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Moderator: Shoshanah Marohn
- Susan Alcorn (deceased)
- Posts: 1498
- Joined: 12 Apr 2000 12:01 am
- Location: Baltimore, MD, USA
- Contact:
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Last edited by Susan Alcorn (deceased) on 30 Nov 2020 2:26 pm, edited 5 times in total.
- Daniel Morris
- Posts: 1288
- Joined: 30 Jun 2008 10:13 am
- Location: Westlake, Ohio, USA
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- Posts: 431
- Joined: 17 Sep 2010 8:58 am
Very nice. As a listener I enjoy the sense of not being pushed around by harmonic and rhythmic rigidity. I look forward to the day when discussions will go like this: "Do you have the Alcorn pedal on your guitar?" "Yes, but I have it on my RKL." Or, "No, I use the Harry Partch 36 note per octave tuning on my steel."
- Michael Robertson
- Posts: 659
- Joined: 26 Nov 2008 11:06 pm
- Location: Ventura, California. USA
“Free Jazz, Free Improv”
I admit I don’t understand “Free Jazz, Free Improv” and I’m not sure I’m suppose to.
I know that I find it conciliatory and haunting yet inviting at the same time.
My ears are straining to hear ever note and overtone and appreciate each movement.
Very interesting and your blocking is very good and well done.
Thanks
I know that I find it conciliatory and haunting yet inviting at the same time.
My ears are straining to hear ever note and overtone and appreciate each movement.
Very interesting and your blocking is very good and well done.
Thanks
- Steve Cunningham
- Posts: 866
- Joined: 30 Jul 2008 7:48 am
- Location: Atlanta, GA
Some very cool moments...especially some of the interplay between the steel and cello.
Zoom/Skype/Facetime lessons available http://www.atlanta-guitar-lessons.com
YouTube
http://www.youtube.com/user/SingingStri ... ature=mhee
YouTube
http://www.youtube.com/user/SingingStri ... ature=mhee