Do They Really Sound Like A Push Pull Emmons?
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Do They Really Sound Like A Push Pull Emmons?
Every Time I See a New Steel . It sounds like a PP. So I Got Me a pp Still Waiting Too Hear one That Sounds Better. Most Of us Try The Economy Brands And always Come home Too Emmons. Just My Thought. Whats Yours?
- Tommy R. Butler
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Promat
Tommy With My Ears They Sound Similar. But Not Exactly.I Like The MSA Old and New Sound Mullen Sounds Great . Would Like Too Try G2 Mullen. Derbys sound Great Fessenden And The Caters I Had Sounded Great. But I Miss The Emmons When I Dont Have One.The Zums Are The Best Playing Guitar I Have Had. thanks Randy.
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A PP sound is the holy grail. Put one side by side with another make and compare for tone.
I have had a few guys in this country tell me that their ~~~~~~~~~~ make of guitar sounds just like a push pull. Sorry but they either have cloth in their ears or they have not had the opportunity to A/B their guitars with a PP. That Emmons PP 'zing' is unmistakable.
That's not to say everything else is bad sounding - I love the sound of some other makes. They are just different.
I have had a few guys in this country tell me that their ~~~~~~~~~~ make of guitar sounds just like a push pull. Sorry but they either have cloth in their ears or they have not had the opportunity to A/B their guitars with a PP. That Emmons PP 'zing' is unmistakable.
That's not to say everything else is bad sounding - I love the sound of some other makes. They are just different.
- Tommy R. Butler
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Ken Byng wrote:A PP sound is the holy grail. Put one side by side with another make and compare for tone.
I have had a few guys in this country tell me that their ~~~~~~~~~~ make of guitar sounds just like a push pull. Sorry but they either have cloth in their ears or they have not had the opportunity to A/B their guitars with a PP. That Emmons PP 'zing' is unmistakable.
That's not to say everything else is bad sounding - I love the sound of some other makes. They are just different.
I agree !!!!!!!
- Jack Stoner
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- Tommy R. Butler
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- Ricky Davis
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That's funny; I sat down to a '64 push-pull Emmons and it sounded like a Sho~bud to me.
Ricky
Ricky
Ricky Davis
Email Ricky: sshawaiian2362@gmail.com
Email Ricky: sshawaiian2362@gmail.com
Ricky - up until recently I had 3 ShoBuds. a D12 Pro2, a D10 Pro 111, and a late model LDG that I sold on a few months back. They all sound like ShoBuds thank God, but never in a million years could I even begin to say that any Emmons push pull that I've tried sounded like a ShoBud (or visa versa). Both makes have distinctively different sonic tone (timbre) to my ears - acoustically and through an amp.
I didn't like the PP sound when I first played one in 1972. I was a ZB man back then, and then on to ShoBud in 1975. The push pull sounded overly clean and bright to me then, and I found it a little un-nerving compared to my ZB's and ShoBuds.
I recent years I have played a number of push pull's, most of which I have to say have a unique sound unlike any other pedal steel guitar. I have now grown to love the sound, and with luck I will get one this year to add to my stable of ShoBuds. If they sounded the same as my 'Buds I wouldn't bother - there would be absolutely no point.
I didn't like the PP sound when I first played one in 1972. I was a ZB man back then, and then on to ShoBud in 1975. The push pull sounded overly clean and bright to me then, and I found it a little un-nerving compared to my ZB's and ShoBuds.
I recent years I have played a number of push pull's, most of which I have to say have a unique sound unlike any other pedal steel guitar. I have now grown to love the sound, and with luck I will get one this year to add to my stable of ShoBuds. If they sounded the same as my 'Buds I wouldn't bother - there would be absolutely no point.
