Living In The Past
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Interesting topic and no doubt one that gets ressurectred from time to time as some people become aware of certain dynamics in the [circular] evolution of music.....especially traditional country music. Of all the music genres of our nations history, predating the beginning of the 60's and 70's social revolution, "traditional" country remains ever so popular worldwide and out sells anything of the revolution and current era music.
Traditional music that feeds ones soul in search of harmony will always live on while revolutionary [message] music will always eventually die on the vine. Fear not...good ole traditional country will be around for a very long time either on the peaks of mountains or occasionally in the valley.....just seek and ye shall find!
Traditional music that feeds ones soul in search of harmony will always live on while revolutionary [message] music will always eventually die on the vine. Fear not...good ole traditional country will be around for a very long time either on the peaks of mountains or occasionally in the valley.....just seek and ye shall find!
**Stand UP for the Traditional America**
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It's just a matter of how elusive the meaning of labels is. What makes a given example of music belong to this or that category?
What common thread puts Mozart and Schoenberg under the same "classical" label? What common thread puts "Rock Around the Clock", "Strawberry Fields Forever", and [insert death metal title--I don't know any] under the "rock" label? What common thread puts Louis Armstrong and Mahavishnu Orchestra under the "jazz" label?
What common thread puts Mozart and Schoenberg under the same "classical" label? What common thread puts "Rock Around the Clock", "Strawberry Fields Forever", and [insert death metal title--I don't know any] under the "rock" label? What common thread puts Louis Armstrong and Mahavishnu Orchestra under the "jazz" label?
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Brint
Wide stylistic variation within each musical genre, fer sure.
1. Erudite, composed music played by orchestral instruments;
2. "Rebellious" music with initial acceptance by adolescents/teenagers;
3. Predominantly improvised music.
Wide stylistic variation within each musical genre, fer sure.
1. Erudite, composed music played by orchestral instruments;
2. "Rebellious" music with initial acceptance by adolescents/teenagers;
3. Predominantly improvised music.
My rig: Infinity and Telonics.
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
Son, we live in a world with walls, and those walls have to be guarded by men with steel guitars. Who's gonna do it? You? You, Lt. Weinberg?
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You Might Want To Consider...
I know everyone loves to rant about the sorry state of country music these days but consider this:
The product coming out of Nashville these days still features many of our musical heros. The session players are still doing there thing better than anyone else in the world. Just like they have always done right through trends and fashions and styles etc.
BDBassett
Rimrock AZ
The product coming out of Nashville these days still features many of our musical heros. The session players are still doing there thing better than anyone else in the world. Just like they have always done right through trends and fashions and styles etc.
BDBassett
Rimrock AZ
- Lee Baucum
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I wonder if there's a sax forum somewhere so old folks can complain endlessly because rock and roll no longer employs sax players since the invention of the distorted electric guitar.
The attitude of you old fellas are just about as boringly repetitious, low-brow, and indistinguishably common as the music you are constantly bragging about. OF course there were many good tunes and good performances in the last 60 years of country music, but for the most part, it is endlessly the same and rubbish, to my ear.
The idea of a classic country fan faulting anyone for singing or playing out of tune is so hypocritical it's beyond laughable! I thought you had to have an adenoidal problem, a ham fist, and a tin ear to qualify as a country singer in the first place.
I just loaded 10 CD's of "classic country" hits 40's to 70's on my ipod. It seems like most of them were "novelty" tunes of one sort or another, and frankly, across the board, there wasn't that high a percentage of steel guitar riffs featured.
Your memory is growing rather selective fellas...and by the way, everybody was perfectly happy with Jimmy Rogers, Roy Acuff, and a few others....who decided we needed them fancy new fake country singers like Ray Price or Tammy Wynette and the whole herd of girls who look like linebackers and whine about their trampy alcoholic marriages all day.
Time marches on! I'd rather listen to Chopin and Bach to tell you the truth....
The attitude of you old fellas are just about as boringly repetitious, low-brow, and indistinguishably common as the music you are constantly bragging about. OF course there were many good tunes and good performances in the last 60 years of country music, but for the most part, it is endlessly the same and rubbish, to my ear.
The idea of a classic country fan faulting anyone for singing or playing out of tune is so hypocritical it's beyond laughable! I thought you had to have an adenoidal problem, a ham fist, and a tin ear to qualify as a country singer in the first place.
I just loaded 10 CD's of "classic country" hits 40's to 70's on my ipod. It seems like most of them were "novelty" tunes of one sort or another, and frankly, across the board, there wasn't that high a percentage of steel guitar riffs featured.
