Methods for tabbing out songs
Moderator: Ricky Davis
- Curt Trisko
- Posts: 913
- Joined: 12 Jan 2012 1:32 pm
- Location: St. Paul, Minnesota, USA
Methods for tabbing out songs
I've just begun to tab out songs that I like for pedal steel from scratch. I've listed my steps below. Please compare your technique and critique mine.
1) Slow down the tempo of the song using the Audacity free online program.
2) For single-note passages, use a keyboard to find the pitch of each note. For multi-note (chordal or dyadal) passages, use the keyboard (usually an online one from a website) to find the root note.
3) Use my ears to find the intervals between the notes, but when in doubt, compare using a keyboard.
4) Translate the string of notes into their number on the chromatic scale (1 through 12). Translate your steel guitar tuning into the same numeric scheme, grouping the numbers by string. Do not assume that the scale you've made for the song and the one you made for your tuning match-up now. Instead, note the numeric intervals of the strings, with and without pedal and knee action. The key signature may also be discernible at this stage.
5) If the track that you're tabbing is pedal steel, assume an e9 tuning. Assume that the steel in the song is being played as efficiently (fewest bar moves) as possible. Comparing the knee and pedal action in the song to the note numbers you've transcribed, locate the possible string patterns that the song is being played in.
6) If the steel in the song is not e9 or if it is not steel guitar, get creative and challenge your brain to figure out the most efficient way to play in on e9 steel.
7) Even after tabbing it out, you'll still be kept busy trying to sound like the pros.
I'm still a beginner, so the more I play songs already tabbed by someone else, the more I pick up on common patterns in steel guitar playing. This makes tabbing go that much faster because I'm able to make accurate assumptions about the tabbing.
1) Slow down the tempo of the song using the Audacity free online program.
2) For single-note passages, use a keyboard to find the pitch of each note. For multi-note (chordal or dyadal) passages, use the keyboard (usually an online one from a website) to find the root note.
3) Use my ears to find the intervals between the notes, but when in doubt, compare using a keyboard.
4) Translate the string of notes into their number on the chromatic scale (1 through 12). Translate your steel guitar tuning into the same numeric scheme, grouping the numbers by string. Do not assume that the scale you've made for the song and the one you made for your tuning match-up now. Instead, note the numeric intervals of the strings, with and without pedal and knee action. The key signature may also be discernible at this stage.
5) If the track that you're tabbing is pedal steel, assume an e9 tuning. Assume that the steel in the song is being played as efficiently (fewest bar moves) as possible. Comparing the knee and pedal action in the song to the note numbers you've transcribed, locate the possible string patterns that the song is being played in.
6) If the steel in the song is not e9 or if it is not steel guitar, get creative and challenge your brain to figure out the most efficient way to play in on e9 steel.
7) Even after tabbing it out, you'll still be kept busy trying to sound like the pros.
I'm still a beginner, so the more I play songs already tabbed by someone else, the more I pick up on common patterns in steel guitar playing. This makes tabbing go that much faster because I'm able to make accurate assumptions about the tabbing.
- Andy Sandoval
- Posts: 5176
- Joined: 22 Jul 2004 12:01 am
- Location: Bakersfield, California, USA
- Contact:
I use an mp3 of a song and slow it down with "Audacity" while sittin at my computer with my steel. Then I listen to the song over and over to try and figure out the steel part. Writin the tab in a neat and legible manner seems to take longer for me than learnin the song and of course most songs give me fits tryin to figure them out but hey, it's all a learnin experience that helps to learn right?
- Nic du Toit
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- Location: Milnerton, Cape, South Africa
- Contact:
Curt,
Why use a keyboard?.... if you know the chord pockets on the steel, like you should, you'll have the starting place to figure out what someone else played....
Suffice to say that my advice is to rather spend your time to get to know and play your steel..... Your present attempts/method at writing spells disaster.
My citizism may sound a bit harsh, but meant to be constructive and with the best intention. Only after playing for a few years did I attempt to write tab.....and that was only after first learning to play a song on the steel.
Ever heard of the expression "barking up the wrong tree?......Please compare your technique and critique mine.
Why use a keyboard?.... if you know the chord pockets on the steel, like you should, you'll have the starting place to figure out what someone else played....
