Weldon MYRICK
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- Alex Cattaneo
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Weldon MYRICK
Hi guys, this week I'm all over some old Connie Smith recordings and studying the style of Weldon MYRICK. I posted a tab for "I'll Come Running" and I'm hoping some people familiar with his style and technique can comment:
http://bb.steelguitarforum.com/viewtopic.php?t=232120
Or use this thread to share any tidbit about this amazing musician.
http://bb.steelguitarforum.com/viewtopic.php?t=232120
Or use this thread to share any tidbit about this amazing musician.
This was the first Weldon Myrick track I ever heard, which I heard when I was about 10:
http://www.youtube.com/watch?v=kjlaYWMeRuo
I was extremely fond of this record.
http://www.youtube.com/watch?v=kjlaYWMeRuo
I was extremely fond of this record.
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- Henry Matthews
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True, Weldon is an amazing player and so humble about it. I love the steel in Gary Stewarts, She's Acting Single. Just gives you an idea of how versatile Weldon is. He also did a lot of Reba stuff and George Straight.
Do you have the tab to the ride anywhere? It's on a web site I found (can't remember) but is totally wrong. Can't quite figure out what he is doing there.
Do you have the tab to the ride anywhere? It's on a web site I found (can't remember) but is totally wrong. Can't quite figure out what he is doing there.
Henry Matthews
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
- Alex Cattaneo
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- Henry Matthews
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No, I was looking for tab on I'll Come Running Ride. Thanks
Henry Matthews
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
- Alex Cattaneo
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- Alex Cattaneo
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- Johnny Cox
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To properly tab I'll Come Runnin' one will need to have his guitar tuned as Weldon did on that session. The first seven strings were as follows,
F# C# G# E C# B G#
Floor pedals were Day, CBA.
The knee lever setup for those strings would have been,
LKL-R 2 1/2 tone
LKR-R 4 1/2 tone
RKR-R 2 1 tone
I didn't include the other three strings as I don't remember if he omitted the low F#, D or B when using the extra C# in the middle of the tuning. When he dropped the extra C# he lowered the 8th string (E) on LKL, Lowered the 7th (F#) on LKR & Lowered
9 (D) on RKR along with the movements mentioned above.
Weldon did not lower his 4th (E) until the 80s when the LeGrandes came out. It was on RKL. The vast majority of his recording career was done with the very simple three knee lever setup.
F# C# G# E C# B G#
Floor pedals were Day, CBA.
The knee lever setup for those strings would have been,
LKL-R 2 1/2 tone
LKR-R 4 1/2 tone
RKR-R 2 1 tone
I didn't include the other three strings as I don't remember if he omitted the low F#, D or B when using the extra C# in the middle of the tuning. When he dropped the extra C# he lowered the 8th string (E) on LKL, Lowered the 7th (F#) on LKR & Lowered
9 (D) on RKR along with the movements mentioned above.
Weldon did not lower his 4th (E) until the 80s when the LeGrandes came out. It was on RKL. The vast majority of his recording career was done with the very simple three knee lever setup.
Johnny "Dumplin" Cox
"YANKIN' STRINGS & STOMPIN' PEDALS" since 1967.
"YANKIN' STRINGS & STOMPIN' PEDALS" since 1967.
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- Henry Matthews
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Johnny, you sure you got that right? Tried it and it wouldn't fit, LOL. Henry
Henry Matthews
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
D-10 Magnum, 8 &5, dark rose color
D-10 1974 Emmons cut tail, fat back,rosewood, 8&5
Nashville 112 amp, Fishman Loudbox Performer amp, Hilton pedal, Goodrich pedal,BJS bar, Kyser picks, Live steel Strings. No effects, doodads or stomp boxes.
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psg
My kind of set ups back then. Simple and easy. I got a simple mind, so hey!
- Jack Stoner
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Johnny would know about Weldon's setup. He used to "live" at Weldon's (actually I think he lived close by and maybe next door at the time). He would come into Little Roy Wiggin's music store and show us the latest "Weldon lick". I worked at Little Roy's in the 71/72 timeframe.
I read somewhere, that several only raised the 2nd string and tuned it to C# or D. This was a carry over from the early Sho-Bud days when that string could only be raised, couldn't be lowered.
My friend, Canadian steeler Ollie Strong, tunes his 2nd string to D.
I read somewhere, that several only raised the 2nd string and tuned it to C# or D. This was a carry over from the early Sho-Bud days when that string could only be raised, couldn't be lowered.
My friend, Canadian steeler Ollie Strong, tunes his 2nd string to D.
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- Craig Stock
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Some of the first recording that peaked my interest in Steel Guitar was Weldon's playing on Jerry Jeff Walker albums.
They usually misspelled him name in the credits, Weldon Merrick, but that i sthe sound I still dig to this day
They usually misspelled him name in the credits, Weldon Merrick, but that i sthe sound I still dig to this day
Regards, Craig
I cried because I had no shoes, then I met a man who had no feet.
Today is tomorrow's Good ol' days
I cried because I had no shoes, then I met a man who had no feet.
Today is tomorrow's Good ol' days
- Craig Stock
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Some of the first recording that peaked my interest in Steel Guitar was Weldon's playing on Jerry Jeff Walker albums.
They usually misspelled him name in the credits, Weldon Merrick, but that i sthe sound I still dig to this day
They usually misspelled him name in the credits, Weldon Merrick, but that i sthe sound I still dig to this day
Regards, Craig
I cried because I had no shoes, then I met a man who had no feet.
Today is tomorrow's Good ol' days
I cried because I had no shoes, then I met a man who had no feet.
Today is tomorrow's Good ol' days
- Dave Grafe
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- Johnny Cox
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Jack, I actually lived on the opposite side of town from Weldon but as I mentioned earlier I spent a lot of time with him. It was Hal and Buddy that couldn't keep me away from their house.
The C# raise that Weldon, Hal and a couple other guys did wasn't a product if not being able to lower the second string but as a result of return problems.
The C# raise that Weldon, Hal and a couple other guys did wasn't a product if not being able to lower the second string but as a result of return problems.
Johnny "Dumplin" Cox
"YANKIN' STRINGS & STOMPIN' PEDALS" since 1967.
"YANKIN' STRINGS & STOMPIN' PEDALS" since 1967.
- Jerry Roller
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