Any More Buddy Emmons Surprises?
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- Mark Wayne
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- Frank Estes
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- Paul Crawford
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Like most everyone else, I've spent hours learning techniques, studying tone, intonation, comping licks and tunes. I've grateful for Buddy the Teacher for all of this.
I've also learned, largely from this forum, just what an intivator and technical expert Buddy has been in the evolution of the instrument, the set ups, the electronics, and all of the technical aspects of the instrument that Buddy the Inventor has given us.
But for me, Buddy showed me what is possible with this instrument and how it can be applied to all of the others. For giving me the gift of new music, I will be indebted to Buddy the Musician for the remainder of my days.
Thank you for being my teacher.
I've also learned, largely from this forum, just what an intivator and technical expert Buddy has been in the evolution of the instrument, the set ups, the electronics, and all of the technical aspects of the instrument that Buddy the Inventor has given us.
But for me, Buddy showed me what is possible with this instrument and how it can be applied to all of the others. For giving me the gift of new music, I will be indebted to Buddy the Musician for the remainder of my days.
Thank you for being my teacher.
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Ernie, thanks for the update and the information on Buddy's retirement. Buddy has given so much of himself to the world of steel guitar and his retirement is well earned and deserved. Here's hoping for many years of sheer happy times ahead for Buddy as he enjoys his retirement.
I feel so blessed to be a part of a generation of steel players to have been able to witness a lot of Buddy's career as it happened and unfolded. Gary Hogue first introduced me to Buddy's music when I started playing steel in 1976 and he immediately became one of my great steel heroes.
I second what Charles Davidson said about Buddy as a person. I've only had the privilege to talk with Buddy a few times at steel shows during the '70s and '80s, but he was always the same each time; very friendly and down to earth. The first time I ever met Buddy was in 1977 at Scotty's convention and I'd been playing just under a year (I still have a photo Buddy generously took with me) ...
... one of the things that really impressed me about Buddy is how personable he is off stage as well as on stage; here I was a total newbie with little steel knowledge, yet Buddy spoke with me for quite a while as though I were one of his peers that'd he'd known for years, rather than like a star to a fan. At that moment I knew that the quality of "Emmons the man" was just as great as "Emmons the musician".
He's such an extraordinary man in every sense of the word. He's definitely always been one of my great inspirations in steel and always will be. Thanks, Buddy, for everything you've done for the steel community over the years ... and, enjoy your retirement.
I feel so blessed to be a part of a generation of steel players to have been able to witness a lot of Buddy's career as it happened and unfolded. Gary Hogue first introduced me to Buddy's music when I started playing steel in 1976 and he immediately became one of my great steel heroes.
I second what Charles Davidson said about Buddy as a person. I've only had the privilege to talk with Buddy a few times at steel shows during the '70s and '80s, but he was always the same each time; very friendly and down to earth. The first time I ever met Buddy was in 1977 at Scotty's convention and I'd been playing just under a year (I still have a photo Buddy generously took with me) ...
... one of the things that really impressed me about Buddy is how personable he is off stage as well as on stage; here I was a total newbie with little steel knowledge, yet Buddy spoke with me for quite a while as though I were one of his peers that'd he'd known for years, rather than like a star to a fan. At that moment I knew that the quality of "Emmons the man" was just as great as "Emmons the musician".
He's such an extraordinary man in every sense of the word. He's definitely always been one of my great inspirations in steel and always will be. Thanks, Buddy, for everything you've done for the steel community over the years ... and, enjoy your retirement.
1986 Mullen D-10 with 8 & 7 (Dual Bill Lawrence 705 pickups each neck)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
Two Peavey Nashville 400 Amps (with a Session 500 in reserve) - Yamaha SPX-90 II
Peavey ProFex II - Yamaha R-1000 Digital Reverb - Ross Time Machine Digital Delay - BBE Sonic Maximizer 422A
ProCo RAT R2DU Dual Distortion - Korg DT-1 Pro Tuner (Rack Mounted) - Furman PL-8 Power Bay
Goodrich Match-Bro by Buddy Emmons - BJS Steel Bar (Dunlop Finger Picks / Golden Gate Thumb Picks)
- Ernie Renn
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Hey, Paul! I don't know if you caught this or not. It's another Buddy Emmons Surprise: The intro on Clinton Gregory's tune "The Jukebox Has a 45," is Buddy and he used a capo.
Tab and Audio is HERE in Tab from Buddy!
BTW: I just replaced the MP3 with a newer version. The old one cut out.
Also, I can't get the Real Audio file to work, even with a new RA player. I might just do away with them.
Thanks all of you for all the well wishes and understanding...
Tab and Audio is HERE in Tab from Buddy!
BTW: I just replaced the MP3 with a newer version. The old one cut out.
Also, I can't get the Real Audio file to work, even with a new RA player. I might just do away with them.
Thanks all of you for all the well wishes and understanding...
