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Author Topic:  Lap Steel Tremolo Bar
Garry Vanderlinde


From:
CA
Post  Posted 31 Jan 2008 10:26 pm    
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Anyone remember the make of one of these? I saw one at a guitar show a few years ago on a lap steel and it had a tremolo or vibrato bar device of some sort. I though it odd at the time. Not the '30s Rickenbacher type, but a manual bar or lever system like a Bigsby or Strat.
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AJ Azure

 

From:
Massachusetts, USA * R.I.P.
Post  Posted 31 Jan 2008 10:55 pm    
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I'll be getting a steel made with this:
http://www.wammiworld.com/7228.html
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Michael Johnstone


From:
Sylmar,Ca. USA
Post  Posted 2 Feb 2008 1:54 am    
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Steel players already have a tremolo unit - it's called a steel bar.
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Garry Vanderlinde


From:
CA
Post  Posted 2 Feb 2008 1:54 am    
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The one I saw was a vintage instrument. Maybe late'50s through the '60s.

I hear ya Michael, but what do you do for the open strings? Think of a rake in C6th open for the A minor chord. How are you going to put a little tremolo on that?
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Steinar Gregertsen


From:
Arendal, Norway, R.I.P.
Post  Posted 2 Feb 2008 2:23 am    
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Here's a custom job from Asher:



Steinar
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AJ Azure

 

From:
Massachusetts, USA * R.I.P.
Post  Posted 2 Feb 2008 2:26 am    
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Michael Johnstone wrote:
Steel players already have a tremolo unit - it's called a steel bar.



well firstly it's not tremolo. you can not do drastic things with the bar that sound anything like you can with any vibrato/bending arm. It adds one more sound to the toolbox. how can that be bad?
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Chris Walke

 

From:
St Charles, IL
Post  Posted 2 Feb 2008 7:22 am    
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Steinar Gregertsen wrote:
Here's a custom job from Asher:



Steinar


"Asher-caster." I like that.
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 2 Feb 2008 8:04 am    
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If you order a "Red Neck" from Loni Specter and put it on a Strat, you will have a guitar with a whammy bar.
You may have to add some additional springs to the whammy unit, however, to make up for the heavier strings.
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HowardR


From:
N.Y.C.-Fire Island-Asheville
Post  Posted 2 Feb 2008 9:00 am    
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Garry Vanderlinde wrote:
The one I saw was a vintage instrument. Maybe late'50s through the '60s.

I hear ya Michael, but what do you do for the open strings? Think of a rake in C6th open for the A minor chord. How are you going to put a little tremolo on that?



Pick it up and shake the tar out of it..... Very Happy
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Mark Mansueto


From:
Michigan, USA
Post  Posted 2 Feb 2008 9:21 am    
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It's a "StratocAsher" Very Happy

Honestly, not trying to knock the guitar but I've been a Strat player for many years and so far I"ve not missed having a whammy on my lap steel. I do mimmick a whammy with the bar at times and the only thing I can't do are deep dives which standard trem's aren't real good at anyway (need a Floyd Rose for that).

If I were to mount an arm of some sort on a steel it would be to change the pitch of individual strings. That's stomething that you can't do with a whammy.
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Michael Johnstone


From:
Sylmar,Ca. USA
Post  Posted 2 Feb 2008 10:19 am    
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I dunno. Yeah I suppose if you just got to have vibrato on open strings and you only had 6 strings you could do it and have some kind of argument. Other than that - I don't know about anybody else but it seems real easy to do anything a whammy bar will do and then some with just left hand technique. And there's an out-of-tune lap steel w/a Bigsby hangin on the wall out in my studio - I've tried it.

It just seems like another idea from the department of redundancy department.
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 2 Feb 2008 10:26 am    
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The lack of vibrato is the reason I try to avoid open strings at all cost.
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Andy Volk


From:
Boston, MA
Post  Posted 2 Feb 2008 11:16 am    
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I look for every opportunity to use open strings; some wonderfull voicings are only available using open strings.

And here's the Strat-o-Asher's companion .... the Tele-Asher


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Alan Brookes


From:
Brummy living in Southern California
Post  Posted 2 Feb 2008 1:25 pm    
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I built this one as an experiment several years ago. My idea was to rest my palm on the tremolo arm and add extra vibrato. I built it in a weekend. It's basically a plank with pick-ups. It sounds okay but the tremolo has very little use. I wouldn't build another one.

