BJS bar cap
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- Mitch Adelman
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BJS bar cap
Does the BJS bar have a hole at the flat end under the decorative end piece?It must have fallen off after dropping it and I just noticed it missing last nite on stage. Now I'm not sure if I mixed it up with a cheaper bar that has a hole at the flat end.Hard to ID it without that fancy end piece. Thanks
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- Richard Sinkler
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Super Glue?? (my body is held together with this stuff).
Is it just a sticker or is it a plastic insert? If it is just a sticker, get a hold of Bill Stroud. He may give you a new one.
Is it just a sticker or is it a plastic insert? If it is just a sticker, get a hold of Bill Stroud. He may give you a new one.
Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, NV400, NV112 . Playing for 53 years and still counting.
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Re: BJS bar cap
Most pickers say that BJS bars are the best there is. If you can't tell the difference between a cheap bar and a BJS bar, how do you then know that BJS is the best? Sorry, I just could not resistMitch Adelman wrote:Does the BJS bar have a hole at the flat end under the decorative end piece?It must have fallen off after dropping it and I just noticed it missing last nite on stage. Now I'm not sure if I mixed it up with a cheaper bar that has a hole at the flat end.Hard to ID it without that fancy end piece. Thanks
I know my playing is a bit pitchy, but at least my tone sucks
- David Mason
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- Mitch Adelman
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Oh, I can most definitely tell the difference once i start playing the BJS but on stage I had it in same pouch with my spare (also with a hole on the bottom) and the cap just makes it easier to ID by looking. Now without the sticker I'll keep the spare out of the pouch.To me, with my bad eyes all bars look, but don't sound, alike! Thanks
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- Richard Sinkler
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I also have a BJS and an Ernie Ball bar. I can tell the difference while playing, but not by just picking it up. Not sure anyone could do that if the 2 were the same size and weight.
Carter D10 8p/8k, Dekley S10 3p/4k C6 setup,Regal RD40 Dobro, NV400, NV112 . Playing for 53 years and still counting.
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Same, but different :)
I am really not allowed to judge the BJS bar, because I never used or even saw one... but we all know, how much dough you can spend as a six string guitarist on getting "THE TONE" (preferably 60's reference sounds). True bypass FX, handselected and mouthblown tubes, cords with a "direction"... but I love the sound guys like Neil Young or Clarence White got with their spiral cords:)
I always thought that it's a hoax, but appearently not:
http://consumerist.com/2008/03/do-coat- ... ables.html
Anyway... my ears get 48 this year, and I want to believe that they still can tell the difference between a cheap bar and my beloved John Pearse;)
I always thought that it's a hoax, but appearently not:
http://consumerist.com/2008/03/do-coat- ... ables.html
Anyway... my ears get 48 this year, and I want to believe that they still can tell the difference between a cheap bar and my beloved John Pearse;)
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Logo
Email me at bjsbars@frontiernet.net with your name and address to ship to and I will get you a new logo in the mail, let me know if it's John Hughey bar or the solid bar as the solid bar has the black logo and the john Hughey bar has the red logo.
Sorry you had that problem.
Sorry you had that problem.
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Sticker
Here`s what I do:
My stickers gone, I stuff four wooden match heads barely sticking out of the hole.the striker is taped to the rear apron of my steel. At the end of my uptempo instumental(it ends with a stop followed by a barless "splash") I light it up, and make a "pistol" with my hand,with the flame appearing to come from my finger tip. Then, I blow it out,like a sixshooter and appear to holster my pistol. Unbelievably corny, but people eat it up in a Honky Tonk. It is showbizz, aint it? People want to be entertained.
I`m not suggesting anybody else do it, but the crowd digs it. As hard as we worked to play this contraption, why not have some fun?
My stickers gone, I stuff four wooden match heads barely sticking out of the hole.the striker is taped to the rear apron of my steel. At the end of my uptempo instumental(it ends with a stop followed by a barless "splash") I light it up, and make a "pistol" with my hand,with the flame appearing to come from my finger tip. Then, I blow it out,like a sixshooter and appear to holster my pistol. Unbelievably corny, but people eat it up in a Honky Tonk. It is showbizz, aint it? People want to be entertained.
I`m not suggesting anybody else do it, but the crowd digs it. As hard as we worked to play this contraption, why not have some fun?
- Dave Mudgett
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+1. I'm also confident I could feel/hear the difference after a few notes, but that sticker is very useful on a dim stage. No problem ID'ing my black Zirconia bar, but others look similar, except for the sticker.Oh, I can most definitely tell the difference once i start playing the BJS but on stage I had it in same pouch with my spare (also with a hole on the bottom) and the cap just makes it easier to ID by looking.
OK - I won't argue that any one is 'better' or 'worse' than another - but what I use almost all the time are the BJS and Zirconia bars - the others are backups. They each have their own unique mojo, that's my story and I'm sticking to it. For a chrome-plated bar, nothing I've touched feels or sounds like a BJS.
BTW - I'm sure I've told this story before - I got my first BJS bar with a Sierra pedal steel that I bought used. That BSJ moniker just looked like an S to me, I assumed it was just a bar that came with the Sierra steel - but very quickly I was using nothing else, there was no comparison to the Dunlop and other cheap bars I had. A couple of years later, I got on the forum and started hearing about BJS bars and decided I better give one a try. So I bought one from someone here, and when I got it, lo and behold I suddenly had a spare BJS bar. That is the absolute truth, no lie.