What stompbox type pedals does anyone use.
Moderator: Shoshanah Marohn
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What stompbox type pedals does anyone use.
Just curious, I've been working on my pedal board and it seems like it's going to come down to overdrive and reverb. I've tried so many things through the years, chorus, phase, compression, delay etc. Always seems to sound cool at home but not with the band. What else do y'all like?
Byron
Byron
74 Black Emmmons 8x8 Wood Necks, Georgeboard, '80 OMI Dobro, '64 Fender Pro Amp , "76 Vibrosonic Reverb
- Jerry Roller
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- Joe Naylor
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Here is one -
Joe Naylor, Avondale, AZ (Phoenix) Announcer/Emcee owner www.steelseat.com *** OFFERING SEATS AND Effects cases with or without legs and other stuff ****** -Desert Rose Guitar S-10, Life Member of the Arizona Carport Pickers Assoc., Southwest Steel Guitar Assoc., Texas Steel Guitar Assoc., GA Steel Guitar Assoc., KS Steel Guitar Assoc. (Asleep at the Steel) tag line willed to me by a close late friend RIP
Reverb ( I used a Holy Grail until it died),
I use a phase shifter on about 3 songs a night, Currently it's an Ibanez box but I don't remember the model name.
I was using a Danelectro fab metal for distortion but it died. My boss tony is in the shop, it is my favorite Fuzzbox
I use a phase shifter on about 3 songs a night, Currently it's an Ibanez box but I don't remember the model name.
I was using a Danelectro fab metal for distortion but it died. My boss tony is in the shop, it is my favorite Fuzzbox
2 pedal steels, a lapStrat, and an 8-string Dobro (and 3 ukes)
More amps than guitars, and not many effects
More amps than guitars, and not many effects
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Effects
I use a Zoom G2 effects unit both for Steel and Guitar. This is the best chip/sample unit I have found for steel as most others (combination effects boxes with amp modelling) don’t run clean enough and I can’t stand a string of ‘toys’.
All my floor “stuff’ is in the lid of a small suitcase for easy hook-ups and packups – just two leads and a power cord to connect. From L to R there is the Zoom, Hilton VP and Sarno Black Box (with power board on top). N.B. the signal runs from Right to Left (BB first - Effects last then to amp).
I have tried other Zooms, Digitecs etc. but the models and EQ just don’t work as well with a Steel. I also use a G2-U1 for guitar (the one with a VP built in). For Pedal Steel I normally bypass the Amp and speaker models and only use EQ, Delay or Reverb and (occasionally) Compression and some mix of modulation (to get a B3’ish sound).I have about 12 pre-sets that I use.
All my floor “stuff’ is in the lid of a small suitcase for easy hook-ups and packups – just two leads and a power cord to connect. From L to R there is the Zoom, Hilton VP and Sarno Black Box (with power board on top). N.B. the signal runs from Right to Left (BB first - Effects last then to amp).
I have tried other Zooms, Digitecs etc. but the models and EQ just don’t work as well with a Steel. I also use a G2-U1 for guitar (the one with a VP built in). For Pedal Steel I normally bypass the Amp and speaker models and only use EQ, Delay or Reverb and (occasionally) Compression and some mix of modulation (to get a B3’ish sound).I have about 12 pre-sets that I use.
Priebs GFI ('09)Short-Uni10. GFI ('96)Short-Uni SD11. ('86)JEM U12
www.steelguitardownunder.com
www.steelguitardownunder.com
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A couple of my favorite FX pedals:
http://www.ebay.com/itm/TUBE-DRIVER-NEW ... 3f1b39eca2
http://www.musiciansfriend.com/amplifie ... ects-pedal
Maybe not necessary for steel guitar, but if you own a Rickenbacker 12 string, this is a must have, IMO.
I'm a huge Byrd's fan.
http://janglebox.com/jangle_about.htm
http://www.ebay.com/itm/TUBE-DRIVER-NEW ... 3f1b39eca2
http://www.musiciansfriend.com/amplifie ... ects-pedal
Maybe not necessary for steel guitar, but if you own a Rickenbacker 12 string, this is a must have, IMO.
I'm a huge Byrd's fan.
http://janglebox.com/jangle_about.htm
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- Kevin Milner
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Wowzers, a WET, BlueSky, Flint, and Dispatch Master? That's just nuts! I am definitely loving the flint thoughGordon Hartin wrote:
I go Steel, Volume Pedal(goodrich), then the Effects.
Each one of the reverbs is so unique, hard to choose just one.