Suffice to say that my advice is to rather spend your time to get to know and play your steel..... Your present attempts/method at writing spells disaster.
My citizism may sound a bit harsh, but meant to be constructive and with the best intention. Only after playing for a few years did I attempt to write tab.....and that was only after first learning to play a song on the steel.
1970 P/P Emmons D10 flatback 8x5, BJS Bar, J F picks, Peavey Session 500, Telonics pedal. Boss GX700 effects.
Skype : nidutoit
Skype : nidutoit
- Craig Schwartz
- Posts: 713
- Joined: 18 Jul 2009 6:39 am
- Location: McHenry IL
- Curt Trisko
- Posts: 913
- Joined: 12 Jan 2012 1:32 pm
- Location: St. Paul, Minnesota, USA
Nic, I'm still a beginner, so I don't completely understand your post. If you're talking about the tabbing out the chord progressions,I hear what you're saying. I'm more talking about licks and non-psg parts. Though even the parts within the chord progressions can take a little while for me put myself in the original steeler's shoes.
I'm only trying to tab out songs now so that I can play what I want to play. The stuff in the tab books is often uninteresting or lacks the stylism that you hear on records.
I'm only trying to tab out songs now so that I can play what I want to play. The stuff in the tab books is often uninteresting or lacks the stylism that you hear on records.
- Craig Schwartz
- Posts: 713
- Joined: 18 Jul 2009 6:39 am
- Location: McHenry IL
- Curt Trisko
- Posts: 913
- Joined: 12 Jan 2012 1:32 pm
- Location: St. Paul, Minnesota, USA
I posted a video on facebook a while back that my facebook "friends" on here can see, but I'm not comfortable yet posting something on here. I know exactly what parts of my technique need work . If I post a video on here, I want you guys to be able to enjoy listening to it.
Playing in front of people who don't know psg is funny like that. It's so new to them and it's such a complicated instrument that it's easy to cover-up your shortcomings. That's not the case here .
Playing in front of people who don't know psg is funny like that. It's so new to them and it's such a complicated instrument that it's easy to cover-up your shortcomings. That's not the case here .
- Craig Schwartz
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- Location: McHenry IL
- Curt Trisko
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- Location: St. Paul, Minnesota, USA
- Erv Niehaus
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- Location: Litchfield, MN, USA
- Nic du Toit
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- Joined: 20 Feb 2000 1:01 am
- Location: Milnerton, Cape, South Africa
- Contact:
Hi Curt,
Thanks for taking my comments in the spirit it was meant.... My writen communications can at times come across sounding too curt and to the point.
The problem for a beginner on steel is that what you hear and percieve as to which strings and position you reckon a lick was played, (plus lack of knowing the player's copedant), may be totally off the mark. The general idea is that most licks/fills can be played in at least three different positions.
So, how qualified/experienced are you in tabbing someone elses playing? I fail to see that your efforts have merit, or be of much use to you at this stage of your steel playing career. Chances are that it will actually hamper your progress.
This sounds like a quessing game on your part.
Care to tab some Tommy White licks for us?...... Hahahahaha....just joking.
Thanks for taking my comments in the spirit it was meant.... My writen communications can at times come across sounding too curt and to the point.
The problem for a beginner on steel is that what you hear and percieve as to which strings and position you reckon a lick was played, (plus lack of knowing the player's copedant), may be totally off the mark. The general idea is that most licks/fills can be played in at least three different positions.
So, how qualified/experienced are you in tabbing someone elses playing? I fail to see that your efforts have merit, or be of much use to you at this stage of your steel playing career. Chances are that it will actually hamper your progress.
This sounds like a quessing game on your part.
Care to tab some Tommy White licks for us?...... Hahahahaha....just joking.
