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Guitars, fiddles, banjos, keyboards, clarinets, bagpipes, etc.
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Damir Besic
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Post by Damir Besic »

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more info at www.steelguitarsonline.com

sell or trade for nice pedal steel
Last edited by Damir Besic on 21 Dec 2015 7:25 am, edited 10 times in total.
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Damir Besic
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Post by Damir Besic »

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Damir Besic
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Damir Besic
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Post by Damir Besic »

I never liked Gibson acoustics, and always thought Martin was the best, but even tho, I still think vintage Martins kick butt, after playing this guitar for a few minutes I have to tell you...this is one of the easiest, smoothest playing acoustics I ever tried... Im not a flat top picker by any means, but I know this guitar is something else...it is super easy to play, action is unbelievable , and tone is balanced, and rich... this is a great guitar... one of those things i would love to keep if i could justify $2500 guitar under my bed... awesome instrument
Ron Randall
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Post by Ron Randall »

Nice!

Looks like a dreadnought to me. Not a jumbo.
Ron Randall
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Post by Ron Randall »

Nice!

Looks like a dreadnought to me. Not a jumbo.
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Damir Besic
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Post by Damir Besic »

Ron Randall wrote:Nice!

Looks like a dreadnought to me. Not a jumbo.
don't want to sound dumb, but I don't even know the difference between dreadnought and jumbo... this is the sticker thats on the inside of the guitar


Image


I absolutely love this guitar... it's changing my opinion of Gibson acoustics ...
Danny Bates
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Notice the 25.5" scale

Post by Danny Bates »

Advanced Jumbo In the mid '30s, Gibson luthiers set about to build the best-sounding, most powerful flat-top acoustic ever. The result was the Advanced Jumbo. Widely known today as one of Gibson’s most powerful acoustics, early catalogs proclaimed, "You have never heard a guitar like this …a bass so deep and full that it can be felt as well as heard." The catalog didn't exaggerate. What Gibson’s luthiers discovered was a resonance-enhancing, advanced X-bracing pattern that had not been used before. The results were a deeper bass and increased projection. During the three years the AJ was in its first production run, Gibson made about 300 of them. It wasn't until 1990 that Gibson reintroduced the AJ and their value as a vintage-tone time capsule was recognized. The AJ offers rich harmonics with excellent punch and presence. A Historic Collection headstock decal pays tribute to what many consider the ultimate flat-top.

The spruce top and rosewood back & sides are finished with a simple, singly-ply binding. A traditional sound hole rosette, mother-of-pearl diamond and arrow inlays are handset in the rosewood fingerboard and the classic MOP script logo with MOP vertical diamond and arrow inlay make this limited edition instantly recognizable as a classic.

Each guitar includes a signed Certificate of Authenticity, hardshell case with plush-lined interior, an owner's manual, Gibson's Gold Warranty and Gibson's 24/7/365 Customer Service.

Handcrafted by the acclaimed luthiers of Gibson's acoustic facility in Bozeman, Montana, production is limited in 2013.

100% American-made quality Gibson handcrafted construction throughout

Sitka Spruce top with Indian Rosewood back and sides

Rosewood fingerboard with mother of pearl diamond and arrow inlays

Mahogany neck with traditional 25 1/2 scale

Nickel vintage open-back tuners with 15:1 tuning ratio
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Damir Besic
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Post by Damir Besic »

I already see, this is going to be one of those deals I'm going to regret ...
Stephen Gambrell
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Post by Stephen Gambrell »

A friend sold me one of those. I was looking for a J-45, but he came up with one of these. It will hold its own against my Martins, but it's still got that "snap" that fiddlers like to hear. I gave it to a friend's son, when he finished high school.

Good price on a GREAT guitar.

BTW, that IS a dreadnaught--with sloped shoulders.

Man, I wish I had money! Somebody's gonna get a deal!
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Roger Rettig
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Post by Roger Rettig »

The Gibson Southern Jumbo (SJ) was built along the same lines. Most people (if they think about it at all!) assume that Don Everly's guitar parts on the early EB recordings were played on his J-200 but they weren't. He always used his SJ.

Not as pretty as a J-200 but a better guitar.
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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Damir Besic
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Post by Damir Besic »

would trade for a nice pro pedal steel ...
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Damir Besic
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Post by Damir Besic »

thanks guys, it is a nice guitar...still available tho ....
Jay Yuskaitis
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Post by Jay Yuskaitis »

Hmmmm! Just wondering. I must be out of line.
edit: this must be an about brand new one.
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Damir Besic
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Post by Damir Besic »

$2250 shipped and insured CONUS only
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Jim Saunders
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Gibson

Post by Jim Saunders »

Check your email.
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Mark Shuda
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Saunders Sunburst

Post by Mark Shuda »

That acoustic guitar is "Saunders Sunburst" !!!!! A Mullen pedal steel guitar flavor that is as popular today as it was several years ago when Mr. Saunders invented it !!!!!
:)
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Jim Saunders
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Mullen Sunburst

Post by Jim Saunders »

Mark, I didn't invent the Mullen sunburst, but I did order a D10 from Mullen and asked that they copy the Gibson sunbursts used on their guitars. The Mullen pictured above is done in Zanzebaar Ebony mica that I copied from a Carter I saw in Dallas.
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Damir Besic
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Post by Damir Besic »

this awesome guitar is still available ...
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Damir Besic
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Post by Damir Besic »

reduced to $2150
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Damir Besic
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Post by Damir Besic »

ttt... possible trade for a nice pedal steel guitar ...
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Damir Besic
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Post by Damir Besic »

traded...
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