Gordon
GFI S10-P Ultra -> Milkman 40w Pedal Steel Mini or 300w Half & Half (or Sarno SGBB/Nashville 112 or '94 Twin Amp or Homebuilt 5e3)
Effects: Cali76-CD Compressor -> EP booster -> Sarno Earth Drive -> Earthquaker Devices Zap Machine -> Earthquaker Devices Grand Orbiter Phaser -> Caitlinbread Dirty Little Secret Mk III -> Malekko Envelope Filter -> Hilton VP -> Pedal Projects Klone -> Tech 21 Blonde -> Strymon Timeline -> TC Electronics Spark Mini Boost -> Strymon Lex -> Strymon Flint
Effects: Cali76-CD Compressor -> EP booster -> Sarno Earth Drive -> Earthquaker Devices Zap Machine -> Earthquaker Devices Grand Orbiter Phaser -> Caitlinbread Dirty Little Secret Mk III -> Malekko Envelope Filter -> Hilton VP -> Pedal Projects Klone -> Tech 21 Blonde -> Strymon Timeline -> TC Electronics Spark Mini Boost -> Strymon Lex -> Strymon Flint
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I agree 4 reverbs is over the top, but each one has a unique characteristic.
The wet reverb is just a great sounding reverb. But if you crank both knobs, you can get these cool keyboard type pads.
The I love the shimmer effect on the Blue Sky. There really is not another pedal that does that.
The Flint is great, esp with a tap tempo switch for the trem. It's reverbs sound different than the blue sky, but how the trem and reverb interact together has some special qualities.
And the Dispatch Master, well...it's reverb alone, not the best, but when using the delay alone, or it's reverb/delay together...it has some magic also...
gordon
The wet reverb is just a great sounding reverb. But if you crank both knobs, you can get these cool keyboard type pads.
The I love the shimmer effect on the Blue Sky. There really is not another pedal that does that.
The Flint is great, esp with a tap tempo switch for the trem. It's reverbs sound different than the blue sky, but how the trem and reverb interact together has some special qualities.
And the Dispatch Master, well...it's reverb alone, not the best, but when using the delay alone, or it's reverb/delay together...it has some magic also...
gordon
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- Ken Metcalf
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- Mike Perlowin
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I use a POD XT with a few custom patches for basic signature tone, organ, banjo (Sorry b0b,) dobro, and effects like chorus, stereo slap back echo between the 2 amps, compression and distortion.
Please visit my web site and Soundcloud page and listen to the music posted there.
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
http://www.mikeperlowin.com http://soundcloud.com/mike-perlowin
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- Bobby Snell
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I'll jump in, I don't like multi-boxes and prefer the individual stomps. I can switch around.
It depends on the band. For most of the honky-tonk stuff, I've got a small board with delay, reverb, and OCD. Right now there's a tremolo, but it doesn't get much use. I use either an Ibanes analog or Boss digital delay, and prefer the Hardwire RV-7 reverb to any amp reverb.
For the more adventuresome gigs, the big board would be OCD, MS-10, Plimsoul, RT-20, the delay and reverb, plus a wah.
There's a phase shifter, a chorus, other dirt boxes, and even a new Boss Feedback pedal not on the board but easily added.
It depends on the band. For most of the honky-tonk stuff, I've got a small board with delay, reverb, and OCD. Right now there's a tremolo, but it doesn't get much use. I use either an Ibanes analog or Boss digital delay, and prefer the Hardwire RV-7 reverb to any amp reverb.
For the more adventuresome gigs, the big board would be OCD, MS-10, Plimsoul, RT-20, the delay and reverb, plus a wah.
There's a phase shifter, a chorus, other dirt boxes, and even a new Boss Feedback pedal not on the board but easily added.
- Daniel Policarpo
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I'm with you Bobby. I prefer individual stompboxes for flexibility, and playing six string for years, have enjoyed finding some unique and amazing pieces for my toychest. For pedal steel I am more sparing, and aside from a Morley volume pedal, use the Holy Grail reverb on amps without reverb, and also Endangered Audio Research's Gristleizer. That's a band pass filter effect that also has a incredible range of tremolo and ring modualtion sounds. My secret weapon....
- Daniel Policarpo
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- Jerry Hayes
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Here's a shot of my rig at a gig awhile back. I use a Boss ME-50 Muli-effects unit. My Walker pack seat has a compartment on the right side and I just flip the lid out and the Boss unit sits right there within easy reach. All the effects are at hand and "tweakable" with knobs, no programming required. I use mostly the delay, flanger (for organ effects), distortion, and a couple of patches for chorus and tremolo...JH in Va.
Don't matter who's in Austin (or anywhere else) Ralph Mooney is still the king!!!
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