at James awaiting 6 knees
'57 Strat, LP Blue
'91 Tele with 60's Maple neck
Dozen more guitars!
Dozens of amps, but SF Quad reverb, Rick Johnson cabs. JBL 15, '64 Vibroverb for at home.
'52 and '56 Pro Amps
"74 Bud S-10 3&6
'73 Bud S-10 3&5(under construction)
'63 Fingertip S-10, at James awaiting 6 knees
'57 Strat, LP Blue
'91 Tele with 60's Maple neck
Dozen more guitars!
Dozens of amps, but SF Quad reverb, Rick Johnson cabs. JBL 15, '64 Vibroverb for at home.
'52 and '56 Pro Amps
- Ray Montee
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Are some of us going down the wrong road?
If you play pedal steel guitar........ WHY do you tend to
search out 'special licks'?
Why not learn to play as much of a single tune that you can do in E tuning then punch a pedal in order to expand your melody options? Out of this.......the technique for using the pedals will appear as clear as day.
search out 'special licks'?
Why not learn to play as much of a single tune that you can do in E tuning then punch a pedal in order to expand your melody options? Out of this.......the technique for using the pedals will appear as clear as day.
- Rich Upright
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- John Billings
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"Bar Hoppin'" Opened my mind to half pedaling the A pedal, and using the 2nd and 3rd pedal Great tune with a lot of good stuff!
https://www.youtube.com/watch?v=rWNZ3iT-33E
https://www.youtube.com/watch?v=rWNZ3iT-33E
Dr. Z Surgical Steel amp, amazing!
"74 Bud S-10 3&6
'73 Bud S-10 3&5(under construction)
'63 Fingertip S-10, at James awaiting 6 knees
'57 Strat, LP Blue
'91 Tele with 60's Maple neck
Dozen more guitars!
Dozens of amps, but SF Quad reverb, Rick Johnson cabs. JBL 15, '64 Vibroverb for at home.
'52 and '56 Pro Amps
"74 Bud S-10 3&6
'73 Bud S-10 3&5(under construction)
'63 Fingertip S-10, at James awaiting 6 knees
'57 Strat, LP Blue
'91 Tele with 60's Maple neck
Dozen more guitars!
Dozens of amps, but SF Quad reverb, Rick Johnson cabs. JBL 15, '64 Vibroverb for at home.
'52 and '56 Pro Amps
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Re: Are some of us going down the wrong road?
I'd say because they're such a big part of what is memorable about the instrument. And also, because steel instrumentals aren't exactly flooding the charts right now.Ray Montee wrote:If you play pedal steel guitar........ WHY do you tend to
search out 'special licks'?
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- Tim Russell
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Hmmm...
Taught me "special licks" & Ah-ha moments.
Probably when I first heard Buddy's Night Life w/ Ray Price, I thought that was absolutely the coolest, sweetest thing I'd ever heard. And then, when someone gave me Buddy's "Steel Guitar" album, the one with the rainbow on the front, there is so much in the way of cool licks & overall great playing that I gleaned from that album.
Also, my father worked at a radio station where they received promo records, and there were a bunch of Lloyd Green 45's there collecting dust...I was around 12 or so at the time, I spotted them, scooped them all up and played them until they were worn out!
San Antonio Rose, Feelings, and Stainless Steel were a few of my favs. from those 45's.
Taught me "special licks" & Ah-ha moments.
Probably when I first heard Buddy's Night Life w/ Ray Price, I thought that was absolutely the coolest, sweetest thing I'd ever heard. And then, when someone gave me Buddy's "Steel Guitar" album, the one with the rainbow on the front, there is so much in the way of cool licks & overall great playing that I gleaned from that album.
Also, my father worked at a radio station where they received promo records, and there were a bunch of Lloyd Green 45's there collecting dust...I was around 12 or so at the time, I spotted them, scooped them all up and played them until they were worn out!
San Antonio Rose, Feelings, and Stainless Steel were a few of my favs. from those 45's.
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- Tony Glassman
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"Rick Nelson's Garden Party,and Dwight Yoakum's I Sang Dixie...Both songs featuring the late Tom Brumley!
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- MIchael Bean
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Re: Are some of us going down the wrong road?
