A Poor Man's Stringmaster - Guyatone D-8
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- Alan Brookes
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Andy, (it's not an answer to your question, I'll leave that to the electrical whizs out there), but my thoughts are that not all steel guitars have volume or tone controls. When I build lap steels and console steels I never incorporate tone or volume controls: to my mind, that's better controlled at the amplifier. You could just bypass the pots and not use them. The instrument might even sound better.
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- Doug Beaumier
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Speaking of Guyatone... a very Generous friend of mine recently gave me this amazing mint condition D-8 from the 1960s. He knows that I like these guitars, so he kindly gave me this beauty. It's in mint condition. Even the Case is like new. Evidently the original owner tried playing it for a while and then packed it away under the bed for 45 years. It's in amazing condition. I'm in Guya-Tone heaven! This guitar is so much fun to play.
Last edited by Doug Beaumier on 8 Sep 2013 8:16 pm, edited 1 time in total.
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The Stringmaster tone is "thinner" IMO. The Guyatone has a more a more "beefy", raw sound, to my ears anyway. Both sounds are good, but the Guyatone sound always grabs my attention. More so than the Stringmaster. Just my opinion.
PS the string spacing is quite a bit wider on the G'tone than the Stringmaster. That takes some getting used to when switching between the two instruments.
PS the string spacing is quite a bit wider on the G'tone than the Stringmaster. That takes some getting used to when switching between the two instruments.
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Guya
Doug,
Your axe is brand new, just brilliant. Did'nt know that this quality still exists.
I have two single necks on walkers, I changed the pots and caps though.
I like them too.
Your axe is brand new, just brilliant. Did'nt know that this quality still exists.
I have two single necks on walkers, I changed the pots and caps though.
I like them too.
Sierra S10, Stage One, Gibson BR4, Framus, Guya 6&8, Hofner lap, Custom mandolins, Keilwerth sax.
Roland Cube 80XL, Peavey112-Valve King and Special, Marshall 100VS.
Roland Cube 80XL, Peavey112-Valve King and Special, Marshall 100VS.
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I am a staunch Guya fan; (mind you, that could be because I learned to play the steel on a Guya) I also have a D10 Remington that, when set up as such, sounds like a pedal steel; however, I still prefer to sit at the Guya about 5-1 times when I just want to hear and play some good old fashion steel music. ("how is that for a run on sentence?")
The thing that I have never been able to get the hang of when playing the Guya is the little Jerry Byrd bar. I use my D10 bar and a leather sewer's thimble when playing the D8. It could be the wider string spacing of the Guya or the feeling that I am trying to hold onto a piece of macaroni when I try to navigate the fret board with the Jerry Byrd bar.
The thing that I have never been able to get the hang of when playing the Guya is the little Jerry Byrd bar. I use my D10 bar and a leather sewer's thimble when playing the D8. It could be the wider string spacing of the Guya or the feeling that I am trying to hold onto a piece of macaroni when I try to navigate the fret board with the Jerry Byrd bar.
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I'm glad this thread is still going. Despite saying to myself my second lap steel would either be an Asher Jr or a self build, I have bought a Guyatone HG 306-C.
The first link is to another one, not the one I bought but has the best pics I have seen of this model.
http://www.ebay.co.uk/itm/141044859482
The second link is the actual guitar.Slightly inferior state to the above.Soft case but has the legs.
http://www.ebay.co.uk/itm/200969541269
It cost me £201 in the UK $322. Which looking at recent prices is just about the market value, and avoids the usual british premium that happens due to the low number of lap steels coming on the market here. However I do envy you guys that picked them up at bargain prices.
I've read everything I could find on these, the C stands for Conquerer I believe, which might add to the knowledge base.
I have read that it sounds good, does not sound good, is plywood, is not plywood, the rocker switches move around, it does not intonate, it rocks.The build is good, the build is bad.The metal control plate will bend.The sliders will get knocked in play and move.
So after many posts, a lot centering on the D8 of course, what is the concensus? I haven't got it yet BTW.I am looking forward to the 221/2 scale length.
Questions.
I have made contact with a cnc programmer.Who was going to help with my self build. If the body is ply, is it worth having a solid wood body made? and what tone differences will I hear improvedd sustain?? For what is still a cheap lapsteel is it worth it?
If the pots need replacing what rating 250 or 500, and linear or logarithmic?
If the wiring is needing replaced, what guage, and is cloth covered worth it?
I presume there might be an orange drop in there, what should I use a 22 uf?
I'll worry about tone and pickup changes later
If the sliders are a problem I thought to fabricate a small chrome switch protector screwed on by the 2 screws nearest the strings, and still enabeling switching to occur.
Anybody got a wiring diagram?
It might be perfect right out the box, but marshallng thoughts.
comments welcome
The first link is to another one, not the one I bought but has the best pics I have seen of this model.
http://www.ebay.co.uk/itm/141044859482
The second link is the actual guitar.Slightly inferior state to the above.Soft case but has the legs.
http://www.ebay.co.uk/itm/200969541269
It cost me £201 in the UK $322. Which looking at recent prices is just about the market value, and avoids the usual british premium that happens due to the low number of lap steels coming on the market here. However I do envy you guys that picked them up at bargain prices.
I've read everything I could find on these, the C stands for Conquerer I believe, which might add to the knowledge base.
I have read that it sounds good, does not sound good, is plywood, is not plywood, the rocker switches move around, it does not intonate, it rocks.The build is good, the build is bad.The metal control plate will bend.The sliders will get knocked in play and move.
So after many posts, a lot centering on the D8 of course, what is the concensus? I haven't got it yet BTW.I am looking forward to the 221/2 scale length.
Questions.
I have made contact with a cnc programmer.Who was going to help with my self build. If the body is ply, is it worth having a solid wood body made? and what tone differences will I hear improvedd sustain?? For what is still a cheap lapsteel is it worth it?
If the pots need replacing what rating 250 or 500, and linear or logarithmic?
If the wiring is needing replaced, what guage, and is cloth covered worth it?
I presume there might be an orange drop in there, what should I use a 22 uf?
I'll worry about tone and pickup changes later
If the sliders are a problem I thought to fabricate a small chrome switch protector screwed on by the 2 screws nearest the strings, and still enabeling switching to occur.
Anybody got a wiring diagram?
It might be perfect right out the box, but marshallng thoughts.
comments welcome
Guyatone HG-91, Fender Hot Rod Deluxe, Ernie Ball Jr volume pedal.
- Brad Bechtel
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John, it sounds as if you're prepared for the worst instead of expecting the best. Wait until you have the instrument in hand and have played it a while before deciding whether to upgrade or replace any part of the instrument.
Brad’s Page of Steel
A web site devoted to acoustic & electric lap steel guitars
A web site devoted to acoustic & electric lap steel guitars
- Doug Beaumier
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- Alan Brookes
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I agree with Brad and Doug. There's nothing wrong with the sound of Guyatones as they come. You don't need to change anything.
It's ironic that you should mention how steel guitars cost so much more in England than in the U.S., and I'll go along with that as I lived in England from 1945-1979 and steel guitars were almost impossible to find, but ironically, of the three Guyatones that I have bought over the years, two were bought in England, one of which I had mailed over here to California and the other I gave away to a lifelong friend in Birmingham.
It's ironic that you should mention how steel guitars cost so much more in England than in the U.S., and I'll go along with that as I lived in England from 1945-1979 and steel guitars were almost impossible to find, but ironically, of the three Guyatones that I have bought over the years, two were bought in England, one of which I had mailed over here to California and the other I gave away to a lifelong friend in Birmingham.
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