Would this be at all fun?
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- Doug Beaumier
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Thank you Andy, I appreciate it. The guitar is a long scale (25") and it has Rick A.'s Nibro magnets installed. Thanks again.
Last edited by Doug Beaumier on 6 Feb 2008 9:44 pm, edited 1 time in total.
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Doug, don't "deadify" it just yet. I have every intention of submitting a version, but, what with all the building and restoration projects, I just haven't gotten round to it yet. I bet there are many others out there with the same intentions.Doug Beaumier wrote:Any more Cold Cold Hearts out there? ...or is this post dead?
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Where's Jeff?
Maybe this should be a separate topic...but, "Where is Jeff Au Hoy?"
I see from his profile that he hasn't posted since November. Just wanted to say that his absence hasn't gone unnoticed by me. I always enjoy his posts and find him a very talented and insightful young man.
Respectfully,
David
I see from his profile that he hasn't posted since November. Just wanted to say that his absence hasn't gone unnoticed by me. I always enjoy his posts and find him a very talented and insightful young man.
Respectfully,
David
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Here's the vocal version . .
COLD COLD HEART
COLD COLD HEART
- Doug Beaumier
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SOME OUTSTANDING PLAYING
Well Im not even close to recording the steel especially Cold cold heart. I've been learning this song from Ricks dvd's Pieces of Steel 1 part at a time and don't have it down yet. But I really enjoyed listening to everyone's interpretations and all were outstanding.
Dean from NY one of these days I'll have that one down, well hope to anyway
Dean from NY one of these days I'll have that one down, well hope to anyway
I'm new and just learning - I know nothing!
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Another version...
Here's my 2nd contribution ----> <b>Cold Cold Heart 2</b>
A11 tuning (B11 tuned down one whole step). 6-string Valco lap steel.
Here's my 2nd contribution ----> <b>Cold Cold Heart 2</b>
A11 tuning (B11 tuned down one whole step). 6-string Valco lap steel.
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- Doug Beaumier
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Thanks Keith,
That "doo-wah" effect is done with the tone control on the lap steel. The little finger of the right hand works the tone control as the thumb (or fingers) pick the string.
Start with the tone knob at "full bass", pick a string and then quickly twist the tone knob with the little finger or with one of the other fingers. The quick roll off from bass to treble produces the "doo-wah". The trick is... to return the knob to full bass before picking the next note. It helps if the tone knob on your lap steel is in a convenient location. A lot of 1950s players, like Jerry Byrd, Speedy West, Alvino Rey, and others used this technique. That was before wah-wah pedals were around. The "doo-wah" tone knob effect is pretty much a lost art today, unfortunately.
BTW, the tone controls on 1950s and '60s guitars change from bass to treble very quickly. It is not a gradual change, like in modern guitars. The change from all-bass to all-treble happens within about 1/8 turn of the knob. That makes the doo-wah easier to accomplish. I don't know if it's because of the pot or the capacitor... but whatever it is, I love it! My 1957 Valco lap steel works like that. Modern guitars don't, but I think they can be wired to do that.
That "doo-wah" effect is done with the tone control on the lap steel. The little finger of the right hand works the tone control as the thumb (or fingers) pick the string.
Start with the tone knob at "full bass", pick a string and then quickly twist the tone knob with the little finger or with one of the other fingers. The quick roll off from bass to treble produces the "doo-wah". The trick is... to return the knob to full bass before picking the next note. It helps if the tone knob on your lap steel is in a convenient location. A lot of 1950s players, like Jerry Byrd, Speedy West, Alvino Rey, and others used this technique. That was before wah-wah pedals were around. The "doo-wah" tone knob effect is pretty much a lost art today, unfortunately.
BTW, the tone controls on 1950s and '60s guitars change from bass to treble very quickly. It is not a gradual change, like in modern guitars. The change from all-bass to all-treble happens within about 1/8 turn of the knob. That makes the doo-wah easier to accomplish. I don't know if it's because of the pot or the capacitor... but whatever it is, I love it! My 1957 Valco lap steel works like that. Modern guitars don't, but I think they can be wired to do that.