P F Benado Steel Dream. Paul F. Has Spoken!
Moderator: Shoshanah Marohn
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Paul
Ronald Paul is the Best we have to offer, I don't think you need too Hear the Rest Of Us!
Here's the beautiful thing about the steel dream.......I learned years ago through using the studio's extremely expensive chamber and plate reverbs that I could play with a lot of reverb for inspiration and yet it still sounded fairly dry and in your face....Whereas an amps spring reverb or most reverb pedals do not give the same result......Sage found the studio equivalent in the steel dreams reverb...It took a little tweaking but he has it nailed in this pedal board......Everyone in the Time Jumpers except occasionally Vince does not use reverb.....Let me say this...I hate playing dry but I can not be the only guy with a wet sound in a dry band....With the steel dream I can use a lot for stage satisfaction and still blend perfectly into a mostly dry reverb band...I accomplish using a lot of verb because of the high quality sound of the steel dream's reverb. Also you can tweak the reverb to sound like a spring or plate reverb. Listen at about 4:20 to how the steel blends with Vince's guitar which is dry and to my ears the verb is set to about the amount Buddy uses on the bridge of Blue Jade which was a lot..... http://www.youtube.com/watch?v=fEngfxXy-HQ
Because the reverb trails the note in the pedal it always sounds upfront and in your face whereas other types of verb pedals pretty much lose the initial attack of the string because they surround the notes attack.....I personally believe this has always been a problem with using reverbs in a live situation....And I also believe this is why many players shy away from using a reverb sound that is more inspiring to the ears on ballads.
Also the delay sounds like a tape delay and both the reverb and delay have a tone control for Eq'ing the sound behind the initial attack of the note which is a crucial factor in providing a studio like tone.
The overdrive is killer and it allows for a natural sounding break up through digital amps and really sounds great through tubes. Everything on this pedal sounds like vintage analog gear.
Paul
Because the reverb trails the note in the pedal it always sounds upfront and in your face whereas other types of verb pedals pretty much lose the initial attack of the string because they surround the notes attack.....I personally believe this has always been a problem with using reverbs in a live situation....And I also believe this is why many players shy away from using a reverb sound that is more inspiring to the ears on ballads.
Also the delay sounds like a tape delay and both the reverb and delay have a tone control for Eq'ing the sound behind the initial attack of the note which is a crucial factor in providing a studio like tone.
The overdrive is killer and it allows for a natural sounding break up through digital amps and really sounds great through tubes. Everything on this pedal sounds like vintage analog gear.
Paul
One of the main things I noticed about the steel dream was that it doesn't change the dry sound of the instrument at all. It sounded a lot like a configuration I used to use where I go straight into the amp, then from a line out into reverb/delay into a powered cab. This is because the Benaldo has an all analog dry path, the reverb or delay is mixed in along with the analog dry signal. To my ears it's a huge difference over a standard reverb/delay processor, where the signal goes into the digital domain. I was using a TC Electronics Nova pedal, which has great sounding reverb and delays, but the Benaldo sounded better to my ears. I'm using a setup that's very similar to the Benaldo these days: An Earth Drive with an Earthquaker reverb/delay pedal, which has an all analog dry path like the Benaldo.
This sounds great but I am wondering. Wouldn't an effects loop in a Revelation Preamp give you the same results?
You are passing the signal through a total analogue chain and then just adding a parallel signal processing chain and blending in the effect.
I am not thinking of using a pedal with the Revelation in that fashion, but wouldn't a rack mounted reverb for example give the same results?
You are passing the signal through a total analogue chain and then just adding a parallel signal processing chain and blending in the effect.
I am not thinking of using a pedal with the Revelation in that fashion, but wouldn't a rack mounted reverb for example give the same results?
Mark T
Rittenberry Laquer D10, Rittenberry Prestige SD10, Revelation Preamp,Revelation Octal Preamp,Lexicon PCM 92 Reverb, Furlong Cabinet
Rittenberry Laquer D10, Rittenberry Prestige SD10, Revelation Preamp,Revelation Octal Preamp,Lexicon PCM 92 Reverb, Furlong Cabinet
- Olli Haavisto
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- Olli Haavisto
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- Joined: 4 Aug 1998 11:00 pm
- Location: Jarvenpaa,Finland
True,Paul.