Your memory is growing rather selective fellas...and by the way, everybody was perfectly happy with Jimmy Rogers, Roy Acuff, and a few others....who decided we needed them fancy new fake country singers like Ray Price or Tammy Wynette and the whole herd of girls who look like linebackers and whine about their trampy alcoholic marriages all day.
Time marches on! I'd rather listen to Chopin and Bach to tell you the truth....
Zumsteel U12 8-5, MSA M3 U12 9-7, MSA SS 10-string, 1930 National Resonophonic, Telonics Combo, Webb 614e, Fender Steel King, Mesa Boogie T-Verb.
- Barry Blackwood
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- Rick Campbell
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The people living in the past are the ones that have been convinced that 70's and 80's rock and roll has any business on the country charts.
I'm all for the new country artist, Justin Trevino, Amber Digby, Bobby Flores, etc.... but they don't get any major market airplay because the old rock has taken over the country stations. They would sound out of place on a major FM station.
If this is what country has evolved to, then it has evolved backwards. Nothing new here. Just the same music that played out in one genre finding a home in another.
I'm all for the new country artist, Justin Trevino, Amber Digby, Bobby Flores, etc.... but they don't get any major market airplay because the old rock has taken over the country stations. They would sound out of place on a major FM station.
If this is what country has evolved to, then it has evolved backwards. Nothing new here. Just the same music that played out in one genre finding a home in another.
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Let's be clear...
Today's popular Country music has taken on a decidedly 'rock' styling, but NOT 'ROCK n ROLL'.
Rock n Roll is a distinct brand of good music, true lovers know when it's played right, whereas 'rock' covers an immense amount of ground and in that will be a lot of crap.
I havn't heard any current pop country that isn't at least verging on crap.
Rock n Roll is a distinct brand of good music, true lovers know when it's played right, whereas 'rock' covers an immense amount of ground and in that will be a lot of crap.
I havn't heard any current pop country that isn't at least verging on crap.
- Joachim Kettner
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Rock'n'Roll: Eddie Cochran,Buddy Holly, Elvis etc.
Folk- Rock: The Byrds, Lovin' Spooonful etc,
Singer, Songwriters: Tim Hardin,Kenny Rankin
70's Rock: Little Feat, Doobie Brothers
and so on...
They were all amazing and good and have very little to do with this discussion about R'n R' being the New Country.
Folk- Rock: The Byrds, Lovin' Spooonful etc,
Singer, Songwriters: Tim Hardin,Kenny Rankin
70's Rock: Little Feat, Doobie Brothers
and so on...
They were all amazing and good and have very little to do with this discussion about R'n R' being the New Country.
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Herb, good "definitions" for the genres I mentioned.Herb Steiner wrote:Brint
Wide stylistic variation within each musical genre, fer sure.
1.[classical] Erudite, composed music played by orchestral instruments;
2.[rock] "Rebellious" music with initial acceptance by adolescents/teenagers;
3.[jazz] Predominantly improvised music.
I would describe your definitions as representing the "inclusive" point of view. But within at least a couple of those genres, there are people who will "disallow" some of the examples I cited. Some jazz "purists" would say Mahavishnu isn't jazz, some classical purists would say Schoenberg is just noise. ("Rock" as a category seems least affected by these distinctions--people distinguish between "good" and "bad" rock, or rock they like or don't like, but don't tend to say "That ain't rock" about what they don't like.)
And of course, music presented as "country" seems to be subjected to these "that ain't country" discriminations more than any other genre. (except maybe bluegrass!)
As has frequently been pointed out, well before the era of the current Nashville product that is so richly disliked here (I don't like it either), there was a wide variation in music that was called "country". Carter Family, Buck Owens, Ray Price "For the Good Times" with string orchestra, Hank Williams Jr....
So if one were to attempt to make a similar inclusive definition of the "country" genre, what would it be?
Not that it matters!
- Rick Campbell
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Do you believe that's a different kind of goosebumps from what lovers of other genres of music feel?
And my point is exactly that all that matters is the distinction between "good" and "bad" music, and that distinction is personal to each individual.
That would be a good definition of "good" music. It doesn't have anything to do with what is or isn't "country" music."I don't think you can define the emotion that a singer [I would add "or player"] can transfer to a listener that causes goose bumps. Either you feel it or you don't."
And my point is exactly that all that matters is the distinction between "good" and "bad" music, and that distinction is personal to each individual.
- Clete Ritta
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In my teens, I loved rock music: Beatles, Stones, Hendrix, Zeppelin.
In my twenties, I loved fusion music: Dixie Dregs, Return to Forever, Mahavishnu Orchestra, Steps Ahead, Brecker Brothers and most heavy metal bands.
