Non-steel amps that work well with PSG
Moderator: Shoshanah Marohn
- Rani Platek
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- Location: Tel-Aviv, Israel
Non-steel amps that work well with PSG
Hi
No way I'm finding a proper steel amp in this part of the world, and shipping is expensive when it comes to amps.
What will you recommend as a good steel amp that wasn't necessarily designed for steel?
Like Fender, Peavey, and other popular world wide brands.
I can only think of a Fender Twin.
Also, changing the factory speaker in a six string amp is an option in this case, I heard.
Thanks!
No way I'm finding a proper steel amp in this part of the world, and shipping is expensive when it comes to amps.
What will you recommend as a good steel amp that wasn't necessarily designed for steel?
Like Fender, Peavey, and other popular world wide brands.
I can only think of a Fender Twin.
Also, changing the factory speaker in a six string amp is an option in this case, I heard.
Thanks!
- Brad Bechtel
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What amps are you considering that are easily available to you?
The Music Center carries Peavey and Roland amps among many others. The Roland Cube 80 is a good amp with lots of users.
I think you want to look at amps that aren't necessarily designed for guitar (although the Roland Cube 80 is not an example of that). Look at bass amps or even keyboard amps.
The Music Center carries Peavey and Roland amps among many others. The Roland Cube 80 is a good amp with lots of users.
I think you want to look at amps that aren't necessarily designed for guitar (although the Roland Cube 80 is not an example of that). Look at bass amps or even keyboard amps.
Brad’s Page of Steel
A web site devoted to acoustic & electric lap steel guitars
A web site devoted to acoustic & electric lap steel guitars
- Tim Russell
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+1 Brad!
I have a Roland Cube 40, little brother of the Cube 80, and this thing sounds phenomenal! I am very pleased with the versatility of this small amp.
I would have purchased the Cube 80, but already having large gigging amps, I needed something small for my practice room, and the Cube 40 fit the bill perfectly.
I have a Roland Cube 40, little brother of the Cube 80, and this thing sounds phenomenal! I am very pleased with the versatility of this small amp.
I would have purchased the Cube 80, but already having large gigging amps, I needed something small for my practice room, and the Cube 40 fit the bill perfectly.
Sierra Crown D-10
- Larry Behm
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- Mike Perlowin
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Music Man amps are also excellent for steel, depending on the model.
My 1976 212-HD (serial # 399) sounds great. It's one of the ones with the tube pre-amp that was changed to solid state in '77 or '78. I'd still use it if it didn't weigh so much.
My 1976 212-HD (serial # 399) sounds great. It's one of the ones with the tube pre-amp that was changed to solid state in '77 or '78. I'd still use it if it didn't weigh so much.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
- Jan Viljoen
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Rani,
I had the same problem as you when I started out.
If there is a music shop in Tel Aviv or Jerusalem, go there and try them all out.
I recently I bought a Crate 65 (solid state), which sounds different but just as good.
Good luck!
I had the same problem as you when I started out.
If there is a music shop in Tel Aviv or Jerusalem, go there and try them all out.
I recently I bought a Crate 65 (solid state), which sounds different but just as good.
Good luck!
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Roland Cube 80XL, Peavey112-Valve King and Special, Marshall 100VS.
Roland Cube 80XL, Peavey112-Valve King and Special, Marshall 100VS.
- Per Berner
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- Geoff Noble
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2 X Roland Cube 60, fitted with Eminence Legend 12" speakers.
"If it sounds good, it is good"
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- Rich Upright
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Since many steel players double on guitar (I am one) it can be a challenge trying to find an amp that sounds good for both. The reason is the characteristics of what makes a great steel amp are exactly the opposite of what makes a great guitar amp. For steel, you want tons of clean headroom & a 15" speaker. For guitar, you want an early breakup, and 10" or 12" speakers.
