So, I offered to build him a guitar, to his specs, and for my Christmas present that year, he gave me a guitar lesson. It was a very magical day.
The string spacing was 3/8" on both ends and I used a Sho-Bud "birdcage" changer. Danny Shields wound a 9-string pickup to Bigsby specs. Joaquin also wanted the fretboard markers on the front of the fret board, which was machined out of aluminum. The neck and the top plate are machined from one piece of maple. The keyhead and the changer are machined to bolt into the end plates. The idea being that the entire guitar, above the legs, is a solid unit. Both end plates are machined from a solid billet, not cast or welded and all of the aluminum is 6061 T6.
Mike Johnstone aquainted Joaquin with the concept of knee levers and because he didn't use a volume pedal, he played pedals with both feet.
Sean Kenny painted the guitar and did the graphics.
I recently had some people over, from Fretboard Journal, to photograph my guitars and instruments and this is the 1st time the guitar has been out of the case since Joaquin checked out.