Because learning one simple technique or lick can open up a whole world for you, and make you think in another way, once you know how it's done. Everything is based on or inspired by something else.Ray Montee wrote:If you play pedal steel guitar........ WHY do you tend to
search out 'special licks'?
For example, Lloyd Green's solo in the Byrds' "100 Years From Now" showed me the doublepicking technique that is now a regular part of my playing.
- Tony Glassman
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Re: Are some of us going down the wrong road?
Because "licks" are often gateways to musical approaches that are new to a player. If a player can learn, emulate and dissect that one special lick, the knowledge acquired can often be reapplied in unexpected ways. In essence, new licks can expand one's musical thought process.Ray Montee wrote:If you play pedal steel guitar........ WHY do you tend to
search out 'special licks'?
- Dave Hopping
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Panama Red from the album of the same name, and Hello Mary Lou and Dead Flowers from the Home, Home on the Road live album.. New Riders of the Purple Sage.. I never stopped playing, EVER, all day and all night- every day and night until I could play those songs perfectly.. After that things opened up and came so much more easily, and I was on my way, playing 5 -6 nights a week with a good band.. Those cool Buddy Cage licks on those 2 albums, were my personal "A-HA moment"!
Buddy tough me how to play, but doesn't know it... bob
Buddy tough me how to play, but doesn't know it... bob
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no gear list for me.. you don't have the time......
no gear list for me.. you don't have the time......
- Bill Terry
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The first couple of bars of Buddy's ride on Adalida by George Strait; took me places on strings 1 and 2 that I'd never been. I think it might be old hat for the pros on here, but it was new to me.
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+1 on that for me too! It's also an excellent example of what can be done when a player doesn't take the easy way out and "just play the melody"! Come to think of it, that little jazz progression intro would also work great on many blues numbers. You could just as well use it on "Crazy", "One For My Baby", "Georgia", etc., etc.Tim Russell wrote:Hmmm...
Taught me "special licks" & Ah-ha moments.
Probably when I first heard Buddy's Night Life w/ Ray Price, I thought that was absolutely the coolest, sweetest thing I'd ever heard.
My "ah-ha" moment on C6th was Emmons playing "Witchcraft". I thought that dropping down 2 frets for the np IV chord was a real revelation, as was the np I chord in the V position.
- Jerry Foster
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wow tune on pedal steel
when I heard Fred Justice play America the beautiful, all I can say is WOW. J.D,Foster
- Bud Angelotti
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I just re-heard "Take Me Home Country Roads", John Denver, after many years.
A-HA!
Not only a great song, the steel part is just a perfect example of understatement.
A very simple yet effective steel part to start, then the steel just more or less plays the melody which in this case, is just perfect as ensemble to the singing and the song. IMHOP
Anybody know who played steel on this track?
A-HA!
Not only a great song, the steel part is just a perfect example of understatement.
A very simple yet effective steel part to start, then the steel just more or less plays the melody which in this case, is just perfect as ensemble to the singing and the song. IMHOP
Anybody know who played steel on this track?
Just 'cause I look stupid, don't mean I'm not.
- Mike Perlowin
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For me, it was the second movement of a 6 part piece called "Capriccio Espagnol." The entire piece is on my Soundcloud page. https://soundcloud.com/mike-perlowin
The movement in question starts at around 1:22.
The piece is in F. It ends on a trill between the notes F and G. I played them in =strings 7 and 6, on the 11th fret, and when I did, it hit me: I didn't have to figure out how to play it. I knew instinctively.
After busting my ass studying and woodshedding for 37 years, I now know how to play this instrument.
The movement in question starts at around 1:22.
The piece is in F. It ends on a trill between the notes F and G. I played them in =strings 7 and 6, on the 11th fret, and when I did, it hit me: I didn't have to figure out how to play it. I knew instinctively.
After busting my ass studying and woodshedding for 37 years, I now know how to play this instrument.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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Ray Price and The Cherokee Cowboys "Each Time" Unissued 1966 Here is the link.
https://www.youtube.com/watch?v=Z25idl85H58
https://www.youtube.com/watch?v=Z25idl85H58
https://www.youtube.com/watch?v=Z25idl85H58
https://www.youtube.com/watch?v=Z25idl85H58