Check this previous tab out...

http://steelguitarforum.com/Forum2/HTML/008935.html
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Garry Vanderlinde


From:
CA
Post  Posted 10 Feb 2008 12:21 am    
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...but what do you do for the open strings? How are you going to put a little tremolo on that?


HowardR wrote:
Pick it up and shake the tar out of it..... Very Happy


Thanks Howard! Funny as it seems, that really does work Surprised
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Tim Carlson

 

From:
Arizona, USA
Post  Posted 10 Feb 2008 1:34 am    
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For a mild vibrato on a single open string or a pair of unwound strings, you can bend the string behind the nut.
Make sure you use some nut-sauce or other bridge/nut lube when you string up, though.
Depending on set-up, you can sorta mimic a pedal steel or bar slant type sound.
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Bill Creller

 

From:
Saginaw, Michigan, USA (deceased)
Post  Posted 10 Feb 2008 10:03 am    
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Not to steal this post, but has anyone ever tried building a lap steel with pairs of strings, like a 12 string guitar has?? Sounds like something that's been done or tried. A mandolin type sound is really what I mean.
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Alan Brookes


From:
Brummy living in Southern California
Post  Posted 10 Feb 2008 1:49 pm    
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Bill Creller wrote:
Not to steal this post, but has anyone ever tried building a lap steel with pairs of strings, like a 12 string guitar has?? Sounds like something that's been done or tried. A mandolin type sound is really what I mean.

Yes. Been there. Done that. Cool

http://bb.steelguitarforum.com/viewtopic.php?t=101032&highlight=double+course

I've built several over the years. At this moment I'm in the process of building a 16-string (8 course) lap steel for Basil Henriques. It's not finished yet....





Here's one I built a few years ago...



Here's one I built about 20 years ago.
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Jon Light (deceased)


From:
Saugerties, NY
Post  Posted 10 Feb 2008 1:57 pm    
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Man--there's some stuff there worthy of comment but I'm coming up empty....

----on the subject of tremolo bar on a steel, several years ago I was in a band covering a tune that had a classic twang/surf guitar lick that I was trying to fill on PSG. I could get the (simple) lick note for note and I could get the sound pretty close but ultimately the bar just couldn't get the same effect that a trem has. So I'm sold on the idea that this isn't just for open strings. If I don't have a trem arm on a lap steel or pedal steel I'll survive ok but I surely don't scoff at the idea of one, for purpose of maximum available palette.
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Alan Brookes


From:
Brummy living in Southern California
Post  Posted 10 Feb 2008 7:10 pm    
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Jon Light wrote:
----on the subject of tremolo bar on a steel, several years ago I was in a band covering a tune that had a classic twang/surf guitar lick that I was trying to fill on PSG. I could get the (simple) lick note for note and I could get the sound pretty close but ultimately the bar just couldn't get the same effect that a trem has....

A lot of the surf sound was produced by using a heavy tremolo setting on a tube amplifier. Modern amplifiers don't often have tremolo, It's a sound that seems to have gone out of fashion.
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Drew Howard


From:
48854
Post  Posted 13 Feb 2008 6:34 am    
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Vibrato and tremelo are two different things and get confused all the time. Vibrato involves pulsating pitch change and tremolo is pulsating volume change.
Putting a whammy bar on a steel guitar would appear to be redundant redundant. I don't see the benefits.
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Erv Niehaus


From:
Litchfield, MN, USA
Post  Posted 13 Feb 2008 7:09 am    
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Drew,
Only if you're playing open strings.
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Jon Light (deceased)


From:
Saugerties, NY
Post  Posted 13 Feb 2008 12:23 pm    
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Drew Howard wrote:

Putting a whammy bar on a steel guitar would appear to be redundant redundant. I don't see the benefits.


I repeat my previous post. The sound of a trem bar is distinct and unique. I can close-imitate it with a steel but I cannot replicate it.
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Steve Norman


From:
Seattle Washington, USA
Post  Posted 13 Feb 2008 1:49 pm    
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Alan Brookes


From:
Brummy living in Southern California
Post  Posted 14 Feb 2008 7:27 pm    
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Jon Light wrote:
...I repeat my previous post. The sound of a trem bar is distinct and unique. I can close-imitate it with a steel but I cannot replicate it.

..what's more you can introduce tremolo with your left hand palm on the whammy bar while simultaneously applying tremolo with the steel. It's an effect that cannot be replicated with just a steel.

By the way, you can introduce tremolo on any archtop guitar with a floating bridge, or a banjo, by vibrating your palm on the strings behind the bridge.
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