Keith Richards, Ronnie Wood et al. - Apt. # 9
Moderator: Shoshanah Marohn
- Dave Mudgett
- Moderator
- Posts: 10230
- Joined: 16 Jul 2004 12:01 am
- Location: Central Pennsylvania and Gallatin, Tennessee
Keith Richards, Ronnie Wood et al. - Apt. # 9
Every once in a while, a video of Ron Wood behind a pedal steel shows up, and here's another that I haven't seen before. This is The New Barbarians playing Apartment #9 in 1979:
http://www.youtube.com/watch?v=wuUr-cB7PnY
Keith Richards: Vocals and Keyboards
Ronnie Wood: Lap Steel
Ian MacLagan: Hammond Organ
Stanley Clarke: Bass
Bobby Keys: Saxophone
Ziggy Modeliste: Drums
I think it's pretty clear that it's a pedal steel, not a lap steel - but it's too blurry to make out exactly what it is.
I don't want to start a forum war arguing over its merits or demerits - just thought some of you might want to see it. I noticed it while watching Jim Cohen's "Far Wes" clip, not that there is any similarity between the two. I imagine that's some type of youtube keyword association.
http://www.youtube.com/watch?v=wuUr-cB7PnY
Keith Richards: Vocals and Keyboards
Ronnie Wood: Lap Steel
Ian MacLagan: Hammond Organ
Stanley Clarke: Bass
Bobby Keys: Saxophone
Ziggy Modeliste: Drums
I think it's pretty clear that it's a pedal steel, not a lap steel - but it's too blurry to make out exactly what it is.
I don't want to start a forum war arguing over its merits or demerits - just thought some of you might want to see it. I noticed it while watching Jim Cohen's "Far Wes" clip, not that there is any similarity between the two. I imagine that's some type of youtube keyword association.
-
- Posts: 3188
- Joined: 4 Aug 1998 11:00 pm
- Location: Renfrew, Ontario, Canada
- David Doggett
- Posts: 8088
- Joined: 20 Aug 2002 12:01 am
- Location: Bawl'mer, MD (formerly of MS, Nawluns, Gnashville, Knocksville, Lost Angeles, Bahsten. and Philly)
But just not on this number. 
But seriously, suppose we had never heard Tammy and Pete Drake in Billy Sherril's classic arrangement of this great song. Suppose this was the Stones doing one of their original ballads in their edgy, eerie British rock way. I wonder what we would think of it then? We might think, "Hey, that's a pretty good Stones song."

But seriously, suppose we had never heard Tammy and Pete Drake in Billy Sherril's classic arrangement of this great song. Suppose this was the Stones doing one of their original ballads in their edgy, eerie British rock way. I wonder what we would think of it then? We might think, "Hey, that's a pretty good Stones song."

- Ulf Edlund
- Posts: 965
- Joined: 6 Mar 2003 1:01 am
- Location: Umeå, Sweden
- Contact:
You gotta love that P/P tone! 

1983 Emmons D10 SKH, Carter SD10, Nashville 112, Session 500, ProfexII, Lapsteels, GT-Beard reso, guitars of all kinds...
http://www.myspace.com/ulfedlund
http://www.myspace.com/ulfedlund
- CrowBear Schmitt
- Posts: 11624
- Joined: 8 Apr 2000 12:01 am
- Location: Ariege, - PairO'knees, - France
- Contact:
- Dave Mudgett
- Moderator
- Posts: 10230
- Joined: 16 Jul 2004 12:01 am
- Location: Central Pennsylvania and Gallatin, Tennessee
The Stones are famous because they have made some great rock and roll. In a lot of ways, I think they are the very definition of post-50s rock and roll.
At a certain level, I think this clip points out a certain type of rock and roller's stereotype - or caricature - of what country music is. Everything is extremely exaggerated - the painfully slow and plodding tempo, exaggerated bent and pitchy notes, exaggerated vocalizing, and so on. I have played lots of rock and roll over the years, and I think this is what many rock and rollers pick up when they hear real country music. I don't understand it, but that is my sense.
I'll take Jim's clip hands down too. I just thought it was interesting that, somehow, youtube found these clips related enough to put them on the "related videos" section of each.
At a certain level, I think this clip points out a certain type of rock and roller's stereotype - or caricature - of what country music is. Everything is extremely exaggerated - the painfully slow and plodding tempo, exaggerated bent and pitchy notes, exaggerated vocalizing, and so on. I have played lots of rock and roll over the years, and I think this is what many rock and rollers pick up when they hear real country music. I don't understand it, but that is my sense.
I'll take Jim's clip hands down too. I just thought it was interesting that, somehow, youtube found these clips related enough to put them on the "related videos" section of each.
- Ulf Edlund
- Posts: 965
- Joined: 6 Mar 2003 1:01 am
- Location: Umeå, Sweden
- Contact:
I think you're spot on there Dave.
1983 Emmons D10 SKH, Carter SD10, Nashville 112, Session 500, ProfexII, Lapsteels, GT-Beard reso, guitars of all kinds...
http://www.myspace.com/ulfedlund
http://www.myspace.com/ulfedlund
- Tony Glassman
- Posts: 4478
- Joined: 18 Jan 2005 1:01 am
- Location: The Great Northwest
-
- Posts: 426
- Joined: 22 Sep 2008 8:21 am
- Location: Maryland, USA
Even though that particular clip was from 1979 (and not their best)...I was reminded that country music did have quite an influence on The Stones going back to albums as early as Beggars Banquet and Let It Bleed. The song (I forget which album) Girl With The Far Away Eyes was an example too.
Emmons Push Pull, BMI, Session 400, Home of the Slimcaster Tele.
- Bo Borland
- Posts: 3993
- Joined: 20 Dec 1999 1:01 am
- Location: South Jersey -
- Contact:
- Rick Campbell
- Posts: 4430
- Joined: 8 May 2006 12:01 am
- Location: Sneedville, TN, USA
- b0b
- Posts: 29084
- Joined: 4 Aug 1998 11:00 pm
- Location: Cloverdale, CA, USA
- Contact:
I never knew that Keith played piano!
I couldn't watch the clip all the way through, though. The steel solo was just too painful.
I couldn't watch the clip all the way through, though. The steel solo was just too painful.

-𝕓𝕆𝕓- (admin) - Robert P. Lee - Recordings - Breathe - D6th - Video