My best,
Ernie
www.BuddyEmmons.com
Ernie
www.BuddyEmmons.com
- Ernie Renn
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Oh, and there's this... <center>
UPSIDE DOWN!</center>
And this... <center>
BEHIND THE BACK!</center>
UPSIDE DOWN!</center>
And this... <center>
BEHIND THE BACK!</center>
My best,
Ernie
www.BuddyEmmons.com
Ernie
www.BuddyEmmons.com
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- Steve Alonzo Walker
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I was at an Emmons Jam Show and when he got up for a break a good local Steeler sat down at Buddy's guitar that Buddy didn't change anything, and played a song. The guitar did not sound the same...just no life coming from it as when Buddy played it. This shows it's not the Guitar, it's the touch of a well seasoned player!
- Alan Brookes
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Thank you Buddy
Thanks for giving us the tuning on the pedal steel and many of the pulls, and for being so insightful to spawn the development of the push pull guitar which still is the measuring stick for tone on newer guitar models. These two events by themselves were monstrous creative events in the history of pedal steel. Then there comes all the great music you played that motivated thousands of pedal steel players to take up steel and the masses to imitate your sound and licks, which of course is the greatest compliment to you of all. You set the stage for what has happened since! Thank you very very much Buddy.
Gary Sill
Gary Sill
A beautiful Laquer Mullen G2, 2 Nashville 112's, Evans 10" R150 Amp,1982 Emmons Push Pull D-10, Hilton Pedals, 12/8 MSA Superslide, Green LDG Sho-Bud-Owned by Lloyd, S-6 Fender 1956 Lap. , Gretsch Country Gentleman, Gibson 5 string 2002 banjo, 1953 D8 Fender Stringmaster, reconditioned completely, red Gibson 2019, ES 335, Quilter Steelaire, Gretsch Resonator, Eastman mandolin
- Roger Crawford
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Man that's the greatest player I'll probably ever hear in my life! I've heard a bunch and living in Nashville you can hear some good players but this guy is just a one of a kind. I'd know him on about any tune and that's the mark of somebody real special. I'd love to see him come out and play the local clubs like some of the other guys do. He sure wouldn't ever have to carry a thing, just sit there and smoke! It's a hell of thing to be the very best at what you do and he has been all of that and more! WOW!
- Ernie Renn
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Roger;
Buddy replied: "My Bigsby was a copy of Speedy West's steel. Speedy had his name on a maple panel that matched the wood grain of the guitar and clamped onto the front legs. The legs on the (triple neck) Bigsby came straight down as opposed to being tapered outward from the back and front of the body, so the panel was straight down and made for a pretty classy looking front view. After a short while in Nashville, I quit putting the board on my guitar."
I hope that answers your question.
Buddy replied: "My Bigsby was a copy of Speedy West's steel. Speedy had his name on a maple panel that matched the wood grain of the guitar and clamped onto the front legs. The legs on the (triple neck) Bigsby came straight down as opposed to being tapered outward from the back and front of the body, so the panel was straight down and made for a pretty classy looking front view. After a short while in Nashville, I quit putting the board on my guitar."
I hope that answers your question.
My best,
Ernie
www.BuddyEmmons.com
Ernie
www.BuddyEmmons.com
- Roger Crawford
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- Ernie Renn
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Buddy and his Bigsby with Casey Clark in Detroit. The front panel was on, but blocked from view.
<center></center>
(A side note: Notice Jimmy Martin and the Osborne Brothers in the front row. They were regulars on the show.)
Enlarged a tad...
<center></center>
<center></center>
(A side note: Notice Jimmy Martin and the Osborne Brothers in the front row. They were regulars on the show.)
Enlarged a tad...
<center></center>
My best,
Ernie
www.BuddyEmmons.com
Ernie
www.BuddyEmmons.com
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- Ernie Renn
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BTW, Buddy also had this to say about the picture...
"That hat looks like with a good breeze I could lift off at any moment. The Flying Nun had nothing on me."
"That hat looks like with a good breeze I could lift off at any moment. The Flying Nun had nothing on me."
My best,
Ernie
www.BuddyEmmons.com
Ernie
www.BuddyEmmons.com
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- Ernie Renn
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Hey, Theresa!
Buddy said that that's "Little Evelyn." Billy's not in the picture.
(BTW: He also said to thank you and to tell you he thinks Gregg is cute, too.)
Buddy said that that's "Little Evelyn." Billy's not in the picture.
(BTW: He also said to thank you and to tell you he thinks Gregg is cute, too.)
My best,
Ernie
www.BuddyEmmons.com
Ernie
www.BuddyEmmons.com
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It would be interesting to know when, how and why his bigsby lost it's single aluminum neck and ended up with what looks like wood necks in this video.
http://www.youtube.com/watch?v=Zxz17P5OoGM
I assume it was tunning problems with the single piece neck and I assume it was Shot Jackson doing the work. I wonder how extensive the job was under the guitar.
http://www.youtube.com/watch?v=Zxz17P5OoGM
I assume it was tunning problems with the single piece neck and I assume it was Shot Jackson doing the work. I wonder how extensive the job was under the guitar.