In my thirties, I loved jazz and classical music: Bill Evans, Coltrane, Charlie Parker, Miles Davis, Mike Stern, Mozart, Beethoven, Bach.
In my forties now, I still love all the same music, and have added country music to the list. It took a long time, but it's why I got hooked on steel guitar! Luckily there are still some mainstream country artists who utilize steel guitar prominently (and all those great classic country records Im hearing for the first time!).
As I've delved into the instrument itself, I've discovered so many aspects of music it has inspired that once again, my musical horizons have broadened.
Radio is built on repetition and what young people buy. Thats just business.
Its not just todays country music that suffers, but literally all forms of good music. There are so many different great forms of music, and to me its more about being turned on to something new (or old) thats not on the radio.
When I watch TV, I usually mute the commercials.
Listening to songs on radio today is almost like listening to a commercial.
If a hit song isnt in a commercial, it may be bought and in one soon.
Just like movies, songs are like little stories. Theres a shortage of good screenwriters in Hollywood too. Yea they dont write em like that anymore, but every once in a while, something valid comes down the pike.
Just gotta keep your ear to the ground.
Clete
In my twenties, I loved fusion music: Dixie Dregs, Return to Forever, Mahavishnu Orchestra, Steps Ahead, Brecker Brothers and most heavy metal bands.
In my thirties, I loved jazz and classical music: Bill Evans, Coltrane, Charlie Parker, Miles Davis, Mike Stern, Mozart, Beethoven, Bach.
In my forties now, I still love all the same music, and have added country music to the list. It took a long time, but it's why I got hooked on steel guitar! Luckily there are still some mainstream country artists who utilize steel guitar prominently (and all those great classic country records Im hearing for the first time!).
As I've delved into the instrument itself, I've discovered so many aspects of music it has inspired that once again, my musical horizons have broadened.
Radio is built on repetition and what young people buy. Thats just business.
Its not just todays country music that suffers, but literally all forms of good music. There are so many different great forms of music, and to me its more about being turned on to something new (or old) thats not on the radio.
When I watch TV, I usually mute the commercials.
Listening to songs on radio today is almost like listening to a commercial.
If a hit song isnt in a commercial, it may be bought and in one soon.
Just like movies, songs are like little stories. Theres a shortage of good screenwriters in Hollywood too. Yea they dont write em like that anymore, but every once in a while, something valid comes down the pike.
Just gotta keep your ear to the ground.
Clete
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- David Mason
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It's helpful to understand that mainstream radio, the major record labels, television and "the music press" are all connected in a symbiotic relationship. When a USA Today reporter is looking for a story about "the music biz" he contacts a... major radio exec, or a major record company. What's on the radio is what's on TV, but it's a minor part of what people under the age of 35 actually care about.
What's happening today is largely outside of the information stream that shows up on TV or radio. For example, CD sales are THRIVING - 75% of all music sales are in CD's. They're just not Sony, BMG, Warner's CD's. CD Baby is thriving, CD Universe is thriving, Amazon is thriving... Discmakers is thriving. iTunes may be the only tie-in between the big labels and what people are listening to, and if you look at their big sellers, I've never heard of most of them. P2P, peer-to-peer, is the new market model. The people who are making the record deals with Best Buy, Target & Wal-Mart are the washed-up oldies - KISS, Journey, Garth Brooks, Lynryd Skynyrd. I don't buy anything retro-nostalgia nonsense like that, and I am old. The new KISS record?!?
Look at it this way - the inmates are running the asylum, but the guards are still locked up in the tower, telling lies to their private press corps and wondering how in the world they're going to keep skimming money off the talent, now that the talent doesn't NEED them any more. The tower is falling. Whee.
What's happening today is largely outside of the information stream that shows up on TV or radio. For example, CD sales are THRIVING - 75% of all music sales are in CD's. They're just not Sony, BMG, Warner's CD's. CD Baby is thriving, CD Universe is thriving, Amazon is thriving... Discmakers is thriving. iTunes may be the only tie-in between the big labels and what people are listening to, and if you look at their big sellers, I've never heard of most of them. P2P, peer-to-peer, is the new market model. The people who are making the record deals with Best Buy, Target & Wal-Mart are the washed-up oldies - KISS, Journey, Garth Brooks, Lynryd Skynyrd. I don't buy anything retro-nostalgia nonsense like that, and I am old. The new KISS record?!?
Look at it this way - the inmates are running the asylum, but the guards are still locked up in the tower, telling lies to their private press corps and wondering how in the world they're going to keep skimming money off the talent, now that the talent doesn't NEED them any more. The tower is falling. Whee.