1970 P/P Emmons D10 flatback 8x5, BJS Bar, J F picks, Peavey Session 500, Telonics pedal. Boss GX700 effects.
Skype : nidutoit
Skype : nidutoit
- Curt Trisko
- Posts: 913
- Joined: 12 Jan 2012 1:32 pm
- Location: St. Paul, Minnesota, USA
Here's a video I just recorded this evening:
http://youtu.be/txkx0ZinAcA
And here's one I did a couple of months ago for comparison:
http://youtu.be/Tzya5rVv5r0
http://youtu.be/txkx0ZinAcA
And here's one I did a couple of months ago for comparison:
http://youtu.be/Tzya5rVv5r0
- Craig Schwartz
- Posts: 713
- Joined: 18 Jul 2009 6:39 am
- Location: McHenry IL
Hi Curt, Instantly on both videos I saw a natural
foot position for the Jimmy Day setup instead of
the Buddy Emmons, What this means is your heel on
left foot is more towards the center of your body
and kind of angled in, You could try yo move your
left heel out abit to keep the Emmons setup,
another way to see is criss-cross A pedal rod to
the C pedal rod, leave the rods connected to the
upper of the guitar, just for fun if its capable
just to see if it feels more natural to you,
of course it will change from ABC left to right to
CBA Left to right,
Just my first thought, If it feels more natural this
way your knee levers will change also, but just for
now check it out.
Did anyone else see this ?
Curt it looks like your having alot of fun, keep up
the good work.
By the way great job on the video, Also what camera do you use?
foot position for the Jimmy Day setup instead of
the Buddy Emmons, What this means is your heel on
left foot is more towards the center of your body
and kind of angled in, You could try yo move your
left heel out abit to keep the Emmons setup,
another way to see is criss-cross A pedal rod to
the C pedal rod, leave the rods connected to the
upper of the guitar, just for fun if its capable
just to see if it feels more natural to you,
of course it will change from ABC left to right to
CBA Left to right,
Just my first thought, If it feels more natural this
way your knee levers will change also, but just for
now check it out.
Did anyone else see this ?
Curt it looks like your having alot of fun, keep up
the good work.
By the way great job on the video, Also what camera do you use?
SO MANY LURES, SO LITTLE TIME....
- Curt Trisko
- Posts: 913
- Joined: 12 Jan 2012 1:32 pm
- Location: St. Paul, Minnesota, USA
- Craig Schwartz
- Posts: 713
- Joined: 18 Jul 2009 6:39 am
- Location: McHenry IL
By the way , your a lucky guy to live somewhat by Erv , he`s a great guy to hang with, I met him at wis dairy show a couple years ago and he set me up with alot of great tab and tracks to practice to,Just for the record , He`s the kinda guy I like to spend my money with... that might be an option for you to dig into, Just to build a nice foundation for yourself. whatever you do ending up doing, take baby steps for the most part when learning this instrument, Lessons or DVD`s are the greatest tools for learning, you`ll be lightyears ahead of the crowd that does not take time for this.
Good Luck and I`m sure you`ll be whalin on that thing like a pro after alot of practice.
Good Luck and I`m sure you`ll be whalin on that thing like a pro after alot of practice.
SO MANY LURES, SO LITTLE TIME....
- Erv Niehaus
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- Location: Litchfield, MN, USA
- Hans Penner
- Posts: 188
- Joined: 16 Apr 2011 12:21 pm
- Location: Manitoba, Canada
Curt
I can understand your being hesitant to post your first Youtube video.
I too am a beginner.
Started July 2011.
I fall to pieces whenever someone is standing there while I try to play something for them.
I did enjoy your video.
Good to see/hear another beginner.
Gives me comfort re where my playing is at.
I am currently trying to get a grip on palm blocking.
I did not notice any palm blocking by you.
Can I assume you are pick blocking?
I can understand your being hesitant to post your first Youtube video.
I too am a beginner.
Started July 2011.
I fall to pieces whenever someone is standing there while I try to play something for them.
I did enjoy your video.
Good to see/hear another beginner.
Gives me comfort re where my playing is at.
I am currently trying to get a grip on palm blocking.
I did not notice any palm blocking by you.
Can I assume you are pick blocking?
At long last, July 14, 2011 and I have a musical instrument I CAN play.
Stage One, Nashville 112, Hilton pedal, Black Box
Stage One, Nashville 112, Hilton pedal, Black Box
- Curt Trisko
- Posts: 913
- Joined: 12 Jan 2012 1:32 pm
- Location: St. Paul, Minnesota, USA
- Brandon Halsey
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