And I`m sure the Steel Dream is a fantastic product!
I was just pointing out to Dan that the analog dry feature is fairly common in digital reverb and delay pedals nowadays.
And I`m sure the Steel Dream is a fantastic product!
I was just pointing out to Dan that the analog dry feature is fairly common in digital reverb and delay pedals nowadays.
Last edited by Olli Haavisto on 23 May 2013 10:18 pm, edited 1 time in total.
Olli Haavisto
Finland
Finland
- Jamie Lennon
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- Tony Rankin
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Played outside .
Played outside Sunday at SeaWorld and went Back to Pauls setting on the reverb , My amp was on the Floor. Sounded Great. Still loving it. Randy G.
- Ronald Sikes
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Randy , What amp are you playing through ? Also , I didn't see any dimensions on the website . What is the physical size of the unit .
Paul , Thanks so much for your information on the "Steel Dream ". Also like to thank you for your participation here on the Forum . I know it means a great deal to all of us for you to share your thoughts and viewpoints with us .
Paul , Thanks so much for your information on the "Steel Dream ". Also like to thank you for your participation here on the Forum . I know it means a great deal to all of us for you to share your thoughts and viewpoints with us .
Show Pro #26 & #83,BJS bars,Stereo Steel,Tommy Huff cabs loaded with JBL D130's, Wampler pedals,NV112,NV400, Steelers Choice Seats
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Furlong Cab.
Hi Ronald, I Play a Furlong Cabinet with a Tonic Sarno Preamp, It Sounds Fantastic. Size Is 6 and a Half By 16 and a Half inches. Randy G.
- Danny Naccarato
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- Paddy Long
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Look on the Benado Site.
Look on the Benado Site, I don't know if they sell separate Pedals or not. Still loving Mine Best $ Spent on effects yet! Randy G.
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Benado.
No problems with mine. Still Sounding Great1 Randy G.
- Tony Rankin
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I have found Paul's statement about the reverb's qualities to be absolutely correct. I am so looking forward to using this effects unit in a live situation!Franklin wrote:Here's the beautiful thing about the steel dream.......I learned years ago through using the studio's extremely expensive chamber and plate reverbs that I could play with a lot of reverb for inspiration and yet it still sounded fairly dry and in your face....Whereas an amps spring reverb or most reverb pedals do not give the same result......Sage found the studio equivalent in the steel dreams reverb...
I'm using mine in front of a Sarno V8 Octal preamp then into a TC Furlong CB12. I couldn't be happier with this setup.
By the way, I have to comment about Sage Benado's customer service. He called me today just to ensure I was completely happy with the PF Steel Dream. I feel that his commitment to his customers would be hard to match.
Tony Rankin
steel dream
I too cannot say enough about Sage's customer service, I've rarely experienced better. That coupled with the high quality and versatile unit is unbeatable.
Billy Tam
Billy Tam
- Dennis Detweiler
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Most of the new reverb units have a "predelay" control which you can program the amount of dry signal before the reverb picks up the signal. So, you get your initial dry attack of the note or chord followed by the reverb. I've eliminated the use of a delay pedal and just use reverb. About 100ms of dry is ballpark for my ears. Then adjust the decay, mix level and tone of the reverb. Tweaking can take a little time (trial and error).
1976 Birdseye U-12 MSA with Telonics 427 pickup, 1975 Birdseye U-12 MSA with Telonics X-12 pickup, Boss 59 Fender pedal for preamp, NDR-5 Atlantic Delay & Reverb, two Quilter 201 amps, 2- 12" Eminence EPS-12C speakers, ShoBud Pedal, 1949 Epiphone D-8. Revelation preamp into a Crown XLS 1002 power amp.
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Setup.
Hi Tony, JCH Benado Effects Pedal To Sarno Preamp in to the Furlong CB 12 Awesome sound . The Search for the sound is over for me! Randy G.
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Still Loveing it!
Everyone still happy with the Benado, I know I am! Randy G.
- chris ivey
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