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SKH
Ron I Got a Black SKH They Dont Sound to Shabby Either. I Would Like To Hear a G 2 Anyone Care To Comment ? I Have a Lamar Comeing With Woodnecks And laquer Cant Wait To Hear That One. Thanks For all The Comments. Lots Of Great Quality Steels Being Built. My Short List Ia a G2 And A Rittenberry Lots Of Positive Comments On Those. Randy
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Ken I agree to a point.
I can certainly tell a diff. between a Sho~bud and a push-pull Emmons.
I guess I should say that I sat down to a '64 wraparound; and I made it sound like me playing a Sho~bud.
Ricky
I can certainly tell a diff. between a Sho~bud and a push-pull Emmons.
I guess I should say that I sat down to a '64 wraparound; and I made it sound like me playing a Sho~bud.
Ricky
Ricky Davis
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Email Ricky: sshawaiian2362@gmail.com
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Randy, You just like those big 'ol John Deere tractor pedals on those old push pulls . Reminds you of the old days back on the farm don't it? LOL
Any of the new guitars sound great but I am also envious of the "old geetar" players, especially the ZB and Sho-Bud pickers
That said... Black Emmons push/pulls sound the best! LOL
Your buddy,
Danny
Any of the new guitars sound great but I am also envious of the "old geetar" players, especially the ZB and Sho-Bud pickers
That said... Black Emmons push/pulls sound the best! LOL
Your buddy,
Danny
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I have rooms full of the finest steel guitars ever built, there is nothing that sounds like the Emmons P-P, even my employees can tell the difference from rooms away. Ken Byng, you know, you were here, as many of you have been.
This unique tone is prefered by most all that hear it, but then we do run across the occational cardboard ear.
Anyone may come by and take the Emmons P-P test. You won't even have to study for it, the answers are obvious.
This unique tone is prefered by most all that hear it, but then we do run across the occational cardboard ear.
Anyone may come by and take the Emmons P-P test. You won't even have to study for it, the answers are obvious.
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Bobbe, next time you see "Mr. Cardboard", tell him I said "Hi".BobbeSeymour wrote:I have rooms full of the finest steel guitars ever built, there is nothing that sounds like the Emmons P-P...This unique tone is prefered by most all that hear it, but then we do run across the occational cardboard ear.
Or is it Lloyd that's "Mr. Cardboard"?Buddy Emmons
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From: Hermitage, TN USA
posted 10 September 2003 01:31 PM profile edit
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I think the Sierra ranks at the top of the list for C6th tone. Also, I recorded several Clinton Gregory sessions including the song, "If It Weren't for Country Music," and the bite on the intro was as Nashville inclined as you'd ever want to hear. If I hadn't had a problem breaking the G# on my guitar I might have kept it. I presently own a Sierra single 12 devoted to the C6th tuning only and the tone is superb.
Anyhow, I'm sure they both appreciate your thoughts!
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Emmons
Danny That is Right It Makes Me Think of The Allis Chalmers With The crank in front With Those Pedals. Could Not afford a John Deere. Bobbe No wonder we Cant find any PPs You Got Em all. Your Pal Randy,
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"Do they really sound like a pp emmons?"
In my opinion, yes. It depends on who's playing it. This is judging by steel shows and recordings. I've never listened as a highly accomplished picker compared a p/p with an all- pull.When Mr. John Hughey passed away, he was playing a Zum. Buddy Emmons play's a Zum. Lloyd Green play's a Sho-Bud. Paul Franklin play's a Franklin. Mike Johnson play's an Emmons p/p. I think Tommy White play's a MSA. All of these pickers use different equiptment. They each play with different styles. But they all have something in common. They all have a gift for musical talent, they all have practiced alot, they all have GREAT tone, and they all know how to handle a steel guitar. If a beginner spends X amount of dollars on an Emmons p/p thinking that it will instantly give him good tone, he's wasted his money. Some pickers sound good on any steel guitar. And some sound bad on every steel that they play. Musical talent, good ears, alot of practice, and time will give the best chances for good tone. Not an Emmons P/P.
