3 main ingredients that make you buy that model?

Instruments, mechanical issues, copedents, techniques, etc.

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Larry Bressington
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3 main ingredients that make you buy that model?

Post by Larry Bressington »

What is it?
A.K.A Chappy.
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Jerome Hawkes
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Post by Jerome Hawkes »

- availability of parts should i need them
- playability & feedback from instrument - this is really key to me
- resale value is also a criteria of mine, not that i have had to sell - happy with mine for years now and no plans to switch

- note i didn't mention tone bc everyone i play sounds the same anyway... :(
'65 Sho-Bud D-10 Permanent • '54 Fender Dual-8 • Clinesmith T-8 • '38 Ric Bakelite • '92 Emmons D-10 Legrande II
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Hal Braun
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Post by Hal Braun »

Just three? Wow..

I just ordered a Williams 12 string Ext E9. My reasons were 1. A trusted builder that stands behind his work and customizes within reason at a fair price. 2. The "technology" of the guitar is very good. Smooth, accurate, quiet, stable, etc. and finally, 3. It has to be "beautiful" to me. Life is too short to play an ugly guitar, and Bill's are some of the best looking out there in my opinion.

There are a lot of other reasons, but I think those are near the top..
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Tony Glassman
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Post by Tony Glassman »

1) Tone
2) Tone
3) Sounds good
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Mike Perlowin
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Post by Mike Perlowin »

I chose to replace my old MSA with a Millennium primarily out of personal loyalty to Reece.

Friendship is important.
Please visit my web site and Soundcloud page and listen to the music posted there.
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Billy Carr
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3

Post by Billy Carr »

There's a reason players play certain brand guitars and that plus the fact, can I fix a problem in five minutes or less and is the brand one with a history of sales, service and affordable. All pull changer is a must also.
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Scott Duckworth
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Post by Scott Duckworth »

Copedent
Price
Weight
Reviews

Oops,,, that's 4.
Amateur Radio Operator NA4IT (Extra)
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I may, in fact, be nuts. However, I am screwed onto the right bolt... Jesus!
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John Booth
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Post by John Booth »

  • Must be solid and future configurable/repairable
    Must be proven by professionals that it is a worthy and capable instrument
    And anything it does wrong has be be MY fault, not the guitar's.
Jb in Ohio
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GFI S10 Ultra, Telecaster, a Hound Dog, and an Annoyed Wife
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Mike Archer
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tone

Post by Mike Archer »

tone and solid construction!!!

mike
Emmons SKH legrande/ Nash 400 amps
Tele and deluxe amp
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Roger Rettig
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Post by Roger Rettig »

I'm strongly influenced by a guitar's perceived saleabilty. Emmons and Zum (for example) are a fairly safe bet and, if I happen to be dissatisfied for any reason, I'm confident that I can sell it again.

I'm well aware that there are many other makes out there that produce a steel that's the equal of the firmly-stablished favourites but they still seem to linger for ever in the 'Steels For Sale' category.

(And I'm with Jerome on this one - everything I play sounds the same! :whoa: )
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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Herb Steiner
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Post by Herb Steiner »

Playability, sound, and builder/dealer.

By playability, I mean: does the pedal action feel good to my feet, does the guitar fit my body ergonomically, do the notes return true from raising or lowering, and does the guitar hold its tune well.

By sound, I mean just that; the notes coming out of the amplifier are pleasing to my ears and the pickups aren't noisy. I can visualize myself with this sound onstage.

I look for the builder or dealer to be accessible and have a good reputation within the steel guitar community, and have a track record of happy customers and well-made guitars. One would think that's about everybody in this small world of ours, yet there are a small number of noticeable standouts that don't qualify at the moment.
My rig: Infinity and Telonics.

Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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Richard Sinkler
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Post by Richard Sinkler »

Tony Glassman wrote:1) Tone
2) Tone
3) Sounds good
Gotta disagree Tony. #3 would have to be, "sounds great". :lol:
Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, NV400, NV112 . Playing for 53 years and still counting.
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Jerry Van Hoose
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Post by Jerry Van Hoose »

1. Builder, 2. Sound, 3. Playability.
"Builder" first and foremost because I like to know his integrity or lack of regarding customer service and repair (if ever needed). I listed "sound" second, must have the capability to be "clear" in the upper register. "Playability" third, ease of mechanics.
Tom Gorr
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Post by Tom Gorr »

Mechanics and ergonomics
Tone
GAS
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John Booth
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Post by John Booth »

The same thing as a good wife
1. Beauty
2. Voice
3. Quality
Jb in Ohio
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GFI S10 Ultra, Telecaster, a Hound Dog, and an Annoyed Wife
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Tom Gorr
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Post by Tom Gorr »

Nicely said John.... After a show, my old band was talking about the most attractive traits we look for in females... I said voice was one of my top things... and everyone looked at me like I was crazy...
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John Booth
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Post by John Booth »

Well, you don't want to listen to Fran Dresher for the rest of your life :lol:
Jb in Ohio
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GFI S10 Ultra, Telecaster, a Hound Dog, and an Annoyed Wife
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Ronnie Boettcher
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3 selling features

Post by Ronnie Boettcher »

1. Lloyd Green's recommendation
2. Liked the wood, and finish on Sho~Bud
3. Had all that I wanted on it (LDG)
Sho-Bud LDG, Martin D28, Ome trilogy 5 string banjo, Ibanez 4-string bass, dobro, fiddle, and a tubal cain. Life Member of AFM local 142
Max W. Thompson
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Post by Max W. Thompson »

1. I liked the guy that built it: Jerry Blanton
2. It was for sale
3. It was sturdier than the starter psg I had bought first.
Tom Gorr
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Post by Tom Gorr »

John Booth wrote:Well, you don't want to listen to Fran Dresher for the rest of your life :lol:
Tone of voice now the leading cause of divorce.
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chris ivey
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Post by chris ivey »

as to the wife thing....looks, price and
gullibility!
Chris Grotewohl
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Post by Chris Grotewohl »

1. Rittenberry
2. Rittenberry
3. Rittenberry

Perty simple..CG
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Roger Rettig
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Post by Roger Rettig »

'Rittenberry'...

I'd have one if only he'd take an order!

:(
Roger Rettig - Emmons D10
(8+9: 'Day' pedals) Williams SD-12 (D13th: 8+6), Quilter TT-12, B-bender Teles and several old Martins.
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Justin Emmert
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Post by Justin Emmert »

1. Fit and feel
2. Tone
3. Reputation of brand
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Ian Rae
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Re: tone

Post by Ian Rae »

Mike Archer wrote:tone and solid construction!!!
I believe there's a connection between the two. Because Mike only mentioned two things I'll add stability - also related, I think.

Affordability led me to construct my own, and I built it nice and solid. The result has been an instrument that sounds good (which is subjective) and stays in tune (which is not).
Make sleeping dogs tell the truth!
Homebuilt keyless U12 7x5, Excel keyless U12 8x8, Williams keyless U12 7x8, Telonics rack and 15" cabs
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