New Clip of the Week 04/25/10
Moderator: Shoshanah Marohn
- Walter Stettner
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New Clip of the Week 04/25/10
Good Morning,
Something a little bit different this week. Here is a clip with a little pop flavor and some very tasty steel work:
http://www.lloydgreentribute.com/Austri ... Sounds.htm
Enjoy the music!
Kind Regards, Walter
Something a little bit different this week. Here is a clip with a little pop flavor and some very tasty steel work:
http://www.lloydgreentribute.com/Austri ... Sounds.htm
Enjoy the music!
Kind Regards, Walter
-
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- Location: Macon Ga USA
That's Mandy Barnett and THE MAN, Buddy Emmons. I have always liked the way the bass line swells in over Buddy's break in the middle, like an ocean wave at 2:45. I even tried to get Harold Bradley on the phone to tell him how much I liked the arrangement. Buddy shared the session with Hal Rugg and the album is pure classical work from everyone involved.
Regards, Paul
Regards, Paul
- Joachim Kettner
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- Walter Stettner
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- Roger Edgington
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- Posts: 4922
- Joined: 24 Jan 2001 1:01 am
- Location: Macon Ga USA
Roger: Wish I could tell you what you need to know but I sent my copy to Bill Stafford so he could hear it. My first impression was Patsy Cline was back but I also thought that when I went to see the movie THE FLY II and heard KD Lang for the first time on the sound track.
And a lot of us were doing the same thing when we heard Dawn Sears doing SWEET MEMORIES with John Hughey and later, Paul Franklin doing those beautiful steel impressions with the Time Jumpers.
Patsy really put a line in the sand with her vocals. It was a bench mark a lot of us still judge female vocalists by. That certain tear in their voices really makes one sit up and listen. I think the best example of that was her rendition of FADED LOVE where she actually sobs on the fade out.
Some of the Mandy Barnett album was produced by Owen Bradley and Harold finished the work. The reason I called Harold was because he is listed in the credits as BASS and I was curious as to how he got that surge in the bass line. May have been violas or/and cellos in the string section... both of the Bradleys knew their work and have left a mark all over Nashville.
Regards, Paul
And a lot of us were doing the same thing when we heard Dawn Sears doing SWEET MEMORIES with John Hughey and later, Paul Franklin doing those beautiful steel impressions with the Time Jumpers.
Patsy really put a line in the sand with her vocals. It was a bench mark a lot of us still judge female vocalists by. That certain tear in their voices really makes one sit up and listen. I think the best example of that was her rendition of FADED LOVE where she actually sobs on the fade out.
Some of the Mandy Barnett album was produced by Owen Bradley and Harold finished the work. The reason I called Harold was because he is listed in the credits as BASS and I was curious as to how he got that surge in the bass line. May have been violas or/and cellos in the string section... both of the Bradleys knew their work and have left a mark all over Nashville.
Regards, Paul
- Roger Edgington
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- Walter Stettner
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- Roger Edgington
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