Speedy's "Afternoon Of A Swan" (Update: lesson ava
Moderator: Brad Bechtel
Speedy's "Afternoon Of A Swan" (Update: lesson ava
(Update: I didn't want to start a new thread on this, but I have finally gotten around to creating a tab/notation package for this tune with a backing track. I am in the process of rendering a video, so it will be available with the video soon)
http://www.steelinfromthemasters.com/?p=519
This is my favorite all-time steel guitar tune. One of the very first records I ever got into with steel guitar was Speedy's Guitar Spectacular, which I still think is a pinnacle in steel guitar recordings. The compositions, the mood and the playing are all sublime.
Anyway, here's my take on it adapted for non-pedal steel. This is the first adaptation of it, it is surely bound to change. This will be in my next DVD/tab book. It is the hardest tune I've ever played yet, as the original was done on a Fender 1000 and Speedy was pedal-happy on this tune.
Clinesmith S-8 recorded direct into a Boss BR-8, along with acoustic rhythm, Telecaster and bass accompaniment.
http://www.mikeneer.com/swan.mp3
http://www.steelinfromthemasters.com/?p=519
This is my favorite all-time steel guitar tune. One of the very first records I ever got into with steel guitar was Speedy's Guitar Spectacular, which I still think is a pinnacle in steel guitar recordings. The compositions, the mood and the playing are all sublime.
Anyway, here's my take on it adapted for non-pedal steel. This is the first adaptation of it, it is surely bound to change. This will be in my next DVD/tab book. It is the hardest tune I've ever played yet, as the original was done on a Fender 1000 and Speedy was pedal-happy on this tune.
Clinesmith S-8 recorded direct into a Boss BR-8, along with acoustic rhythm, Telecaster and bass accompaniment.
http://www.mikeneer.com/swan.mp3
Last edited by Mike Neer on 5 Sep 2011 1:42 pm, edited 3 times in total.
- Eric Ebner
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- Chuck S. Lettes
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Thanks, guys. Hopefully after playing it for a week I'll get it all smoothed out. I just arranged this yesterday and I'm still working from memory, and still always looking to tweak it. It is very difficult to play it down from top to bottom at this point.
The tuning is just a plain vanilla C6, tons of slants, some of them huge.
The tuning is just a plain vanilla C6, tons of slants, some of them huge.
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Gerald Ross
'Northwest Ann Arbor, Michigan's King Of The Hawaiian Steel Guitar'
A UkeTone Recording Artist
CEO, CIO, CFO - UkeTone Records
Gerald's Hawaiian Steel Guitar/Ukulele Website
'Northwest Ann Arbor, Michigan's King Of The Hawaiian Steel Guitar'
A UkeTone Recording Artist
CEO, CIO, CFO - UkeTone Records
Gerald's Hawaiian Steel Guitar/Ukulele Website
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Man, that sure is sweet Mike!
Zoom/Skype/Facetime lessons available http://www.atlanta-guitar-lessons.com
YouTube
http://www.youtube.com/user/SingingStri ... ature=mhee
YouTube
http://www.youtube.com/user/SingingStri ... ature=mhee
Thank you, Mike, for sharing this with us. It is certainly one of the best examples of fine steeling I've heard for some time!
I am not familiar with this song and would like to give it a try. Can you tell me, please, how I may obtain a copy of the sheet music? (Piano, voice, & chord) I predate tablature and never did learn it.
-Musical Del
I am not familiar with this song and would like to give it a try. Can you tell me, please, how I may obtain a copy of the sheet music? (Piano, voice, & chord) I predate tablature and never did learn it.
-Musical Del
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I'm totally in agreement, Mike. Speedy was much more than only edge-of-your-seat solos and special effects. Here's "Slow & Easy", one of my favorite Speedy tunes .... fabulous from every angle: composition, tone, phrasing, recording quality, you name it. Very few steel guitar albums - even by the very best players - grab me the way Speedy's solo albums do.
https://home.comcast.net/~aevolk/music/SlowAndEasy.mp3
https://home.comcast.net/~aevolk/music/SlowAndEasy.mp3
Here's a link to an audio interview with Speedy. What a humble, positive person he was!
http://hasilatemyjerky.mypodcast.com/20 ... 69690.html
http://hasilatemyjerky.mypodcast.com/20 ... 69690.html
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You can also heck out some rare early 1950s Speedy solos with Johnny Horton here ...
http://scratchyattic.blogspot.com/2009/ ... -west.html
http://scratchyattic.blogspot.com/2009/ ... -west.html
Again, just wanted to recommend that you purchase a copy of Speedy West's "Guitar Spectacular" record. b0b stocks it as Item # C-074 (CD). To me, it's Speedy's finest work. I've owned it on vinyl since Stetson reissued it in the 80s. This record apparently has some strange history behind it, too, which I wasn't aware of before:
"Guitar Spectacular was legendary pedal steel player Speedy West's last official "solo" album. Augmented by an extraordinary group of session players including guitarists Roy Lanham and Billy Strange, bassist Red Wootten, drummer Earl Palmer, and pianist/accordion player Billy Liebert, it suffered due to a manufacturers glitch that saw side one repeated on both sides of the album. Despite a re pressing, the damage had already been done, as record stores demanded their money back. The music contained within the "fully realized" version of Spectacular was more than worthy of its moniker, as West sounds more comfortable here than on any session in his career. Whether they're tearing it up on Western swing barnburners like "Double or Nothing" and "Wild and Woolly West" or taking it slow as molasses on lazy diversions like "Sunset at Waikiki," this crystal clear recording deserves the cocked ears of a much larger audience than the one it received in 1962."
"Guitar Spectacular was legendary pedal steel player Speedy West's last official "solo" album. Augmented by an extraordinary group of session players including guitarists Roy Lanham and Billy Strange, bassist Red Wootten, drummer Earl Palmer, and pianist/accordion player Billy Liebert, it suffered due to a manufacturers glitch that saw side one repeated on both sides of the album. Despite a re pressing, the damage had already been done, as record stores demanded their money back. The music contained within the "fully realized" version of Spectacular was more than worthy of its moniker, as West sounds more comfortable here than on any session in his career. Whether they're tearing it up on Western swing barnburners like "Double or Nothing" and "Wild and Woolly West" or taking it slow as molasses on lazy diversions like "Sunset at Waikiki," this crystal clear recording deserves the cocked ears of a much larger audience than the one it received in 1962."
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