Pluck or Touch?
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- Rick Myrland
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Pluck or Touch?
Yesterday I purchased my first Zookie thumb pick, the L-20, and immediately found it improved my ability to move up and down the strings a little faster and it seemed my accuracy for hitting the right string at the right time improved dramatically, all the first time I used the new pick.
But even more importantly I noticed something else that may have been affecting my speed and accuracy, the manner in which I attack the string. It seems I have always plucked the strings, sometimes probably harder than necessary. With the Zookie thumb pick I find I'm touching it. Which brings me to my question: Do you "pluck" the string by getting under it or is more of a softer touch of the string on the back side of it? When I touch it seems cleaner, more accurate and my tone seems to improve but I do have to add a little to the volume pedal.
Any thoughts or guidance on this? I know it may be difficult to explain in words but any thoughts are appreciated.
Thanks.
But even more importantly I noticed something else that may have been affecting my speed and accuracy, the manner in which I attack the string. It seems I have always plucked the strings, sometimes probably harder than necessary. With the Zookie thumb pick I find I'm touching it. Which brings me to my question: Do you "pluck" the string by getting under it or is more of a softer touch of the string on the back side of it? When I touch it seems cleaner, more accurate and my tone seems to improve but I do have to add a little to the volume pedal.
Any thoughts or guidance on this? I know it may be difficult to explain in words but any thoughts are appreciated.
Thanks.
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If by "pluck" you mean striking the strings somewhat forcefully, as opposed to "touch" meaning using less force when striking the strings, then I endorse "plucking." Especially on slow ballads I find myself using a lot of force when striking the strings.
A good firm picking stroke seems to get the string vibrating more completely. I turn down the volume with the pedal, so the pick noise and bar noise is actually less than if I was just "touching" the strings, which would require that I run the volume higher on the VP to get the necessary volume. In other words, "touching" causes more extraneous noise to make it to the amp.
If I am not mistaken, Jeff Newman used to advocate striking the strings firmly. It makes sense to me.
A good firm picking stroke seems to get the string vibrating more completely. I turn down the volume with the pedal, so the pick noise and bar noise is actually less than if I was just "touching" the strings, which would require that I run the volume higher on the VP to get the necessary volume. In other words, "touching" causes more extraneous noise to make it to the amp.
If I am not mistaken, Jeff Newman used to advocate striking the strings firmly. It makes sense to me.
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Not a stone rule, but I was always shown to pluck slightly up and have the pick wear more at the thumb base direction.
Basically in a manner that lets you pick it as hard as is possible.
A good rule is not to let your thumbpick come to rest on the next string after you've plucked one (or I guess two).
Picking up lets blocking become more of a rocking motion.
It's hard to explain succicntly.
Watching Buddy Charleton while taking a lot of lessons from him helped me.

EJL
Basically in a manner that lets you pick it as hard as is possible.
A good rule is not to let your thumbpick come to rest on the next string after you've plucked one (or I guess two).
Picking up lets blocking become more of a rocking motion.
It's hard to explain succicntly.
Watching Buddy Charleton while taking a lot of lessons from him helped me.

EJL
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Yes, Paul, Jeff always told us to put some force into the picking. He said: It's ok for people to hear those picks.Paul Sutherland wrote: If I am not mistaken, Jeff Newman used to advocate striking the strings firmly. It makes sense to me.
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