because I run a stereo delay & pan the straight signal & the delayed signal into 2 separate amps, carrying a 3rd amp wasn't an option. For average gigs, I run a PV Renown w/1-15" BW. Sounds great for steel, but lame for guitar. I have a '76 Twin w/JBLs, but since my hernia insurance ain't paid up, it never leaves the house. I found a viable alternative in THIS, a PV Blues Classic. Same as a Classic 50, but with 1-15" speaker. In fact, I swapped a local music store my Classic 50 for it; he figured the 2-12" Classic would sell faster than the 1-15". (Same store I swapped a Twin for a Vibrosonic for the same reason 15 years ago). The Blues Classic has that tube warmth for guitar, but the 15 can handle steel with plenty of headroom, & it sounds great for both. In fact, the settings stay the same for Tele & steel. Mine is the only one I've ever seen or heard of; if you find one, don't pass it by without giving a try!
because I run a stereo delay & pan the straight signal & the delayed signal into 2 separate amps, carrying a 3rd amp wasn't an option. For average gigs, I run a PV Renown w/1-15" BW. Sounds great for steel, but lame for guitar. I have a '76 Twin w/JBLs, but since my hernia insurance ain't paid up, it never leaves the house. I found a viable alternative in THIS, a PV Blues Classic. Same as a Classic 50, but with 1-15" speaker. In fact, I swapped a local music store my Classic 50 for it; he figured the 2-12" Classic would sell faster than the 1-15". (Same store I swapped a Twin for a Vibrosonic for the same reason 15 years ago). The Blues Classic has that tube warmth for guitar, but the 15 can handle steel with plenty of headroom, & it sounds great for both. In fact, the settings stay the same for Tele & steel. Mine is the only one I've ever seen or heard of; if you find one, don't pass it by without giving a try!
A couple D-10s,some vintage guitars & amps, & lotsa junk in the gig bag.
- Rani Platek
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Non-steel amps that work well for PSG
I am currently using a Carvin BX 500 that measures 14" x 9" x 3" and has 500 watts of power. It only weighs 5.8 LB and sells for less than $350.00. It has ton's of features, but no reverb. I am using a Wet Reverb in the effects loop. It sounds great with a Peavey 1501 speaker. You will need a speaker and cabinet, or do like I do, carry another amp but unhook the speaker wires. Make a separate speaker cable about 12 ft. long and you can have the amp sitting beside you. I have a cheap aluminum tool case from Harbor Freight that I carry it in. I open the case up like a book and stand it on its end. This makes a perfect "table" to sit the amp on.
I really like this amp. At 5.8 LB the shipping should not kill you.
I really like this amp. At 5.8 LB the shipping should not kill you.
- Bryan Triplett
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- Mike Perlowin
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Let's invert the original question. What amp made for steel also works well as a guitar amp?
Answer: The Quilter Steelaire. It's designed to be a duel purpose amp. It even has a tremolo circuit for guitar players.
Answer: The Quilter Steelaire. It's designed to be a duel purpose amp. It even has a tremolo circuit for guitar players.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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My very limited impression is that I can get usable sound out of pretty much any guitar amp as long as I have an impedance control or tone knob for the PSG.
I've relied on the Sarno Freeloader to get ok live tone out of very bright, spiky guitar amps, but I was definitely sacrificing those high overtones others might consider necessary.
I didn't really miss them with the full band going, though.
I've relied on the Sarno Freeloader to get ok live tone out of very bright, spiky guitar amps, but I was definitely sacrificing those high overtones others might consider necessary.
I didn't really miss them with the full band going, though.
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I love my mid-1960s Silvertone 1484 TwinTwelve that my uncle gave me. 2 distinct channels, so I can run my electric guitar thru one channel, or have separate channels for lap & pedal steels.
The heads on these piggyback amps were hardwired into the speaker cabs, so I separated them and now run the output into a single 15 BW. Nice tones available for steel guitars and lead guitar. Even sounds pretty good with my reso plugged into it.
Also - I agree on the JC-120. Such a great amp. Had a bandmate who kept one at our practice space for me to use.
The heads on these piggyback amps were hardwired into the speaker cabs, so I separated them and now run the output into a single 15 BW. Nice tones available for steel guitars and lead guitar. Even sounds pretty good with my reso plugged into it.
Also - I agree on the JC-120. Such a great amp. Had a bandmate who kept one at our practice space for me to use.