Mitch
In my opinion, yes. It depends on who's playing it. This is judging by steel shows and recordings. I've never listened as a highly accomplished picker compared a p/p with an all- pull.When Mr. John Hughey passed away, he was playing a Zum. Buddy Emmons play's a Zum. Lloyd Green play's a Sho-Bud. Paul Franklin play's a Franklin. Mike Johnson play's an Emmons p/p. I think Tommy White play's a MSA. All of these pickers use different equiptment. They each play with different styles. But they all have something in common. They all have a gift for musical talent, they all have practiced alot, they all have GREAT tone, and they all know how to handle a steel guitar. If a beginner spends X amount of dollars on an Emmons p/p thinking that it will instantly give him good tone, he's wasted his money. Some pickers sound good on any steel guitar. And some sound bad on every steel that they play. Musical talent, good ears, alot of practice, and time will give the best chances for good tone. Not an Emmons P/P.
Mitch
The original point was that of some players claiming that their non-Emmons guitars sound like push-pulls. It was not whether the PP is the best, or Sierra, or ShoBud. I think that the push pull has the most distinctive tone of all pedal steels, and so do many others. As far as distinctive tones go, it is not alone in having a signature tone - Emmons, ShoBud, ZB, Sierra, Bigsby and early MSA's all have their own sound, however subtle this might be.
However, I do struggle to tell the difference between many of the modern pedal steels, most of which sound good but have a generic modern tone. This is not surprising since the designs now are very similar (Jackson apart). Mark Giles manufactures bodies for several current makers, and in the main, pickups are provided by third party manufacturers.
This is a great thread, and we all have our own opinions on tone, but it's so very subjective.
Bobbe S. Yes I did hear 2 of your push pull's in close proximity. I don't say this lightly as I have been involved with pedal steels for many years, selling and playing. The blue push pull in your shop is the finest sounding guitar that I have ever heard - period.
Mitch Ellis - I agree with some of your comments. However, the reason why some players play a certain model is not always down to whether they think it is the best sounding guitar. You mention Tommy White - the world's best player in my view - he seems to change guitar fairly regularly. They all sound great when he plays them, but none of them have the sublime tone that he gets with the black push pull on his E9 instructional DVD.
However, I do struggle to tell the difference between many of the modern pedal steels, most of which sound good but have a generic modern tone. This is not surprising since the designs now are very similar (Jackson apart). Mark Giles manufactures bodies for several current makers, and in the main, pickups are provided by third party manufacturers.
This is a great thread, and we all have our own opinions on tone, but it's so very subjective.
Bobbe S. Yes I did hear 2 of your push pull's in close proximity. I don't say this lightly as I have been involved with pedal steels for many years, selling and playing. The blue push pull in your shop is the finest sounding guitar that I have ever heard - period.
Mitch Ellis - I agree with some of your comments. However, the reason why some players play a certain model is not always down to whether they think it is the best sounding guitar. You mention Tommy White - the world's best player in my view - he seems to change guitar fairly regularly. They all sound great when he plays them, but none of them have the sublime tone that he gets with the black push pull on his E9 instructional DVD.
- Mike Mantey
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G2
Mike Mickey Adams Sure Likes his . When The Used Ones Start Popping Up I Will Try One. I Like The sound of the Mullen.
- Jack Stoner
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"Tone" is very subjective and what one person considers "great tone" or "the ultimate" tone, someone else may (and many do) have a totally different thought on it.
If everyone thought the same make/model was the "best" everyone (or practically everyone) would be playing that make/model. If the Emmons PP REALLY is as desireable as many think, why isn't it still a standard production model?
If everyone thought the same make/model was the "best" everyone (or practically everyone) would be playing that make/model. If the Emmons PP REALLY is as desireable as many think, why isn't it still a standard production model?
Last edited by Jack Stoner on 8 May 2008 6:32 am, edited 1 time in total.
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